Announcements
by Michael Frye | Dec 28, 2013 | Announcements, Reviews
Milky Way reflected in an alpine lake, Yosemite, captured with the Nikon D800E
I don’t often write about equipment, but in August I had a chance to test the Nikon D800E, and since it’s such a good camera for landscape photography I decided to share my thoughts about it. In terms of image quality, this camera is hard to beat unless you jump into the super-expensive realm of medium-format digital cameras.
There is, however, a new camera on the market that may prove to be a worthy competitor to the D800: the Sony A7r. This is a mirrorless camera with a 36-megapixel full-frame sensor. In fact it’s probably the exact same sensor that’s in the D800E, but in a smaller, lighter, and less-expensive package. DxO Mark rated the Sony sensor equal to the D800, and just a point below the D800E.
Unfortunately, hardly any lenses are available yet for this camera. As I write this I think only two lenses are shipping, a 35mm f/2.8, and a 55mm f/1.8, though more will be coming within the next six months or so. You can use Sony’s E-mount lenses for it’s NEX cameras with the A7r, but you’ll get serious vignetting. You can also buy adapters that will let you mount a variety of other lenses, including Zeiss, Nikon, Canon, and others. However, with most adapters you’ll lose the ability to autofocus (or if not, the performance will suffer), and possibly the automatic diaphragm as well. The D800 or D800E are still the best bets if you want a lot of megapixels with a great variety of fully-compatible lenses and accessories.
(more…)
by Michael Frye | Dec 27, 2013 | Announcements, Digital Darkroom
Sunbeams, Mariposa County, CA, USA
Throughout 2013, nothing generated more comments and passionate discussion than my posts about Adobe’s Creative Cloud. As most of you know, Adobe announced in May that it would no longer offer Photoshop and its other Creative Suite applications with a perpetual license. They became available by subscription only, and, at the time, with a rather steep monthly fee of $20 per month for an individual application.
In June I wrote My Thoughts on the Adobe Creative Cloud, which covered my initial reaction to this announcement. Since then some things have changed. Notably, Adobe lowered the monthly subscription rate to $9.99 per month for Photoshop and Lightroom together. At first they offered this rate only to people who already owned a license to Photoshop CS3 or later. Then they offered the package to everyone. I finally decided to subscribe, despite some misgivings; I wrote about my reasons here.
This Lightroom-and-Photoshop package is still available for $9.99 per month (with a one-year subscription) until December 31st. After that? Well who knows. I have a feeling Adobe could be offering similar deals in the future, but no guarantees!
2014 should be an interesting year. Will Adobe make Lightroom available by subscription only? Let’s hope not! Will other software companies move to a subscription-only model? Or will someone seize the opportunity created by all the ill-will toward Adobe and offer a true competitor to Photoshop – with a perpetual license? Stay tuned.
— Michael Frye
Did you like this article? Click here to subscribe to this blog and get every new post delivered right to your inbox!
Michael Frye is a professional photographer specializing in landscapes and nature. He is the author or principal photographer of The Photographer’s Guide to Yosemite, Yosemite Meditations, Yosemite Meditations for Women, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters. He has also written three eBooks: Light & Land: Landscapes in the Digital Darkroom, Exposure for Outdoor Photography, and Landscapes in Lightroom 5: The Essential Step-by-Step Guide. Michael written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.
by Michael Frye | Dec 26, 2013 | Announcements, Digital Darkroom
Aspen hillside, Tioyable NF, CA, USA (processed with Lightroom 5)
In April Adobe released the beta version of Lightroom 5, and the full shipping version came out in June. While the jump from Lightroom 4 to 5 wasn’t as big as some previous upgrades, there were some significant improvements, notably the Advanced Healing Brush and the Visualize Spots options for the Spot Removal Tool.
I shared my thoughts about all the changes in the post Lightroom 5 Beta from April. Since then I’ve used the Advanced Healing Brush a lot, and have actually found it to be even more helpful than I initially thought. It does take some practice to get the most out of this tool, but now I do almost all of my retouching in Lightroom, and rarely use Photoshop. This allows me to keep a completely non-destructive workflow, and means that I’ll never have to do the retouching for any of these images again (as I might if I used Photoshop for retouching and ever had to go back and make a change to the Raw file). Very nice.
(more…)
by Michael Frye | Dec 24, 2013 | Announcements
Mule deer browsing oak leaves, Yosemite NP, CA, USA
To all who celebrate it, Claudia and I wish you a very Merry Christmas! We hope everyone is warm and safe, enjoying good food and the company of family and friends during this season.
— Michael Frye
by Michael Frye | Dec 23, 2013 | Announcements
California black oaks after a snowstorm, Yosemite Valley. With forest scenes, it’s important to find as much spacing and separation between tree trunks as possible.
If light is the most important element in photography, composition is just a whisker behind. They’re both essential, and can’t be completely separated: a good composition has to take lighting into account, and you can’t think about light without considering how the light complements the subject. I already highlighted my post from last January about creating depth, but I also wrote three more posts this year about composition.
I’ve seen many otherwise excellent photographs ruined by a visual merger between important elements of the composition. When Separation is a Good Thing explains how to become conscious of these mergers and avoid this problem.
In Courting Luck, Part 2: Adapting Your Composition to the Conditions, I talk about what why I think it’s more productive to keep your compositions fluid and flexible when the light is changing quickly. And What’s the Least Interesting Part of This Photograph? is an exercise to help you tighten and strengthen your compositions.
— Michael Frye
(more…)
by Michael Frye | Dec 22, 2013 | Announcements
Mist rising from cottonwood trees, Yosemite NP, CA, USA
Looking back through this year, I realized I’d written many posts about light. But this isn’t really surprising, because photography is the art and craft of capturing light. Nothing will help your photography more than understanding this most essential element of the medium.
While many photographers watch and anticipate how the light might strike Half Dome, or El Capitan, or other big landscape scenes, we often overlook the profound affect light can have on smaller scenes. Light and Mood With Intimate Landscapes, from March, looks at how to find and anticipate small-scale lighting events, and use them to add emotional power to your photographs.
But many times intimate landscapes can work with just soft light – shade or overcast. In Praise of Soft Light explains how to create extraordinary images with this most ordinary kind of light.
In May and June I spent several weeks in the redwood country along the northern California coast. Photographing a redwood grove in dappled, late-afternoon sun prompted me to write about how to capture this difficult but beautiful lighting situation for this post called In Redwood Country.
(more…)
