Posts Tagged ‘Photography Tips’

Photo Critique Series: “Sunrise at Sunset Point” by Raymond

Friday, June 17th, 2011
"Sunrise From Sunset Point" by Raymond

"Sunrise From Sunset Point" by Raymond

The critiques are back! With my trip to Utah, and then having to restore the blog, it’s been awhile, but I’m happy to be able to present another photo critique this week, and I hope it won’t be so long until the next one. Thanks for your patience!

Light

This week’s photograph was made by Raymond in Bryce Canyon National Park, Utah. Perhaps the most striking feature of this image is the colorful sky, with clouds appearing to radiate out from the sun just before it clears the horizon. The warm hues of the red-orange clouds, along with the rusty rocks, form a nice color contrast with the cool blues of the sky and distant mountains.

Composition

What I like most about this composition is how the foreground and background complement each other. Those radiating lines in the clouds are subtly echoed by the folds in the landscape below.

Raymond said, “I found the scene to have many things going on—the snow, the hoodoos, the colored bands across the canyon sides, the ridges running down the sides, etc. In circumstances like that I find it difficult to feel “sure” of how the elements are arranged. I basically placed the horizon at the one-third point and placed the sun at the left/right midpoint. With my fingers crossed, I was hoping the colored bands would help lead the eye into the distance and the canyon’s bowl-like shape to cradle the elements of the scene.”

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The Art of Editing

Thursday, June 9th, 2011
Sometimes it's easy to pick the winners—they just jump out at you, like this image did when I first looked saw it on my screen. But usually editing is a more difficult task.

Sometimes it's easy to pick the winners—they just jump out at you, like this image did when I first saw it on my screen. But usually editing is a more difficult task.

First of all, thanks to everyone who commented on my post from last Friday. Your participation is such a vital part of this blog, and makes it more fun for me, and everyone else.

Of the three dogwood images I posted, “C” was clearly the favorite. But there were some strong votes for A and B as well. Just another example of how subjective photography is!

It’s also an example of how difficult it can be to edit your work. When I ask students to bring a portfolio of ten images to a workshop, they often tell me how hard it was to narrow it down to such a small selection. Many have never had to do that before.

But editing—and I mean this in the traditional sense of selecting images, rather than processing or developing them—is one of the most important aspects of photography.

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Digital Photography Basics: Adjusting Exposure

Thursday, April 7th, 2011
Most camera's light meters would read the dark areas in the background and overexpose these dogwood blossoms. To correct for this, you need to either override the meter with exposure compensation, or adjust the exposure manually.

Most camera's light meters would read the dark areas in the background and overexpose these dogwood blossoms. To correct for this, you need to either override the meter with exposure compensation, or adjust the exposure manually.

In the first part of this series I explained one of the most fundamental aspects of digital photography: reading histograms. In this edition I’ll delve into the next step: how to adjust the exposure when the histogram doesn’t look right the first time.

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New Article in Outdoor Photographer: Find Your Focus

Sunday, March 27th, 2011
Autumn Sunrise, Half Dome and the Merced River
Autumn Sunrise, Half Dome and the Merced River

 

How do you give your photographs impact? How do you convey the grandeur of the landscape in a small, two-dimensional image? You have to find your focus. I’m not talking about turning the ring on your lens—I’m talking about focusing your composition on the essentials and finding a strong design.

My latest article in Outdoor Photographer magazine discusses exactly how to do that. Titled Find Your Focus, it shows you how to communicate your vision by simplifying, finding focal points, creating depth, and looking for patterns. The article is scheduled for the May issue, due out next month, but it’s already on the OutdoorPhotographer.com website—a sneak preview. I hope you enjoy the article!

Digital Photography Basics: Reading Histograms

Thursday, February 3rd, 2011
Understanding how to read a histogram is the best way to judge exposure in high-contrast scenes like this.

Understanding how to read a histogram is the best way to judge exposure in high-contrast scenes like this.

With this post I’m introducing a new series on this blog. Every month or so I’ll be writing about photography basics like exposure, depth of field, camera settings, or the fundamentals of light and composition. I want to keep the content here relevant for all landscape photographers, not just advanced ones, and help everyone learn to make better, more expressive images.

So I’m starting with perhaps the most fundamental aspect of digital photography: reading histograms.

With film, exposure always involves some guesswork—you can never be sure you made the correct exposure until you develop the film. But with digital cameras you can tell immediately whether the right amount of light reached the sensor by looking at a histogram. This ability to instantly evaluate exposure is a game changer—the single biggest advantage of digital photography over film.

But many photographers are still guessing about exposure because they’re unable to decipher the histogram’s cryptic messages. Instead they judge exposure by how bright the image looks on their camera’s LCD screen. But while those little screens are extremely useful for many things, evaluating exposure isn’t one of them. There are too many variables: screen quality (usually bad), the LCD brightness setting in the camera, and the amount of ambient light.

