In the Moment:
Michael Frye's Landscape Photography Blog

The Trouble With High Places

Last light on a granite ridge below Shuteye Peak

Last light on a granite thumb below Shuteye Peak


The Journey to Shuteye Peak

Last Thursday my wife Claudia and I—and our dog Rider—went to Shuteye Peak to photograph the moonrise. (Well Claudia and I went for the moonrise—Rider went to look for squirrels.)

Shuteye Peak is in the Sierra National Forest south of Yosemite, and from the fire lookout on top (8,351 feet) you can see a spectacular 360-degree view that includes the Clark Range, Mt. Lyell (both in Yosemite), Mount Ritter, the Minarets, Mammoth Mountain, Bear Creek Spire, the Kaiser Wilderness, and the deep gorge of the San Joaquin River 5000 feet below.

I had been to Shuteye Peak many years ago on a scouting trip. I didn’t take any photos, but remembered the amazing view and wanted to go back. Claudia and her friend Anne had tried hiking there last year, but hadn’t managed to navigate the maze of Forest Service roads approaching the mountain.

There’s a road to the summit of Shuteye Peak, and supposedly in the past you could drive a station wagon up it. Not any more. The road has deteriorated, to say the least, and now the last two-and-a-half miles from Little Shuteye Pass are a very difficult and rocky four-wheel-drive trail, suitable only for expert drivers in appropriate vehicles. We found the route to Little Shuteye Pass (even that road requires a high-clearance vehicle), but hiked that last stretch.

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Where Should You Place the Horizon in Landscape Photographs?

Clouds and reflections, Tenaya Lake, Yosemite

(A) Clouds and reflections, Tenaya Lake, Yosemite


At Tenaya Lake last week my workshop student and I watched and photographed a spectacular, constantly-changing cloud display for over two hours. I made many images, including the one at the top of this post (you can see two more here and here). With the lake in the foreground every composition included a prominent horizon line, so I was often thinking about where to place the horizon in the frame.

It’s not always an easy decision. If you’ve ever read any books on composition you probably learned about the rule of thirds. And when applied to horizons this means you should place the horizon a third of the way from the top or bottom of the photograph. And you probably also read that you should, at all costs, avoid putting the horizon in the center of the frame.

As many of you already know, I’m not a big fan of the rule of thirds. It’s too restrictive, too limiting when applied to the infinite number of possible subjects and situations a photographer can encounter. It’s useful sometimes, but shouldn’t be taken as dogma.

I think this applies to horizons as well. Sometimes putting the horizon a third of the way from the top or bottom works. Sometimes it’s better to ignore the rule and put the horizon right in the middle, or near the top or bottom of the frame.

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Embracing Uncertainty

Reeds and Cloud Reflections no. 1



Planning

The future is uncertain, so we try to control it by planning. We think that if we do A and B the result will be C. But sometimes there are too many variables that we can’t account for, so the result might not be C—it could be D, or E, or even Z.

Photographers often try to plan. We imagine that if we go to a certain location at a certain time we’ll capture a certain photograph. Sometimes this works, but frequently the weather doesn’t cooperate or conditions aren’t right.

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2013 Ansel Adams Gallery Workshops Announced!

A January moonrise from Valley View, Yosemite

A January moonrise from Valley View, Yosemite



The Ansel Adams Gallery recently announced their 2013 workshops. I’m pleased to be teaching four Yosemite photography workshops for the Gallery next year—Landscapes in the Digital Darkroom: Mastering Lightroom (January); Spring Yosemite Digital Camera Workshop (April); Hidden Yosemite (July); and The Digital Landscape: Autumn in Yosemite (October).

As many of you know, I’m a big fan of Lightroom because it’s simple, yet powerful—easy to use, but sophisticated enough to get great results with almost any image. Last January was the first time I taught a workshop specifically focused on this tool: Landscapes in the Digital Darkroom: Mastering Lightroom. This class was popular, and a lot of fun, so we’ll be doing it again next January. Of course it’s not all computer work—the workshop includes field sessions to photograph snowy January landscapes, the rising full moon, and, if we’re lucky, clearing storms. I’m really looking forward to it!

The other three workshops—Spring Yosemite Digital Camera Workshop, Hidden Yosemite, and The Digital Landscape—have been very popular in the past, and sometimes fill quickly, so be sure to reserve space early.

And stay tuned… I’ll be announcing more workshops within the next month.

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Photo Critique Series: Space and Separation in a Mt. Shasta Photograph

Mt. Shasta and Lake Siskiyou by Kyle Jones

Mt. Shasta and Lake Siskiyou by Kyle Jones


I know it’s been awhile since the last critique; it’s been hard to find the time lately. But many of you have told me how much you like the critiques, and I really appreciate that, and I’m happy to have the opportunity to do another one. I’m writing this critique, rather than doing it by video, because, well, it’s just easier. But I may still do video critiques again in the future.

The subject of this critique is a photo by Kyle Jones called “Mount Shasta and Lake Siskiyou,” from the far northern reaches of California. I think this image has some interesting things to teach us about space and separation in a composition, and shutter speeds for water.

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A Clarification About the App

Sun breaking through Mist, Tuolumne Meadows—the opening image for Chapter 4 of the book

Sun breaking through Mist, Tuolumne Meadows—the opening image for Chapter 4 of the book


Since I wrote my last post about the new edition of The Photographer’s Guide to Yosemite I’ve had several people ask me whether the iPhone/iPad app will be updated as well. Sorry that I wasn’t clear about this: the app is already updated, and has been since it first came out last year. The new locations, information, and tips about digital photography went into the app first, and are now coming out in book form. It takes a lot longer to get a book to press than to make an app!

