We’re in the midst of another dry spell here. After some modest rain in December and early January, the storm track has shifted north, with no precipitation in sight for at least the next two weeks.
But we got enough rain to add some moisture to the ground and the lower atmosphere, which triggered the typical winter fog pattern in California’s Central Valley. Fog down there has been a daily occurrence, and that pattern is expected to continue for awhile.
Sometimes that low-level fog lifts a bit, into what meteorologists call a stratus deck. From the ground in the Central Valley it looks like a low overcast, but if you gain a little elevation by driving into the mountains you’ll enter the clouds and become enveloped in fog. And if you continue climbing you’ll rise above the fog.
Since there are no storms on the horizon, the most interesting weather in the area is that fog. Claudia and I have made some trips down to the Central Valley to photograph birds, but I’ve also looked for times when the fog might lift into a stratus deck, and push up into the Sierra foothills. Yesterday morning looked like one of those times, with weather models showing low clouds moving farther east into the foothills than usual. That could give me an opportunity to photograph trees in the fog, but even better, the mountainous terrain might allow me to find a view over the clouds from above.
So we rose early yesterday morning and drove out to a spot we’d scouted before. I hoped this spot would be just above the fog layer – and it was, but just barely. And then the fog rose further, so we became enveloped in it.
We decided to drive to another, higher spot nearby that we hoped would now be at the right height to give us a view over the clouds. As we drove higher we emerged from the fog and found an ocean of clouds laid out below us, just as the sunrise was coloring the eastern horizon.
Seen from above, the clouds were flowing rapidly from south to north. I saw some hills to the southwest poking out of the fog that could serve as visual focal points, and right below those hills the fog was dipping into beautiful waves.
I knew from previous experience that long exposures would show off the motion and patterns of those waves better than short ones. So I put on neutral-density filters in order to push my shutter speeds up to 15, 20, or even 30 seconds. I spent the next hour or so photographing those waves, first before the sun rose, then as sunlight started to catch the tops of the clouds.
Making photographs like these was a lot of fun for me, since I don’t get to do it often. And there’s always something magical about being above the clouds. You feel as if you’re in a different world, floating above the petty concerns of the world below. That was an especially welcome feeling during these turbulent and troubled times.
— Michael Frye
Michael Frye is a professional photographer specializing in landscapes and nature. He is the author or principal photographer of The Photographer’s Guide to Yosemite, Yosemite Meditations, Yosemite Meditations for Women, Yosemite Meditations for Adventurers, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters. He has also written three eBooks: Light & Land: Landscapes in the Digital Darkroom, Exposure for Outdoor Photography, and Landscapes in Lightroom: The Essential Step-by-Step Guide. Michael has written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.