Sun setting behind Manly Beacon, Death Valley NP, CA, USA
We just returned from another workshop in Death Valley. The wind and weather in Death Valley always present challenges, requiring flexibility to adapt to the changing conditions. But this time, just to make things more interesting, Stovepipe Wells lost power during our stay. With high temperatures around 100 we definitely felt the lack of air conditioning. And simple tasks like charging camera batteries became difficult. But California Edison trucked in two generators, so luckily the most serious problems only lasted about 12 hours.
The power outage aside, we actually had very good photo conditions. Some wind just before the workshop cleansed the sand of footprints, and we had clear skies for our first two nights in the dunes. Then some clouds moved in, followed by a big sandstorm on our last night. Typical Death Valley stuff.
Clouds and mist from Tunnel View, Yosemite NP, CA, USA
We’ve had a series of storms recently. The last of these arrived Saturday and continued into the night. It wasn’t much of a storm; Yosemite Valley received only about three-tenths of an inch of water. But it was cold enough to leave a dusting of snow on the valley floor.
It looked like the storm would clear during the night, so I left for the valley around 11:00 p.m. Saturday, arriving just after midnight. But clouds and snow showers kept lingering so I ended up dozing in my car. I woke up around 5:30 a.m. and saw a few stars for the first time. At least the clearing seemed well-timed for sunrise.
Sunbeams and morning mist from Tunnel View, Yosemite. While photographing this dramatic light from Tunnel View a few years ago, I zoomed out wide enough (to 40mm) to leave some dark areas between the bright clouds and the edges of the frame.
When you compose a photograph, you put a frame around a piece of the world, at a certain moment, and say, “Hey, look at this.” It’s the frame that creates the composition, and it’s the edges that define the frame. That’s why it’s so vital to pay attention to the edges of your photographs.
It’s always a good idea to run your eye around the edges of the viewfinder before pressing the shutter. Look for anything that might be distracting, and see if you can get rid of it. Look for objects that are cut in half along the edge, and decide whether you should include them or eliminate them.
Winter morning, El Capitan and the Merced River, Yosemite NP, CA, USA
The big storm finally ended last night. Yosemite Valley received about four-and-a-half inches of liquid precipitation since Thursday. It started as snow, then changed to rain for awhile, and then changed back to snow, with about a foot of snow accumulating on the valley floor. Precipitation for this water year is still well below average, but this storm was a big help.
The forecast called for snow showers to continue all day Saturday and linger into the evening. But you never know, so I set my alarm for 4:00 a.m. on Saturday morning in case the storm started to break earlier than expected. After getting rudely awakened by the alarm I checked the radar and satellite images, which showed clear skies approaching from the west. But it didn’t look like they would reach Yosemite Valley until at least a couple of hours after sunrise. And besides, showers often linger in the mountains, and all the forecast predictions showed showers continuing in Yosemite all day. I went back to bed.
Clearing storm from Tunnel View, Yosemite NP, CA, USA
Storms have been rare in Yosemite during this dry winter. But on Monday evening a small, cold weather system moved down the coast and brushed the area.
I set my alarm for 4:00 a.m. Tuesday morning to check on the weather and see if it might be worth driving up to Yosemite Valley. We had about three inches of fresh snow at our house in Mariposa, but Yosemite hadn’t received much precipitation – less than a tenth of an inch. Most of the rain and snow with this system fell further west.