In the Moment:
Michael Frye's Landscape Photography Blog

Lupines and Fog

Sun rising over a field of lupines, Redwood NP, CA, USA

Sun rising over a field of lupines, Redwood NP. I put the sun behind a tree to reduce flare, and bracketed five frames, two stops apart, then blended the exposures using Lightroom’s HDR Merge. (16mm, f/16, various shutter speeds, ISO 100.)

Before our recent redwoods workshop Claudia and I drove inland, toward the higher elevations of Redwoods National Park, and found a beautiful, dense patch of lupines in one of the “prairies,” as they call them in that part of California – an open, grassy area amid the dense surrounding forests. We also found some photographer friends there, Terry Donnelly and Mary Liz Austin, and met two other photographers, Ed Callaert and Bruce Jackson. It’s amazing how you meet photographers in the most out-of-the-way – yet beautiful – places.

On that first afternoon the light wasn’t particularly special, but I did manage to make one image I liked (the first one below) in soft light after the sun set. Two days later, in Crescent City, we woke early and saw a high fog bank, or marine layer, and thought maybe we might see fog among the lupines. Claudia and I arrived about 15 minutes before sunrise, and the lupines were right at the top of the fog bank, which was perfect, creating an opportunity to photograph sun, fog, and lupines together.

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Sunset and Azaleas

Sunset in El Capitan Meadow with oaks, pines, azaleas, and Lower Cathedral Rock, Yosemite NP, CA, USA

Sunset in El Capitan Meadow with oaks, pines, azaleas, and Lower Cathedral Rock, Yosemite NP, CA, USA

Last Sunday, after the double rainbow from Tunnel View faded, Claudia and I headed down to El Capitan Meadow. We had explored this meadow earlier in the afternoon and found azaleas still blooming (though most were past peak). I hoped to photograph the azaleas again in better light, maybe with a sunset above.

By the time we got to El Cap Meadow the sky was already starting to get interesting, so I had to hurry. My previous explorations gave me a head start, but I still had trouble finding a good composition that included azaleas, the sky, and, preferably, Lower Cathedral Rock. There was also some mist along the Merced River in the distance, and ponds reflecting the sunset, so I wanted to include those elements too, if possible.

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Double Rainbow

Double rainbow from Tunnel View, Yosemite NP, CA, USA

Double rainbow from Tunnel View, Yosemite NP, CA, USA

I’m always looking for interesting weather. On Sunday the forecast called for a chance of showers and thunderstorms, so that afternoon Claudia and I decided to brave the weekend traffic and head up to Yosemite Valley.

The traffic actually wasn’t too bad, and we did encounter some rain. After a small shower passed through we went to El Capitan Meadow and spent some time photographing azaleas. I kept checking the radar on my phone, and saw that another, stronger shower was headed our way. With clear skies to the west, and this new shower coming from the southeast, that meant we could see sun hitting rain – and a rainbow. Claudia was in another part of the meadow, so I texted her and said, “Maybe we should go to the Tunnel.”

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Death Valley under the Moon and Stars

Milky Way over sand dunes, Death Valley NP, CA, USA

Milky Way over sand dunes, Death Valley. This is a six-image panorama, lit with low-level continuous lighting from two LED light panels on stands, and stitched together with Lightroom’s Panorama Merge. See the main text for more details.

It’s been a busy spring, so I have a backlog of images that I haven’t been able to post yet. Among those images are most of the nighttime photos I made during our two Death Valley workshops (as well as beforehand, while scouting). We encountered a lot of wind, which made things challenging. You just don’t want to be out in the dunes when it’s windy, because you and your gear will get sand-blasted. But the wind helped wipe footprints off the sand, and somehow, during both workshops, we managed to get out into the footprint-free dunes on calm, clear, beautiful nights.

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The Primeval Coast

Sea stacks at dusk, Redwood NP, CA, USA

Sea stacks at dusk, Redwood NP. After the sun had set we saw this little strip of orange light near the horizon through a gap in the clouds. I used a 10-stop neutral-density filter to lengthen the shutter speed to 30 seconds (at f/8, 200 ISO; focal length 111mm) in order to smooth out the water.

We recently returned from our annual trip to the northwest corner of California, land of fog, ferns, giant redwoods, and wild, rugged stretches of coastline. I always love going back to this area with its damp, primeval moodiness. And once again we had a great time during our workshop, enjoying the wonderful food and atmosphere at the Requa Inn, and spending time with a fun group of participants.

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