by Michael Frye | Apr 1, 2021 | Announcements
I hope you can join me at the upcoming Out of Chicago Live online photo conference!
I really enjoyed both of the Out of Chicago online conferences last year. It was a lot of fun interacting with everyone, and I loved watching all the presentations from the other instructors.
The next edition of Out of Chicago Live is coming up soon: April 9-11. They’ve gathered an amazing lineup of instructors in all genres of photography. In the landscape-photography world that includes Alister Benn, Brooks Jensen, Charlotte Gibb, Chuck Kimmerle, Cole Thompson, Colleen Miniuk, Daniel Kordan, Francesco Gola, David Cobb, David Johnston, David Kingham, Eric Bennett, Erin Babnik, Franka Gabler, Ian Plant, Jennifer Renwick, John Barclay, Joshua Cripps, Mark Denney, Martin Bailey, TJ Thorne, Nick Page, Sarah Marino, Sean Bagshaw, and William Neill. It’s a quite a lineup, and it’s an honor to be part of this group.
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by Michael Frye | Mar 28, 2021 | Light and Weather
Oak in a snowstorm, Yosemite. 253mm, 1/15 sec. at f/11, ISO 400.
In my last post I described how the most recent snowstorm led to some beautiful light and clouds – especially late in the day.
But when I arrived in the valley that morning it was still snowing. So I did what I always do: I asked myself, “What’s happening now?” In other words, what was interesting or unusual about that moment? What was unique and special in this place I’ve photographed so many times before?
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by Michael Frye | Mar 21, 2021 | Light and Weather
El Capitan emerging from clouds, Yosemite. 78mm, three bracketed frames, each at f/11, ISO 100, blended with Lightroom’s HDR Merge.
You can make a photograph without a camera, or lens, but you can’t make a photograph without light. The word “photograph” literally means “drawing with light.” Light is the essence of photography.
If light is our medium, it stands to reason that exceptional light has the potential to lead to exceptional photographs. It’s not a guarantee, of course; you still need to find a composition that works with that light, and execute the photograph technically. But the potential is there.
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by Michael Frye | Mar 14, 2021 | Light and Weather
Raven, trees, and crags, Yosemite
One of the most difficult tasks in landscape photography is deciding where to go. It seems simple, but it’s anything but, especially when the weather is changing quickly. Would I be better off staying put, or trying someplace else? Where (and when) will the light be most interesting?
It helps to know an area well, so you have a better idea about which spots might give you the best opportunities under different conditions. It also helps to know local weather patterns. And when cell service allows, I’ll use satellite, radar, and webcam images to see beyond my immediate field of view, and make a short-term weather prediction.
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by Michael Frye | Mar 9, 2021 | Wildlife Photography
Sandhill cranes at sunrise, San Joaquin Valley, California
During this past winter Claudia and I spent a lot of time in California’s Central Valley. This area isn’t known for its scenic beauty, but we found a lot of beauty there.
This was once a vast region of seasonal wetlands and flower-filled prairies, teeming with waterfowl, elk, pronghorn antelope, wolves, grizzly bears, and endless acres of springtime flowers. It’s estimated that 500,000 tule elk once roamed this region, and early visitors described flocks of wintering geese so large and dense they darkened the midday sky. This “American Serengeti” existed less than 200 years ago, in an area now occupied by farmlands, towns, and cities.
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