Autumn kaleidoscope, northern Utah. The upper-right portion of this photograph didn’t go into the shade until dusk, so I concentrated on photographing other things for awhile (like the next two images below). But I thought this was worth coming back to, as I loved the mix of colors and patterns. 180mm, 8 seconds at f/11, ISO 100.
As you can probably tell from my last post, Claudia and I had a great time photographing the maples in northern Utah. We even found some spots where the maples were mixed with aspens! Although 99% of the aspens in the area were still green at that time, I loved the juxtaposition of those greens against the reds and oranges of the maples – along with the white aspen trunks.
It’s great to get clouds, as we did for a couple of the photographs in that previous post from Utah. But we don’t have any control over the weather, so we have to adapt to the conditions. It’s hard to make big, sweeping landscape scenes work without clouds to add interest to the sky, so on sunny days I usually narrow my focus and concentrate on smaller scenes. And there were plenty of those in northern Utah, with the maples, aspens, and cottonwoods creating wonderful patterns, textures, and colors.
Sunbeams, mountains, and autumn maples, UT, USA. We were treated to some spectacular sunbeams one morning. Despite the high contrast, I was able to get detail in highlights and shadows with just one exposure. 50mm, 1/250th sec. at f/11, ISO 100, polarizer.
Claudia and I were driving to Colorado when we decided to take a little detour to the Wasatch Mountains in Utah. We’d never been there, and it looked like the bigtooth maples were nearing their peak color, so why not?
The maples, as it turned out, were spectacular, covering the hillsides with red. I’d never seen anything like it. And one day we got treated to some interesting weather, with clouds, mist, and sunbeams.
Sunset and sandstone formations, Oregon coast. 16mm, five bracketed exposures at f/16, ISO 100, blended with Lightroom’s HDR Merge, then blended back with one of the original images in Photoshop to eliminate ghosting.
Recently Claudia and I visited our friends Gary and Charlotte Gibb up near Mt. Shasta, where they were renting a house for the week. We had a great time hanging out with them for a couple of days. And then we thought, we’re so close, maybe we should visit the Oregon coast. So we did.
I’ve never spent much time along the Oregon coast, but it’s a beautiful area, and a popular photography destination for a reason, so it’s one of those places that I’ve wanted to explore more thoroughly.
Northern elephant seals near San Simeon, CA, USA
I hope all you moms are having a nice, relaxing day!
Claudia and I found ourselves near San Simeon a few weeks ago, and decided to stop and check out the elephant seals. I became captivated by the patterns made by seals on the beach, so I got out my camera and we ended up staying for over an hour. A thin overcast created soft sidelight and backlight on the seals, which was perfect for highlighting their forms and textures – patterns of seal blubber.
Sandstorm, Mesquite Flat Dunes, Death Valley NP, CA, USA
We tend to think of deserts as barren and desolate, but most deserts are actually full of vegetation. The plants may be widely spaced, but they’re abundant. Some desert areas, like Saguaro National Park, and Organ Pipe Cactus National Monument (both in Arizona), seem almost lush.
In Death Valley, however, there are miles and miles of bare, naked earth, without a scrap of vegetation. It’s austere, yet beautiful in its simplicity. The earth is laid out in plain sight, without any plants to obscure its colors, folds, and textures.
Desert in bloom at sunset, Joshua Tree NP, California. I bracketed three exposures, two stops apart, and blended them with Lightroom’s HDR Merge. 33mm, f/16, ISO 100.
Last week Claudia and I visited family in Southern California, and, while we were in the neighborhood, detoured to some early-season wildflower spots: Walker Canyon, Anza-Borrego Desert State Park, and Joshua Tree National Park.
In past years I’ve photographed beautiful wildflower displays in semi-desert areas like Antelope Valley and the Carrizo Plain, but never in true, low-desert habitats like Anza-Borrego and Joshua Tree. It was amazing to see these normally-dry places blooming. The hills in Anza-Borrego were so green that in the right light, if you squinted (and used your imagination), it looked a bit like Ireland. The birds were in a springtime mood as well; we walked up a wash one afternoon accompanied by a symphony of bird song.