by Michael Frye | Oct 19, 2020 | Travels and Stories
Sandstone formations, Dinosaur National Monument, Utah
After visiting northern Utah on our recent road trip, we headed toward Colorado, but on the spur of the moment we decided to make a detour to Dinosaur National Monument.
When our son Kevin was five years old we made a trip to Dinosaur. Kevin was totally into dinosaurs at that age, and was thrilled to visit a place where dinosaurs had once lived, and to see actual dinosaur fossils in place in the dinosaur quarry. It was a magical experience for him.
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by Michael Frye | Oct 7, 2020 | Travels and Stories
Backlit aspens, northern Utah
Claudia and I have been on a road trip for about two weeks now. It’s been a fun, relaxing journey. We don’t have any specific plans, so we’re exploring some out-of-the-way places we’ve never been to before, looking for fall color and anything else that seems interesting.
We started in northern Utah. where the maples weren’t as vibrant as last year, but we saw some nice patches of color. And then we ventured farther into the boonies and found beautiful mountains, aspens, and some moose.
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by Michael Frye | Sep 20, 2020 | Travels and Stories, Wildlife Photography
Tule elk bulls in fog, Pt. Reyes National Seashore, California
This photograph is from very deep in my archives: 1988. At that point I had only been photographing seriously for a few years. Claudia and I met in ’84, got married in ’86, and in ’88 were both working at The Ansel Adams Gallery and living in Yosemite Valley.
In those early years the main focus of my photography was wildlife. I also photographed landscapes and other nature subjects, but wildlife was my passion. I used to spend hours in the wonderful Yosemite Research Library, reading studies about wildlife habitats and animal behavior.
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by Michael Frye | Aug 2, 2020 | Night Photography, Travels and Stories
Comet NEOWISE over moonlit sand dunes, Death Valley. 20mm, 16 frames blended to reduce noise, each frame 15 seconds at f/2.4, ISO 6400.
I knew it would be hot. It was July, after all, and Death Valley is perhaps the hottest place on earth. But I was actually lucky; summer temperatures in Death Valley often climb above 120 degrees Fahrenheit, while the high temp on the day I was there was only 113. Practically a cold snap.
What was I doing in Death Valley in July? Photographing Comet NEOWISE of course. I know the internet has been flooded by comet images lately, but I totally get it. The last really photogenic comet visible in the northern hemisphere was Hale-Bopp in 1997. Who knows when we’ll see another one?
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by Michael Frye | Jul 8, 2020 | Travels and Stories, Yosemite Photo Conditions
Sunset, Tuolumne Meadows, Yosemite. 35mm, 1/4 sec. at f/16, ISO 200.
It seems like a normal summer in the Yosemite high country. It’s less crowded than usual, since the park has limited the number of people allowed in. But the plants and animals are going about their business as they typically do. Creeks and rivers continue to flow. Clouds sometimes float by. It’s all serenely beautiful.
The park reopened on June 11th, with lodging, camping, or day-use reservations required for entry. After being away for three months, Claudia and I wanted to visit the park on that first day, and were able to secure a day-use reservation.
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by Michael Frye | Oct 13, 2019 | Light and Weather, Travels and Stories
Autumn kaleidoscope, northern Utah. The upper-right portion of this photograph didn’t go into the shade until dusk, so I concentrated on photographing other things for awhile (like the next two images below). But I thought this was worth coming back to, as I loved the mix of colors and patterns. 180mm, 8 seconds at f/11, ISO 100.
As you can probably tell from my last post, Claudia and I had a great time photographing the maples in northern Utah. We even found some spots where the maples were mixed with aspens! Although 99% of the aspens in the area were still green at that time, I loved the juxtaposition of those greens against the reds and oranges of the maples – along with the white aspen trunks.
It’s great to get clouds, as we did for a couple of the photographs in that previous post from Utah. But we don’t have any control over the weather, so we have to adapt to the conditions. It’s hard to make big, sweeping landscape scenes work without clouds to add interest to the sky, so on sunny days I usually narrow my focus and concentrate on smaller scenes. And there were plenty of those in northern Utah, with the maples, aspens, and cottonwoods creating wonderful patterns, textures, and colors.
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