In the Moment:
Michael Frye's Landscape Photography Blog
by Michael Frye | Aug 14, 2014 | Night Photography
Stars and clouds over Three Brothers, Tuesday evening; 20 seconds, f/2.8, 6400 ISO
Tuesday evening Claudia and I drove to Yosemite Valley. The moon was due to rise about 90 minutes after sunset, so I hoped to photograph the northern end of the Milky Way over Three Brothers, with the rising moon adding a bit of light to the peaks.
We got to the Valley well before sunset, but there were some interesting clouds, so we decided to head to Tunnel View, where we found the usual August assortment of tour buses and people taking selfies in front of the panorama. I photographed some interesting patterns of dappled sunlight and clouds, then, just at sunset, after the crowds had thinned, the sky turned pink and a beautiful array of tufted clouds drifted overhead (below).
We had a little picnic along the Merced River as we waited for the sky to get dark, then I started taking photos of Three Brothers. At first the clouds blocked most of the stars. But the sky gradually cleared, revealing more stars, and then, looking at the photos on my camera’s LCD screen, I could see the clouds taking on a pink hue, and a hint of light on Yosemite Point in the distance. This was the lunar equivalent of a predawn glow, with the moon still below the horizon, but already adding some light and color to the scene. My eyes couldn’t see the color, but the camera could (right).
Later, as the moon rose for real, the clouds and peaks turned gold, just as they would at sunrise. Again, it was too dark for the cones in my retinas to pick up the color, but the camera recorded it perfectly. And some of the cloud formations were spectacular, fanning out in big V shapes above Three Brothers (below).
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by Michael Frye | Feb 26, 2014 | Yosemite Photo Conditions
Clearing storm at sunrise, Tunnel View, Yosemite NP, CA, USA
In our extreme California drought, any potential precipitation is big news. This week two storms are forecast to reach the Sierra Nevada: one tonight, and another, stronger system on Friday, continuing into Saturday. While these are colder storms than the last ones, it doesn’t look like Yosemite Valley will get any snow. The snow level is expected to drop to 4,500 feet on Saturday night, just above the valley floor (at 4,000 feet), so it’s possible the valley could get an end-of-storm dusting if the snow-level predictions are a little off. But lower elevations should get a couple of inches of much-needed rain, and the high country could get over two feet of snow – a very welcome addition to the snowpack.
While the window of best light on Horsetail Fall has passed, any precipitation brings the potential for a photogenic clearing storm. Based on the forecast, it looks like we’ll see some clearing tomorrow, and again on Saturday or Sunday (or maybe both). We’re approaching the best time of year to photograph Tunnel View and Valley View (a.k.a. Gates of the Valley), because the late-afternoon light is balanced between El Capitan on the left and Cathedral Rocks on the right. If a storm clears late in the day that will create ideal conditions at both of those classic views. Of course I describe both of these spots, and many others, in The Photographer’s Guide to Yosemite, available as both a softcover book and iOS app.
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by Michael Frye | Feb 4, 2014 | Yosemite Photo Conditions
El Capitan and the Merced River during a clearing storm, Friday morning, Yosemite
A clearing storm in Yosemite Valley can be a memorable event, but not all clearing storms are equally photogenic. Some clear gradually, while others finish abruptly and spectacularly. Some storms clear at night, some in the middle of the day, but for photography you’d like the storm to clear just before sunrise or sunset.
Last Thursday, Yosemite Valley got two inches of rain, the first real precipitation in almost two months. Higher elevations got snow, and the temperature dropped enough to give the Valley a slight dusting at the tail end of the storm. The main part of the storm cleared around midday on Thursday – not the best time for photography, though still beautiful. But then showers resumed Thursday night, with the last of them moving through just before sunrise. Perfect timing.
My two brothers were visiting from Washington State, and the three of us rose early, drove up to Yosemite Valley, and headed for one of my favorite spots along the Merced River. The sun broke through the clouds and illuminated El Capitan briefly before the fog thickened and all the cliffs disappeared. But after about ten minutes El Cap re-emerged, the sun broke through, and we were treated to a classic Yosemite clearing storm. The first photograph here is probably my favorite from the morning, but I’ve posted a couple more images below, including a later image from Tunnel View – still a photogenic spot at 10:00 a.m.
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by Michael Frye | Jan 28, 2014 | Yosemite Photo Conditions
Sunbeams and mist along the Merced River, Yosemite
For many places in California, 2013 was the driest year on record. And so far this winter (our usual rainy season) has brought almost no precipitation. January has brought a procession of sunny days, with temperatures in the 60s or even low 70s at my house at 2700 feet in the Sierra foothills. It’s pleasant weather, but weird, and a little scary, as it seems like it will never rain again.
But finally the forecast is calling for rain and higher-elevation snow this week. It’s not supposed to be a big storm, but we’ll take what we can get. The main pulse of this system is due to arrive Thursday, but showers might linger into Friday or even Saturday. Snow levels are expected to stay at around 7,000 feet on Thursday, but may drop to 4,000 feet on Saturday, so it’s possible, though not likely, that Yosemite Valley could get a dusting of snow.
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by Michael Frye | Aug 6, 2013 | Light and Weather, Photography Tips, Vision and Creativity
Dogwood blossoms, Yosemite. These backlit flowers stand out cleanly against a dark, shaded background.
Light Against Dark
Many of the most effective photographs share a simple lighting concept: they either place a light subject against a dark background, or a dark subject against a light background.
This first photograph of two dogwood blossoms is a perfect example of a light subject against a dark background. In fact the background isn’t just dark; it’s completely black, so there’s nothing to compete visually with the flowers. The contrast creates a simple and dramatic image.
This light-against-dark situation is what makes photographs of Horsetail Fall so striking when conditions are right. The waterfall stands out because it’s brighter than the surrounding cliffs – and, of course, because of the color.
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