In the Moment:
Michael Frye's Landscape Photography Blog

Join Me at the Out of Death Valley Conference!


 

I’m thrilled to be joining the Out of Chicago team for another photography conference. This will be an in-person event – in Death Valley no less! – taking place next January 26-30, 2022.

The dunes and sculptured badlands of Death Valley are amazing, surreal, and beautiful locations for landscape photography. And I’ll be joining a wonderful cast of instructors, including Nick Page, David Kingham, Alex Noriega, Erin Babnik, Jennifer Renwick, John Barklay, Michael Gordon, Sarah Marino, Joshua Cripps, William Neill, Cole Thompson, Colleen Miniuk, TJ Thorne, and Eric Paré.

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Mono Lake

Clouds, tufa, and Negit Island at sunset, Mono Lake, CA, USA

Clouds, tufa, and Negit Island at sunset, Mono Lake, California. This rain cloud lingered for awhile in the same location, allowing me to capture variations of this scene as the sun lowered, and the wind altered the reflections. 70mm, 1/15 sec. at f/11, ISO 100.

Mono Lake is a unique and beautiful place. It’s known for its tufa formations, but there’s so much more to it. It’s a giant pool surrounded by desert sage, and bounded by the peaks of the Sierra Nevada to the west. In summer, monsoonal moisture often arrives from the southeast and runs into that mountain wall, where the moisture gets pushed upward, forming clouds, showers, and thunderstorms. The lake becomes a vector for those storms.

While staying in Lee Vining a couple of weeks ago, we saw clouds and showers each afternoon, and had several opportunities to photograph beautiful evening light at the lake (along with a colorful sunrise). Under those conditions the lake can reflect clouds in wonderful ways, creating swaths of color and light across the sky and water.

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Podcast Interview with David Johnston

El Capitan emerging from clouds, Yosemite NP, CA, USA

El Capitan emerging from clouds, Yosemite

I recently did an interview with David Johnston for his podcast The Landscape Photography Show, and it just got released today. David asked a lot of great questions, and I thought it was a fun and interesting conversation. We talked about my photographic journey, photographing the same place over and over, whether originality is overvalued, internal and external motivations for your work, and much more.

You can listen to the episode on David’s website, or through all the usual podcast sources like iTunes, Spotify, Stitcher, and so on.

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The Wild Coast

Waves, fog, and sea stacks, northern California coast, USA

Waves, fog, and sea stacks, northern California coast, USA

As much as I love the redwood forests, the rugged, rocky coastline of northern California is just as beautiful, and just as essential to the character of this region. You can go from the windy, noisy, wide-open expanses of the coast to the calm, quiet, dense forests in minutes, and the transition is breathtaking. Along many trails through the redwoods you can hear the surf in the distance – while watching the fog roll in off the ocean and into the woods. To me, it’s the close proximity and interaction between the ocean and forests that creates the wonderful, wild mood of this place.

This coastline features innumerable rocks and sea stacks, as the ocean gradually erodes softer rocks, leaving harder rocks stranded offshore. Part of the challenge in photographing these scenes is figuring out where to stand in order to arrange those rocks in a compelling way within the frame.

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Return to the Redwoods

Young and old redwoods, northern California, USA

Young and old redwoods, Northern California. Soft sunlight filtering through the fog added a beautiful and unusual mood to this scene, and I loved the juxtaposition of young and old trees. 25mm, 1/6 sec. at f/16, ISO 800.



Until last year, Claudia and I had visited the redwood forests of northern California nine years in a row. The pandemic interrupted that streak, but in late May this year we were able to return once again, and spent almost two weeks in the area.

It was great to be back, as I love this part of the world. While Yosemite has been my home, both physically and spiritually, for over 35 years, returning to the redwoods also feels like coming home. It’s a much different environment – damp, cool, foggy, lush, and overgrown – and that’s what I love about it. Many places look like they could be sets from a Jurassic Park movie (which, of course, they were). It’s not hard to imagine dinosaurs roaming this terrain.

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