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Photo Critique Series: “Ptarmigan Lake” by Chris Alexander

Friday, January 14th, 2011

"Ptarmigan Lake" by Chris Alexander

“Ptarmigan Lake” by Chris Alexander

Composition

This week’s photograph was made by Chris Alexander in Glacier National Park, Montana. That’s the second time recently that I’ve critiqued a photo from this park. Obviously—and no surprise to anyone who’s been there—a beautiful place!

This composition works very well. The bottom two-thirds of the photograph has sweeping, repeating, U-shaped curves that help tie everything together and frame the background peaks. The lake and mountains provide focal points: my eyes work in a triangle around the frame, going from the lake to the prominent peak on the right, over to the peaks on the left, then back to the lake, sometimes detouring around the lower basin to look at the snow patches and trail. The overall design is simple and strong.

If I could quibble with something, it would be the bright spots along the edges that tend to draw my eyes out of the frame, including the snow patch in the lower-left corner, another snow patch near the upper-right corner, and of course the sky.

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Monday Night’s Lunar Eclipse

Friday, December 17th, 2010
Lunar Eclipse Sequence, 1:23 a.m. to 4:49 a.m., August 28, 2007
Lunar Eclipse Sequence, 1:23 a.m. to 4:49 a.m., August 28, 2007

 

Before getting to the topic at hand, I want to thank all of you for your support in launching my new eBook, Light & Land. The first day’s sales were amazing, off the charts, so thanks to all of you who bought a copy. And if you haven’t purchased it yet, there’s still time to get 20 percent off. See my last post for details.

So on to the eclipse… I was honored to have this lunar eclipse photo recently selected for the Natural World Exhibit at the Center for Fine Art Photography in Fort Collins Colorado. By coincidence, there will be another full lunar eclipse Monday Night—an opportunity to try making your own eclipse photograph.

Now here in California there are lots of dire weather forecasts for the next few days, with predictions of five to ten feet of snow above 7000 feet in the Sierra Nevada, and five to ten inches of rain in the foothills and Yosemite Valley. Minor flooding is possible. So there’s a good chance that we won’t see Monday night’s eclipse at all. But you never know—all it takes is a small break in the clouds. And those of you in other parts of the world may have perfect weather for this event. To see where and when the eclipse will be visible (weather permitting), visit the NASA web site. (more…)

Photo Critique Series: “Rabbitbrush and Storm” by David Thomas

Wednesday, December 15th, 2010
"Storm and Rabbitbrush" by David Thomas“Rabbitbrush and Storm” by David Thomas 

First, my new eBook, Light & Land: Landscapes in the Digital Darkroom, will actually be released tonight at 1:00 a.m. PST, not today as I said previously. I’ll have more details in my next post tomorrow morning.

On to the critique…

This week’s photograph was made by David Thomas near Bishop, California, on the eastern side of the Sierra Nevada.

Light

David said that he and his dad were driving north on Highway 395 when he noticed a storm gathering over the Sierra crest beyond this dense field of rabbitbrush, “perfectly arranged, waiting to be composed.” The clouds, falling rain, and patch of blue sky provide a dramatic background, and the yellow flowers add an eye-catching foreground. There’s actually not much sun in the scene, but that works well here, especially on the rabbitbrush, where sunlight would have created harsh shadows and visual confusion. The soft light brings out the yellow color of the bushes and helps simplify the scene. The combination of blue sky and yellow flowers creates a nice warm-cool color contrast.

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Photo Critique Series: “Wild Goose Overlook” by Travis Villa

Thursday, December 2nd, 2010
"Wild Goose Overlook" by Travis Villa“Wild Goose Overlook” by Travis Villa 

Composition and Light

This week’s photograph was made by Travis Villa in Glacier National Park, Montana. Travis wrote on Flickr, “This is one of the most spectacular sunrises I have ever seen, complemented by an already beautiful location. I felt very grateful to have a good balance (not too many or too few) of clouds in the sky that morning.”

Indeed it is a spectacular scene. Wish I had been there! The color and light are dramatic; I especially like the clouds over the pointed peak on the right half of the frame. (I’m sure someone knows the name of the peak.)

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Photo Critique Series: “Dogwood” by Mark Wilburn

Friday, November 12th, 2010

“Dogwood” by Mark Wilburn 

This week’s photograph was made by Mark Wilburn in Yosemite Valley. By having his image chosen for this critique Mark will receive a free 16×20 matted print from Aspen Creek Photo. If you’d like your images considered for future critiques you can upload them to the Flickr group I created for this purpose.

Overview, Composition, and Light

This image was made just a few days ago, on November 6th, near the peak of fall color in Yosemite Valley this year. In fact I was nearby, teaching a private workshop, when Mark made this photograph. I exchanged some pleasantries with a man who said he read my blog, but I didn’t get his name. Then when I contacted Mark about using this image for a critique he told me that was him!

Anyway, I know exactly where these dogwoods are: near Gates of the Valley, also known as Valley View. The dogwoods in this area are striking right now, but not necessarily easy to photograph. It’s one thing to find a colorful subject; it’s another to build a strong composition around that color.

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