In the Moment:
Michael Frye's Landscape Photography Blog

Dogwoods and Lunar Rainbows

Dogwood blossoms and reflections in the Merced River, from May 2012

Dogwood blossoms and reflections in the Merced River, from May 2012



The dogwoods are just starting to come out in Yosemite Valley. I was up there Tuesday, and saw that perhaps 30 percent of the dogwoods had new, green blossoms. A couple of trees even had fully white – though small – blossoms. Also, the cottonwoods are leafing out with those beautiful new bright-green leaves.

You want to catch the dogwoods early. The flowers last for several weeks, but they start to look ragged after awhile, and they don’t stand out as much after the trees leaf out. With the weather predicted to warm up this weekend I expect the dogwoods will progress rapidly, and many, perhaps even most, will be in full bloom a week from now. Next week or the following weekend might be the best time this year.

Also, there will be a full moon next Thursday, so let the lunar rainbow madness begin! You can visit Don Olson’s web site to see his predictions for when lunar rainbows will be visible from Cook’s Meadow and from the bridge below Lower Yosemite Fall. You can read my tips about photographing lunar rainbows here, and see what it’s like to spend a moonlit evening in Cook’s Meadow with 200 other photographers here.

Spring has arrived!

— Michael Frye

Related Posts: Tips for Photographing Lunar Rainbows; Lunar Rainbow Images, and the Upcoming Annular Eclipse

Michael Frye is a professional photographer specializing in landscapes and nature. He is the author and photographer of The Photographer’s Guide to YosemiteYosemite Meditations, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters, plus the eBooks Light & Land: Landscapes in the Digital Darkroom, and Exposure for Outdoor Photography. He has written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.

Proposed Changes to Yosemite’s El Capitan Meadow

El Capitan after an autumn snowstorm from El Capitan Meadow, Yosemite NP, CA, USA

El Capitan after an autumn snowstorm from El Capitan Meadow, Yosemite NP, CA, USA



I know many of my readers have a close connection with Yosemite, so I thought you would want to know about some proposed changes to El Capitan Meadow. In most of the proposed alternatives for the park service’s Merced River Draft Management plan, fencing and signs would be installed to keep visitors from trampling the meadow.

John Sexton wrote a thoughtful post on Facebook about this issue, which I recommend reading. El Capitan Meadow has long been a favorite spot for photographers in Yosemite. Ansel Adams made his Oak Tree, Snowstorm photograph from there. Galen Rowell captured one of his most famous images, Clearing Storm Over El Capitan, from this meadow. John posted one of his wonderful photographs on his Facebook post. El Capitan Meadow is certainly a favorite place of mine too, and I’ve made many images there, including all the ones included here.

I know that the park service has a difficult job. They have to balance preservation with public use and enjoyment of the parks. Meadows are fragile, and are easily damaged by too much foot traffic, and the easiest way to prevent that damage is to fence off the meadow.

On the other hand, what makes Yosemite Valley so wonderful, so extraordinary, is the juxtaposition of soaring cliffs with the serenity of the meadows and meandering river on the valley floor. There are other places with magnificent cliffs. There is no other place with an idyllic valley surrounded by such high walls. The quintessential Yosemite experience is to wander out into a meadow, stare up at the cliffs and waterfalls, and soak up the tranquility. I would hate to see that experience taken away. There has to be a better solution than fencing and “Keep Out” signs for the valley’s meadows.

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A Harebrained Idea

Rainbow over Yosemite Valley from near Old Inspiration Point, Yosemite NP, CA, USA

Rainbow over Yosemite Valley from near Old Inspiration Point, Yosemite


It was a harebrained idea, but sometimes harebrained ideas work.

On Easter Sunday the forecast called for showers and thunderstorms, with a 100% chance of rain. So I decided it would be a great day to hike 6 miles and climb over 2,000 feet up to Old Inspiration Point.

I could have just gone to Tunnel View. Tunnel View is a wonderfully photogenic spot, where I could have waited out any rain showers in the car, then walked 50 feet to the viewpoint if something interesting happened. And if the light didn’t cooperate, well, no big deal – it wouldn’t be the first time I’ve struck out at Tunnel View, and it wouldn’t take much effort to come back and try again.

On the other hand, I have lots of photographs from Tunnel View, and every other easily-accessible viewpoint in Yosemite Valley, but I’d never been to Old Inspiration Point. And I was in the mood for an adventure. I asked Claudia if she wanted to come with me (carefully explaining what she might be in for, I swear), and she said sure. She’s always up for a hike.

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Surprising Wildflowers

Oaks, lupine, and poppies in the Merced River Canyon near El Portal, CA, USA

Oaks, lupine, and poppies in the Merced River Canyon near El Portal, CA, USA



Claudia and I drove up the Merced River Canyon west of Yosemite Sunday afternoon on a scouting mission, looking for wildflowers that were rumored to be blooming. And we did find some flowers – despite our dry winter. The redbuds are coming out all along the canyon; most are just budding, but we found some in full bloom, and the rest should get there within the next week or so.

Redbuds have deep roots, so they’re not affected by drought as much as some other flowers. But the poppies in this area are annuals, and dependent on winter rains, so I was surprised to see quite a few poppies blooming up and down the canyon. The display doesn’t approach last year’s, or the even more spectacular bloom in 2009, but any flowers at all seem like a miracle after our dry winter. And who knows – maybe the show will get better.

Right now the most eye-catching hillside of poppies is about a mile east of Savage’s Trading Post on the opposite side of the river. You can reach the base of this hill by driving to the end of Incline Road and continuing on foot for about a mile down the old railroad bed. But getting up among the poppies requires climbing a very steep hillside. (There are directions to Incline Road in my Photographer’s Guide to Yosemite, which most of you probably have, but if not the road is easy to find. Just cross the bridge at Foresta Road, about four miles east of Savage’s, then turn left along the river on Incline Road.)

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Light and Mood With Intimate Landscapes

Sunlight slanting across Crane Flat Meadow, Yosemite NP, CA, USA

Sunlight slanting across Crane Flat Meadow, Yosemite NP, CA, USA



A Trip to Crane Flat

Yosemite got some much-needed precipitation last week – over an inch total. I kept checking the radar and satellite images online, looking for an opportunity to photograph a clearing storm. Friday morning seemed promising, so I drove up to Yosemite Valley early, but found no snow. It looked like the snow level had been around 5,000 feet, higher than forecast. Worse, from a photographic perspective, the skies were clear and there was no mist.

Shortly after sunrise I noticed light striking a ridge near the tunnels on Highway 120, and on a whim decided to drive up to Crane Flat. I thought Crane Flat would at least have some fresh snow, since it’s at 6,000 feet.

Indeed there was fresh snow – over a foot of it. I parked at the Tuolumne Grove trailhead and walked along the plowed road. The sun had just reached parts of the main meadow, and I found some interesting small subjects to photograph, like tree-shadows on the snow.

Some shafts of sunlight slanting across the snow caught my attention, and then some mist began rising near the edge of the meadow, behind the shafts of light. I immediately recognized the potential to make an image that went beyond an abstract study of shadows – a photograph that had a mood.

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