by Michael Frye | Aug 9, 2015 | Night Photography
Lightning over the San Joaquin Valley from the Sierra Nevada foothills, California, USA
This summer I’ve often heard my fellow Californians making comments like, “Weird weather we’re having,” or “Interesting weather, isn’t it?” Yes indeed. Typically most of the state receives no precipitation from May through September, but this summer we’ve had lots of subtropical moisture drifting northward into the state, triggering showers and thunderstorms. The rains have mostly been light and scattered, so haven’t made any real dent in the drought, but have created interesting conditions for photography.
Last Thursday forecasters predicted another subtropical surge approaching, but we didn’t see much sign of it at our house. Then Claudia and I got into our hot tub around 10:30 p.m. (our nightly ritual before going to bed) and immediately noticed distant flashes of lightning. We couldn’t figure out where they were coming from at first; maybe the west? So I got out of the tub to check radar images, and saw that the nearest storms that could possibly be creating lightning were near the coast! That seemed impossibly far, but then last summer at Mono Lake, during our Starry Skies workshop, we saw distant flashes of lightning, and they turned out to be in eastern Nevada, 200 miles away. So yes, it was indeed possible to see flashes from lightning in the coast ranges, only 80 miles from our house.
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by Michael Frye | Aug 2, 2015 | Composition
Sunbeams in a redwood forest, northern California coast, USA
When doing critiques I often encounter otherwise-wonderful images, with simple, strong compositions, great light, and nice color, but lacking an essential ingredient: a focal point. Viewers need something to latch onto, and if they don’t find it right away they feel lost. You have to take them by the hand and say, “Here, look at this.”
The photograph above has an obvious focal point — the sun. From there your eyes can travel along the radiating light beams out to the rest of the frame.
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by Michael Frye | Jul 26, 2015 | Photography Tips
Clouds and Mammoth Peak reflected in an alpine tarn, Yosemite (1/90th of a second)
I love mirror reflections. The symmetry they create, with the bottom of the photograph mimicking the top, almost automatically adds repetition and creates patterns, helping to unify the image and give it rhythm.
The photograph above is a good example. I made this about two weeks ago near Tioga Pass, with some fantastic clouds passing by late in the afternoon. It’s not a perfect mirror, as the water is slightly rippled, but it’s close enough. The clouds and their reflections form a big X through the picture, a pattern that echoes some of the diagonals in the mountains. This design draws your eye from the middle of the frame out to the corners, giving the image a sense of dynamic energy. None of that would happen without the mirror reflections.
On the other hand, I love rippled water too. (more…)
by Michael Frye | Jul 23, 2015 | Workshops, Yosemite Photo Conditions
Sunset clouds reflected in an alpine tarn, Saturday evening. This was a spectacular sunset that seemed to last forever. Believe it or not I actually toned down the pink color – it was pretty intense.
My Hidden Yosemite workshop with The Ansel Adams Gallery ended Sunday evening, and since then I’ve been catching up on work – and sleep! The days are long this time of year, which meant early starts and late evenings during the workshop, but it was all worth it, and we had a wonderful time.
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by Michael Frye | Jul 12, 2015 | Yosemite Photo Conditions
Sunset at Tenaya Lake, Yosemite NP, CA, USA
On Wednesday I’ll be starting my 10th Hidden Yosemite workshop. I always enjoy this class because we can do some hiking, get away from the crowds, and go to some of my favorite locations in the high country. It’s such a pleasure to feel the crisp, cool air, and see the intense light. And, of course, the area is wonderfully photogenic.
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