by Michael Frye | Dec 12, 2021 | Travels and Stories

Aspens and pines in a snowstorm, Inyo NF, California. 141mm, 1/250 sec. at f/16, ISO 1600.
In early October Claudia and I traveled to Utah and Colorado, and on our way we made a brief stop in the eastern Sierra.
Forecasts predicted a cold storm with low snow levels (for early October). That meant we might get to photograph aspens in snow, with autumn color, if we made it over to the eastern Sierra before the storm. So we packed hurriedly, hoping to make it over Tioga Pass before the road closed – which we did, with about 30 minutes to spare.
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by Michael Frye | Dec 4, 2021 | Announcements

Waterfall, North Carolina
I’ve always loved good photographic prints. Some of my formative years as a photographer were spent working at The Ansel Adams Gallery in Yosemite, where I got to see, and even hold, beautiful prints from people like Ansel Adams, John Sexton, Charles Cramer, Alan Ross, Bruce Barnbaum, and Christopher Burkett, among many others.
In the early stages of my photography journey I felt limited by what I could do with prints made from my color transparencies (slide film). I saw amazing color prints from people like Chris Burkett and Charlie Cramer, but their processes were extremely time-consuming and difficult to master.
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by Michael Frye | Nov 22, 2021 | Travels and Stories

Oak and maples, southern Utah. Wandering down a wash, I came around a bend and immediately noticed this patch of color. But color is never enough by itself; you have to find a way to organize that color into a cohesive composition. Luckily the yellow gambel oak provided a clear focal point to build a composition around. I used a long lens (168mm) to isolate the most interesting parts of the scene, and compress the branches into patterns of color. 168mm, 3 seconds at f/16, ISO 100, focus-stacked with Helicon Focus.
Claudia and I have had a busy autumn. We went to Yellowstone in early September, then made our way to Colorado and Utah in October, and just got back from the Oregon Coast yesterday.
I’ve made a lot of photographs, so it’s been a challenge to edit and process them all, and put them into cohesive groups. But looking back, one group of images that stands out to me is this one, of autumn color in the canyons of southern Utah.
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by Michael Frye | Nov 1, 2021 | Announcements

El Capitan emerging from clouds, Yosemite
I’m excited to announce that two of my photographs won awards in the inaugural Natural Landscape Photography Awards competition. The photograph above, El Capitan Emerging From Clouds, won first place in the Grand Landscape category. And my image of Stars, Mist, and Three Brothers (below) earned a “Highly Commended” in the Nightscape category.
Congratulations to all the winners and commended images! You can see all the award-winners here and here.
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by Michael Frye | Oct 31, 2021 | Travels and Stories, Wildlife Photography

Misty sunrise, Yellowstone
I usually talk about photography as an art form – a way to express yourself and your vision, and to communicate with others through this wonderful medium.
But photographs also have an amazing ability to evoke memories. Sometimes a well-executed image made by someone else will resonate with us because it stirs a memory of a past event in our lives.
Naturally though, photographs from our own lives can be even more powerful in evoking memories from our past. Most of us have had the experience of looking through old family photos, and suddenly having a vivid recollection of an event we hadn’t thought about in years. It doesn’t matter if the images themselves are mediocre; they still have tremendous power to stir recollections.
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