by Michael Frye | Nov 12, 2010 | Critiques
“Dogwood” by Mark Wilburn
This week’s photograph was made by Mark Wilburn in Yosemite Valley. By having his image chosen for this critique Mark will receive a free 16×20 matted print from Aspen Creek Photo. If you’d like your images considered for future critiques you can upload them to the Flickr group I created for this purpose.
Overview, Composition, and Light
This image was made just a few days ago, on November 6th, near the peak of fall color in Yosemite Valley this year. In fact I was nearby, teaching a private workshop, when Mark made this photograph. I exchanged some pleasantries with a man who said he read my blog, but I didn’t get his name. Then when I contacted Mark about using this image for a critique he told me that was him!
Anyway, I know exactly where these dogwoods are: near Gates of the Valley, also known as Valley View. The dogwoods in this area are striking right now, but not necessarily easy to photograph. It’s one thing to find a colorful subject; it’s another to build a strong composition around that color.
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by Michael Frye | Nov 8, 2010 | Yosemite Photo Conditions
What a magical day it was in Yosemite Valley. The storm cleared overnight, and Claudia and I rose early to make the drive to the park. We saw a misty sunrise, a dramatic sunset, and beautiful fall color. Everywhere I looked there was another photograph, and another, and another—all demanding to be captured. I did my best to oblige. Here’s a morning view of Three Brothers in the mist; I’ll post more images soon.
Although some leaves were knocked down by the storm, most survived, and it looks like we’ll still have plenty of autumn color through this weekend.
First light on Three Brothers, around 7:00 a.m. this morning
by Michael Frye | Nov 4, 2010 | Night Photography
Day of the Dead procession, Hornitos, California
Last year Claudia and I attended theDay of the Dead (All Soul’s Day) celebration in Hornitos for the first time. Hornitos is a tiny town in the Sierra foothills near my home in Mariposa. During the 1850s over 15,000 people lived there; now the residents number less than a hundred. But every November 2nd the town’s population swells, and several hundred people form a silent, candlelit procession from the town up a hill to the old church and graveyard, where they participate in a ceremony honoring the departed.
As I wrote last year, Claudia and I both found the ceremony moving and inspiring, and knew we had to return. Tuesday night we attended the event for the second time. We loved it, again; in our noisy world it’s wonderful to see hundreds of people holding candles and walking silently, solemnly through the night to an old graveyard. Although neither of us are practicing Catholics, we can appreciate rituals that help connect us with some of the more essential and elemental aspects of life and death.
About the Photograph
Last year I made some good images, but it’s difficult to photograph something like this when you’ve never seen it before, don’t know what to expect, and only have one chance at it. This time I had a plan. I positioned myself where I could see the curving line of the procession walking up the hill toward the church. With the camera locked on a tripod I made an exposure at dusk to capture some of the ambient light, then made a further series of long exposures as the procession passed by. The pieces were assembled in Photoshop. The squiggly lines were made by candles that people held as they walked up the hill. The blue streak is actually the viewing screen of a video camera dangling from a man’s shoulder as he walked up the hill—a nice touch of color, and the line helps fill in an otherwise empty space in the composition.
Some photographs are created spontaneously; others require planning. This is obviously an example of planning, as is my photograph of Horsetail Fall by moonlight. But most of my best images were made by simply reacting to what I saw around me—fleeting light or weather, or maybe just aninteresting arrangement of elements that could make a compelling composition. Planning and flexibility are both essential tools in a photographer’s kit.
Next November 2nd I may leave the camera at home and actually join the procession. Then again, I might not be able to resist trying to capture an event with such rich photographic potential. Either way, I’ll be there.
by Michael Frye | Oct 27, 2010 | Yosemite Photo Conditions
Big-leaf maple… from a few years ago
Fall Color in Yosemite Valley is late—really late. I reported last week that about 50 percent of the maple leaves had turned, 20 percent of the cottonwoods, 20 percent of the dogwoods, and 5 percent of the oaks. Well it’s nearly a week later and I’d say the percentages are the same! Hardly anything has changed. There is some good color in spots: as before, the best places are around Pohono Bridge and underneath Cathedral Rocks along Southside Drive. I heard a reliable report that the dogwoods along Highway 120 are about half turned.
At this point don’t want to even try to predict when the color will peak, or what kind of autumn it might be, as this season is progressing more slowly than any fall I can remember. I’ll let you know if things suddenly start to turn.
by Michael Frye | Oct 26, 2010 | Critiques
Star Trails and Cathedral Peak by Rick Whitacre
This week’s photograph was made by Rick Whitacre at Upper Cathedral Lake in Yosemite. By having his image chosen for this critique Rick will receive a free 16×20 matted print from Aspen Creek Photo. If you’d like your images considered for future critiques you can upload them to the Flickr group I created for this purpose.
When I saw this image among the submissions for this series, it occurred to me that I hadn’t critiqued a nighttime photograph before, and that doing so might help provide some lessons and insights into night photography.
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