Yosemite Photo Conditions
by Michael Frye | Oct 12, 2011 | Yosemite Photo Conditions
Tree, Tunnel View
It rained in Yosemite Valley on Monday afternoon, but my private workshop student Dale and I didn’t mind too much. While we got a little wet, the rain generated beautiful, ethereal scenes perfect for black-and-white photography. To me the mood was reminiscent of those Chinese paintings with misty hills and trees, so I looked for compositions that could emphasize that feeling. Here are a couple of my favorites.
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by Michael Frye | Oct 6, 2011 | Yosemite Photo Conditions
Aspens near Dunderberg, October 11th, 2010
The first winter-like storm of the season passed through Yosemite during the last two days, bringing over two inches of rain to Yosemite Valley, and enough snow to close Tioga Pass and necessitate R2 chain requirements on Highways 41 and 120 yesterday. There’s no word on when Tioga Pass will reopen; if I had to guess, I’d say sometime this weekend.
Although autumn was off to a late start on the eastern side of the Sierra, some of the higher-elevation spots outside of Bishop already had turned color. A storm like this will usually blow off the leaves that have already changed, and make partially-turned leaves turn brown. The good news is that most of the aspens on the east side were still green, and probably won’t be affected by the storm. However, it will be a week or two before those green leaves turn yellow, and color might be sparse over there during the next week.
The same thing happened last year: a large storm closed Tioga Pass on October 4th, one day earlier than this year. And yellow aspens were scarce for a week or so. But we found some nice color on October 11th, as you can see in the accompanying photo, and even better color a week later.
Meanwhile in Yosemite it’s early for autumn color, and it’s likely to be a couple of weeks before things really start to change. Peak color in Yosemite Valley usually doesn’t arrive until the end of October or beginning of November. I’ll keep you posted on what I find. Another good way to follow current conditions is through the CalPhoto group on Yahoo. And if you’ve been out photographing fall color recently, please let us know what you found by posting a comment!
—Michael Frye
Related Posts: Wild Weather, and the Annual Fall Freakout; A Trip to the Eastern Sierra; Autumn in Yosemite
Michael Frye is a professional photographer specializing in landscapes and nature. He is the author and photographer of The Photographer’s Guide to Yosemite, Yosemite Meditations, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters, plus the eBook Light & Land: Landscapes in the Digital Darkroom. He has written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.
by Michael Frye | Sep 21, 2011 | Yosemite Photo Conditions
Yellow and green aspens in Lee Vining Canyon (from a few years ago)
Last weekend Claudia and I made our annual pilgrimage to Bishop, on the eastern side of the Sierra, for the Millpond Music Festival—or, as Joe Craven likes to say, “Music festival and consciousness-raising event.”
We’ve actually lost track of how many years in a row we’ve gone to Millpond; it’s either twelve or thirteen. But we look forward to it every year—it’s relaxing and fun, and a great way to refresh and renew our spirits. I think I see more smiling faces per hour at Millpond than anywhere else. In fact this past Sunday evening, dancing in front of the stage to Masanga Marimba and Los Lobos (an interesting mix!), I think I saw more big, wide, joyous smiles than I’ve seen all year.
By now you’re probably wondering, “What’s this got to do with photography?” Well first of all, I think we all need to recharge ourselves once in awhile. For me, since I tend to eat, sleep, and breathe photography on most days, it’s good to do something completely different. And Millpond is not only different, but I get to be outside and enjoy something creative and life-affirming like music.
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by Michael Frye | Aug 18, 2011 | Critiques, Yosemite Photo Conditions
Wildflowers, Tuolumne Meadows, 1986
It’s wildflower season in the Yosemite high country, which made me think about this image that I made 25 years ago, in August of 1986, in Tuolumne Meadows.
In the 1980s large swaths of Lemmon’s paintbrush and shooting stars were common in Tuolumne Meadows in the summer. But 1986 brought the best bloom I’ve ever seen there, with this great mix of paintbrush, little elephant’s heads, lupine, shooting stars, penstemons, and… that yellow flower (arrowhead butterweed?). For some reason though wildflowers have diminished in Tuolumne Meadows in recent years, and those great blooms seem to be a thing of the past.
In the summer of 1986 I was working at The Ansel Adams Gallery in Yosemite Valley. On the day I made this photograph I drove up to the high country after work. A thunderstorm had rolled through, leaving the meadows wet and the skies overcast. But just before sunset the sun crawled underneath the clouds and lit up the peaks in the distance.
I actually think I did a pretty good job with the composition here. I needed to find some kind of structure or design to hold the foreground together and lead the viewer’s eyes into the distance. The little V- shaped group of flowers at the bottom of the frame accomplished both those things, giving the foreground some structure and leading viewer’s eyes toward the background. As a bonus, that V-shape mirrors the upside down Vs of the peaks.
The horizon line is high, but I think that’s appropriate here: the foreground is much more interesting than the sky. I’m glad I wasn’t overly concerned about putting the horizon a third of the way from the top.
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by Michael Frye | Aug 3, 2011 | Yosemite Photo Conditions
Corn lily circle
A heavy winter, wet spring, and late snowmelt have all conspired to delay the wildflower bloom in the Yosemite high country, but it’s now in full swing. It’s a fantastic year for corn lilies—those plants with the sculpted, photogenic leaves and tall stalks of white blossoms. The Crane Flat Meadows are full of them, more than I’ve ever seen before, but these flowers are abundant in all the meadows between 6000 and 8000 feet right now. I made the accompanying photos in McGurk Meadow, where I found a nice mix of corn lilies and paintbrush.
These displays just the beginning. With all the residual moisture from melting snow, it promises to be a good—though late—wildflower year. Some spots may not peak until the end of August or even the beginning of September.
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by Michael Frye | Jul 21, 2011 | Light and Weather, Yosemite Photo Conditions
Sun breaking through mist, Tuolumne Meadows, last Friday morning
Landscape photographers have to be flexible. You can try to plan—to be at a certain place at a certain time when you expect the light to be just right. But you can’t control the weather, and the best-laid plans of photographers often fizzle behind a bank of clouds.
So when things don’t pan out the way you’d hoped, you have to adapt. We did a lot of adapting last week during my Hidden Yosemite workshop. With our heavy winter and late spring, there was still a lot of snow at higher elevations. Certain areas were just inaccessible; the Saddlebag Lake road, for example, was closed, and I heard the lake was still mostly covered in ice.
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