In the Moment:
Michael Frye's Landscape Photography Blog
by Michael Frye | Feb 6, 2015 | Yosemite Photo Conditions
This photograph from 2009 shows what an average February flow in Horsetail Fall looks like
After a wet spell in December, the rain spigot got turned off. Yosemite Valley received seven one-hundredths of an inch of rain for the entire month of January. San Francisco set a record for January that can never be broken, with no measurable precipitation.
Not surprisingly, there isn’t much water in Horsetail Fall. In fact there’s no detectable flow at all – just a little dampness near the top. But forecasters are predicting a significant storm this weekend. They’re actually expecting two pulses, one tonight, and another on Sunday night. Total rainfall for the weekend could exceed four inches if the forecasts are right.
Horsetail should get a short-term boost from this storm. Whether that boost lasts longer depends on the exact snow level. Horsetail is fed by melting snow from a small drainage on top of El Capitan lying between 6,200 and 7,600 feet. The predictions for this storm put the snow level at 8,000 feet. If the actual snow levels are a little lower, and Horsetail’s tiny watershed gets some significant snow, then the runoff from that snow melting could last for a couple of weeks and provide at least some flow during the prime photography period later this month. If the snow levels are higher, and Horsetail’s drainage gets only rain, the water will run off quickly and won’t provide a lasting increase in the flow.
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by Michael Frye | Jan 29, 2015 | Photography Tips
Ponderosa pines in mist, El Capitan Meadow, Yosemite
Natural light comes in an infinite variety of beautiful flavors. I love them all, but if I had to pick a favorite, it would probably be backlight, because it consistently delivers some of the most interesting images. All of the photographs from my last two posts, the ones from above the fog layer, were made with the camera pointing toward the sun. The photograph above, one I haven’t posted here before, captures a moment when backlit mist rose into the pines in Yosemite’s El Capitan Meadow. This next image, voted my top photograph of 2014, was also lit from behind, with the sun just above the frame:
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by Michael Frye | Jan 26, 2015 | Vision and Creativity
Sunrise above a fog layer, Sierra Nevada foothills, Thursday morning; focal length was 75mm
As I mentioned in my last post, the fog display on Thursday morning might have been even better than Wednesday morning. It didn’t look very promising at first. There was no fog at our house, and none in Mariposa either, so I knew I had to go lower. Claudia was with me this time, and we decided to take a back road that headed west into the lower foothills. At one point we crested a ridge, and there, below us, was the sea of fog.
Again I was fortunate to find a good viewpoint looking toward the southeast. This time there was a layer of high clouds above the fog, already starting to turn color with the sunrise. Best of all, a double-peaked hill was poking up out of the fog in that direction. The image at the top of this post is an early one from that morning, with a brilliant sunrise above the fog and hills.
After the sun rose, the fog lifted into some nearby ridges, getting high enough to almost – but not quite – obscure that double-peaked hill. Soft backlight filtered through the high clouds, bringing out beautiful textures in the fog (see the two images below).
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by Michael Frye | Jan 25, 2015 | Light and Weather, Vision and Creativity
Fog and southern Sierra peaks from Mt. Bullion at sunrise, Mariposa County, Wednesday morning
After the episode of dense fog in the Central Valley that I mentioned in my last post, the fog lifted into what meteorologists call a stratus deck last week – essentially a layer of fog that’s slightly above ground level. From the Central Valley the stratus deck would look like a low overcast. If you were to drive out of the valley into the Sierra, you’d climb into the clouds, and into a layer of fog, and then eventually get above the fog and into sunshine. And if you could find a hill or ridge that rose above the stratus deck, you’d be able to look out over a sea of fog.
That sight should be familiar to people who live in the San Francisco Bay Area, or anywhere along the California Coast. When I lived in the Bay Area in the early ’80s, I remember driving along Skyline Drive on the Peninsula and looking out to the west over a sea of fog covering the ocean. At that time my interest in photography was in its infancy, but it was a beautiful sight. I’ve had that mental image in my mind ever since, and have long wanted to make photographs from above a sea of fog.
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by Michael Frye | Jan 22, 2015 | Vision and Creativity
Oak, sun, and fog, Sierra Nevada foothills
As regular readers know, I love fog. It’s a little like snow in the way it can transform an ordinary landscape into something dreamlike.
We’ve had a lot of interesting fog around here lately. Last week the fog was very dense in the Central Valley, sometimes persisting all day rather than burning off in the afternoon. One morning we made an early trip into the lower foothills of Mariposa County, an area with rolling, grassy hills and scattered oaks (I’ve posted images from there before). I was hoping that the fog would be thick enough to push up from the Central Valley into these foothills, and it was – just barely. We were right on the edge of the fog, which was actually perfect – foggy enough to create a misty, ethereal mood, but not so foggy that it completely obscured the landscape.
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