Not only does the app have all the information that’s in the new edition of the book, but it has functions that you can’t put into a book, like the ability to view only the best locations for a particular month and time of day. Of course many people prefer to hold a physical book in their hands, and I completely understand that. I’m sure some people will get both—the app for its convenience and portability, the book for more leisurely browsing. I’m completely okay with that. 🙂

—Michael Frye

Related Post: The New Edition of The Photographer’s Guide to Yosemite is Here!

Michael Frye is a professional photographer specializing in landscapes and nature. He is the author and photographer of The Photographer’s Guide to YosemiteYosemite Meditations, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters, plus the eBooks Light & Land: Landscapes in the Digital Darkroom, and Exposure for Outdoor Photography. He has written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.

The New Edition of The Photographer’s Guide to Yosemite is Here!

The Photographer's Guide to Yosemite CoverThe new edition of The Photographer’s Guide to Yosemite is finally here! You can order signed copies directly from me, get it from the publisher, Yosemite Conservancy, or find it in the park at The Ansel Adams Gallery or Valley Visitor Center. It will be also available from Amazon soon.

The new edition has three new locations, and completely revised and updated information for the entire park. You’ll find new tips specifically designed for digital photography, including Digital Camera Settings, White Balance, Exposure, and HDR and Exposure Blending, plus Depth of Field, Filters, Night Photography, and much more. Most of the 100+ photographs are new too, and the reproductions are excellent—a pleasant surprise for an inexpensive guidebook.

Of course if you prefer the convenience of having all the information in your smart phone or tablet, everything that’s in the new book is also in the iPhone and iPad app.

Thank you all for your patience! I hope you like this new edition even more than the original.

—Michael Frye

Related Posts: New Edition of The Photographer’s Guide to Yosemite: It’s Almost Here!The Photographer’s Guide to Yosemite iPhone App is Available Today!

Michael Frye is a professional photographer specializing in landscapes and nature. He is the author and photographer of The Photographer’s Guide to YosemiteYosemite Meditations, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters, plus the eBooks Light & Land: Landscapes in the Digital Darkroom, and Exposure for Outdoor Photography. He has written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.

Hidden Yosemite Workshop

Sunrise illuminates North Peak. I like the rippled reflection, preserved by a fast shutter speed (1/90th sec)

Sunrise illuminates North Peak. I like the rippled reflection, preserved by a fast shutter speed (1/90th sec).


Teaching my Hidden Yosemite workshop last week was so much fun. We had some wonderful clouds to make the skies more interesting, and a great group of people, plus it’s always fun to get away from the roads and into some beautiful areas that you just can’t drive to.

Weather forecasts before the workshop called for clear skies, but our first evening we photographed some amazing lenticular clouds, including two UFO disks over Mammoth Peak, and another formation to the north resembling an Imperial Star Destroyer. Later in the week the sun broke through overcast skies just before sunset and lit up the clouds over Gaylor Lakes, and the next morning we watched sunlight poke through more clouds to illuminate North Peak. And then it snowed. Meteorologists try to predict the future, which is a difficult job. This is one time when I’m glad they were wrong—the clouds definitely made things more interesting.

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TWiT Photo Appearance

Clearing storm, dusk, Tunnel View, Yosemite NP, CA, USA

Clearing storm, dusk, Tunnel View, Yosemite NP, CA, USA


I’ll be a guest today on TWiT Photo, the highly-entertaining internet TV show hosted by Catherine Hall and Leo Laporte. You can view the live recording at 1 p.m. Pacific time, or download the video later in the day. Hope you get a chance to watch!

— Michael Frye

Michael Frye is a professional photographer specializing in landscapes and nature. He is the author and photographer of The Photographer’s Guide to YosemiteYosemite Meditations, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters, plus the eBooks Light & Land: Landscapes in the Digital Darkroom, and Exposure for Outdoor Photography. He has written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.

New Edition of The Photographer’s Guide to Yosemite: It’s Almost Here!

The Photographer's Guide to Yosemite CoverMany people have been asking me when the new edition of The Photographer’s Guide to Yosemite will be available. Well as I write this an actual, real, physical copy is sitting on my desk. It’s an advance copy, which means it was shipped by air—the rest are on a boat from China, and should be here and on bookshelves in about a month. So the wait is almost over!

The new edition has three new locations, and completely revised and updated information for the entire park. You’ll find new tips specifically designed for digital photography, including Digital Camera Settings, White Balance, Exposure, and HDR and Exposure Blending, plus Depth of Field, Filters, Night Photography, and much more. Most of the 100+ photographs are new too, and the reproductions are excellent—a pleasant surprise for an inexpensive guidebook.

Of course I’ll let you know when the book goes on sale. And if you can’t wait, or prefer the convenience of having all the information in your smart phone or tablet, all the information in the new book is in the iPhone and iPad app.

Thanks to all of you who have purchased The Photographer’s Guide to Yosemite over the years. So many people have taken the time to let me know how much they love the book, and I really appreciate that. I hope you’ll like the new edition just as much!

A Note to Subscribers

I’m using a new service (AWeber) to send out blog subscriptions, so if you subscribe to this blog by email you might notice that the format looks a little different when you view this post in your inbox. You don’t need to do anything; if you already subscribe you’ll continue to get the posts by email. Thank you so much for subscribing!

—Michael Frye

Related Posts: The Photographer’s Guide to Yosemite iPhone App is Available Today!; The iPad Version is Here!

Michael Frye is a professional photographer specializing in landscapes and nature. He is the author and photographer of The Photographer’s Guide to YosemiteYosemite Meditations, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters, plus the eBooks Light & Land: Landscapes in the Digital Darkroom, and Exposure for Outdoor Photography. He has written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.