In the Moment:
Michael Frye's Landscape Photography Blog

Aspen Kaleidoscope

Aspen-covered hillside, Bishop Creek Canyon, Inyo NF, CA, USA

Aspen-covered hillside, Bishop Creek Canyon

During our recent trip to the eastern Sierra I hiked up a trail I’d never been on before. I hoped the trail might lead to view overlooking a hillside full of aspens. It didn’t – at least not directly. I had to leave the trail and work my way out on some rock outcrops, where I did finally reach a spot with a view of that aspen-covered hillside, and made the photograph above.

I was pretty happy with that image; I liked the curving line of bare trunks, and the way the clumps of pines in the lower-right and upper-left corners played off each other. But my eyes kept getting pulled to some aspens next to the rock outcrop. The leaves on these trees displayed a wonderful kaleidoscope of hues – yellow, orange, red, green, even a bit of maroon. I realized that these aspens right in front of me had at least as much photographic potential as the ones on the distant hillside.

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In the Alabama Hills

Sunrise on Mt. Whitney from the Alabama Hills, CA, USA

Sunrise on Mt. Whitney from the Alabama Hills, CA, USA

On our trip to the eastern Sierra last week Claudia and I made a detour down to the Alabama Hills. This area is a bit further from home than our usual eastside haunts, so we don’t go there often, and I sometimes forget how amazing it is. The jumbled rocks of the Alabama Hills are interesting and photogenic in their own right, but combined with the abrupt escarpment of the mountains to the west… well it’s just spectacular.

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North Lake Sunset

Sunset clouds over North Lake, autumn, Inyo NF, CA, USA

Sunset clouds over North Lake, autumn, Inyo NF, CA, USA

Claudia and I are back home, but we had fun photographing on the east side last week. Every day we saw more color in Bishop Creek Canyon, and the high-elevation aspens were looking great when we left yesterday.

I made this photograph Friday evening. We had been photographing intimate scenes along the south fork of Bishop Creek for a couple of hours, but there were some clouds hugging the crest of the mountains, so I headed to North Lake where I could get a wider view if the clouds turned color at sunset.

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Early Autumn Color

Aspens, reeds, and reflections, Bishop Creek Canyon, Inyo NF, CA, USA

Aspens, reeds, and reflections, Bishop Creek Canyon, Inyo NF, CA, USA

Claudia and I are over on the eastern side of the Sierra checking out the early fall color. The high-elevation aspens typically start turning over here in late September, and they’re right on schedule, or maybe even a little early compared to some years. We drove up Bishop Creek Canyon yesterday, and found lots of color near the 9,000-foot level around Lake Sabrina and North Lake. I’d say these areas are near peak already, with a few bare trees, and some green, but probably 70 to 80 percent of the aspens turning.

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Moonrise, Moonset

Moon rising above Mono Lake and the White Mountains at sunset, CA, USA

Moon rising above Mono Lake and the White Mountains at sunset, CA, USA

We had a wonderful time during our workshop in the Sierra high country last week. The locations around Tuolumne Meadows, Tioga Pass, and Mono Lake are some of my favorites, and we had a great group of people to share them with. We also had several opportunities to photograph the rising and setting moon above these striking landscapes.

In this previous post I wrote about some of the common misconceptions about photographing the full moon. For example, many people assume that full-moon photographs are taken at night, but in fact most are taken at sunrise or sunset when the light of the moon and landscape are in balance. And it’s often better to take these photographs on the days before or after the actual full moon, not when the calendar says “full moon.” That post helps explain some of the gyrations of the sun and moon so you can understand the best times to photograph the moon above a landscape. There are also some excellent apps that can help you pin down precisely where and when the moon will rise and set. The best of these are PhotoPills and The Photographer’s Ephemeris, and I used both to figure out where and when to take our group during the workshop.

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