As we were quickly discovering on this trip, the pandemic has made outdoor recreation especially popular this fall, so well-known spots were busier than usual, and campsites hard to come by.
But there are lots of aspens in Colorado. Millions of them. If you’re in Colorado at elevations between 8,000 and 10,000 feet, there are bound to be aspens nearby. We didn’t have a particular timetable, so we looked at maps, picked out some likely spots, and just went.
We found lots of aspens, and few people. It was fun to just pick a road on the map and end up driving through miles of beautiful aspen groves. The hard part was there were too many choices; should we stop here, or try going up around the bend?
Colorado is known for its scenes of aspens and mountains, but those big-landscape views usually need some clouds or mist to lend them drama, and we didn’t run into much weather during this trip. We saw a few clouds here and there, and occasionally encountered a little smoke haze from forest fires, but that was about it. So instead I concentrated on photographing more intimate views of just the aspens themselves.
I made plenty of images in soft light around dawn and dusk, as that’s one of my favorite kinds of light for colorful subjects like autumn trees. But I also looked for moments when sunlight would filter into a grove early or late in the day, creating contrast, drama, and mood.
One of the advantages of photographing in sunny weather is that the light is predictable. If a grove of aspens catches interesting light in the evening one day, you can count on seeing that same light the next day. Even in new locations it’s easy to predict the angle and timing of early- and late-day sunlight.
I almost always looked for situations where a grove would be backlit. Sometimes I’ll find a scene where sidelight or frontlight will work, but backlight shining through translucent aspen leaves is pretty special.
Here’s a selection of some of my favorite sunlit aspen scenes from Colorado this fall. Sometimes I just happened to notice interesting light hitting a grove or hillside; other times I went to a spot specifically because I knew it would catch some early- or late-day light.
And I made lots and lots of aspen images during our trip, so I’m sure I’ll post more soon.
— Michael Frye
Michael Frye is a professional photographer specializing in landscapes and nature. He is the author or principal photographer of The Photographer’s Guide to Yosemite, Yosemite Meditations, Yosemite Meditations for Women, Yosemite Meditations for Adventurers, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters. He has also written three eBooks: Light & Land: Landscapes in the Digital Darkroom, Exposure for Outdoor Photography, and Landscapes in Lightroom: The Essential Step-by-Step Guide. Michael has written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.