Great gray owl, Yosemite. This was what my first view looked like as the owl as craned its neck around the trunk and stared back at me.
Claudia and I have made several trips to the Yosemite high country recently to photograph flowers. We’ve mostly seen early bloomers like shooting stars, along with a few other species.
One afternoon we made a short hike to one of the high-country meadows looking for flowers. Whenever I’m near meadows in Yosemite between, say, 6,000 and 8,000 feet, I keep my eyes and ears peeled for great gray owls. These are the largest owls in North America, and typically live in boreal forests in Canada and Alaska. But some live in the Cascades and northern Sierra, all the way down to Yosemite, which hosts the southern-most population of these birds.
Aspens and ferns near Kebler Pass, Grand Mesa-Uncompahgre-Gunnison NF, CO, USA
Claudia and I had wonderful conditions on our autumn trip to Colorado. As I said before, it wasn’t the best year for fall color there, but the weather more than made up for that, with rain, snow, fog, and lots of interesting clouds.
We chased the weather and color all over Colorado – or so it seemed. We reached the San Juan Mountains in the southwest corner of the state on September 27th, but found little color at that time. So we headed east and ended up near Twin Lakes, where I photographed aspens with snow and fog. Then we drove over Independence Pass and spent a couple of days around Aspen and Carbondale, braving the crowds to capture a misty view of the Maroon Bells.
Autumn scene along Rush Creek, Inyo NF, CA, USA
We just finished our workshop on the eastern side of the Sierra. When I arrived a few days before the workshop the aspen color was rather mixed, with bare trees, green trees, and every stage in between. But the weather was cold, and things turned quickly. By the time our workshop started most of the green leaves had turned yellow and orange, and we found lots of beautiful color – particularly along the June Lake Loop.
Maroon Bells in autumn, White River NF, CO, USA
Some photographers love photographing icons, and try to visit as many as possible. Others avoid them at all costs.
But I think most of us have mixed feelings about them. These iconic spots have a certain undeniable appeal. There are good reasons, after all, why these places have become iconic: they’re great locations. With the right conditions, it’s possible to capture some beautiful images at these spots. They work.
Autumn hillside with aspen and spruce trees, Pike-San Isabel NF, CO, USA
Claudia and I are in Colorado, chasing the fall color once again. By Colorado standards this is a below-average year for autumn color. Apparently a mid-May snowstorm damaged some of the just-sprouting aspen leaves, and those leaves are turning brown or dull yellow before falling off.
But many of the aspens seem to be undamaged. And it’s Colorado after all, where there are so many aspens that even in a “poor” year you can find plenty of colorful trees. And we’ve had some great weather, with rain, snow, fog, and lots of interesting clouds. The combination of weather and color has been really fun to photograph, and the constantly-changing conditions have kept me going from sunrise to sunset every day. Here are a few images showing some of the best moments so far, and I’m sure I’ll post more soon.
Solar eclipse sequence, Sawtooth Mountains, ID, USA, August 21, 2017
Watching the eclipse was an amazing experience. But for Claudia and me, getting to that moment was quite a journey.
I first heard about this eclipse several years ago, and started making plans to photograph it. But I didn’t make any reservations because I wanted to stay flexible, and be able to go where the weather looked best.
Months ago I virtually scouted locations along the eclipse path using online photographs, Google Earth, and The Photographer’s Ephemeris 3D. I knew that thousands of people would capture beautiful, closeup photographs of the eclipsed sun. But I’m a landscape photographer, and wanted to incorporate the eclipsed sun into a wider scene. As I wrote in my last post, that was difficult to do with this eclipse, because the sun would be so high in the sky. You needed something tall in the foreground, or else you had to get the camera down low and look up at a foreground object.