In the Moment:
Michael Frye's Landscape Photography Blog

Mirrors and Ripples

Clouds and Mammoth Peak reflected in an alpine tarn, Yosemite NP, CA, USA

Clouds and Mammoth Peak reflected in an alpine tarn, Yosemite (1/90th of a second)

I love mirror reflections. The symmetry they create, with the bottom of the photograph mimicking the top, almost automatically adds repetition and creates patterns, helping to unify the image and give it rhythm.

The photograph above is a good example. I made this about two weeks ago near Tioga Pass, with some fantastic clouds passing by late in the afternoon. It’s not a perfect mirror, as the water is slightly rippled, but it’s close enough. The clouds and their reflections form a big X through the picture, a pattern that echoes some of the diagonals in the mountains. This design draws your eye from the middle of the frame out to the corners, giving the image a sense of dynamic energy. None of that would happen without the mirror reflections.

On the other hand, I love rippled water too. (more…)

Back From the High Country

Sunset clouds reflected in an alpine tarn, Yosemite NP, CA, USA

Sunset clouds reflected in an alpine tarn, Saturday evening. This was a spectacular sunset that seemed to last forever. Believe it or not I actually toned down the pink color – it was pretty intense.

My Hidden Yosemite workshop with The Ansel Adams Gallery ended Sunday evening, and since then I’ve been catching up on work – and sleep! The days are long this time of year, which meant early starts and late evenings during the workshop, but it was all worth it, and we had a wonderful time.

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High Mountain Sanctuary

Sunset at Tenaya Lake, Yosemite NP, CA, USA

Sunset at Tenaya Lake, Yosemite NP, CA, USA

On Wednesday I’ll be starting my 10th Hidden Yosemite workshop. I always enjoy this class because we can do some hiking, get away from the crowds, and go to some of my favorite locations in the high country. It’s such a pleasure to feel the crisp, cool air, and see the intense light. And, of course, the area is wonderfully photogenic.

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Cloud Patterns

Half Dome from Glacier Point, late afternoon, Yosemite NP, CA, USA

Half Dome from Glacier Point, late afternoon, Yosemite; for a brief moment the clouds formed a zigzag pattern above Half Dome.

Last week I mentioned that the weather forecast called for monsoonal moisture to move up into the Sierra Nevada from the south, with possible showers and thunderstorms. And sure enough, things unfolded pretty much as predicted. Rain was very localized; we got sprinkled on a couple of times at our house in Mariposa, but other nearby areas got dumped on when they received a direct hit from a thunderstorm.

Wednesday night brought thunder to the foothills near our house – that’s when I made the lightning photograph from my last post. But we saw interesting clouds all week. Claudia and I made two trips to Glacier Point, and I also photographed some beautiful moonlit clouds from our driveway, and made a trip into the lower foothills, where I found some striking, colorful sunbeams.

What do all these photographs have in common – aside from clouds? Patterns. All of these images have some kind of repeating pattern or design in the clouds.

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Fireworks

Lightning over the Sierra Nevada foothills, Mariposa County, CA, USA

Lightning over the Sierra Nevada foothills, Mariposa County, CA, USA

We had some pre-Fourth-of-July fireworks here Wednesday night. At about 11:00 p.m. I let our dog Rider out before going to bed, and noticed flashes in the sky to the south. Sleep could wait! Claudia and I headed to a nearby viewpoint on Triangle Road, and saw lightning in three separate storm cells to the southeast, south, and southwest.

When watching thunderstorms you often only see cloud-to-cloud lightning, but on this night we could see some distinct bolts hitting the ground. I watched closely to try to determine where the most lightning activity was taking place. My first try didn’t work, but then another spot further to the right seemed to become more active, so I pointed my camera there, locked the tripod, and captured a series of 30-second exposures (each at f/9.5, 800 ISO). This photograph is a blend of five separate frames capturing seven or eight lightning bolts.

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