In the Moment:
Michael Frye's Landscape Photography Blog
by Michael Frye | Nov 5, 2015 | Yosemite Photo Conditions
Clouds and mist from Tunnel View, Tuesday morning
It’s nice to see the Yosemite high country covered in snow on the Sentinel Dome webcam – an uncommon sight in recent years. On Monday a large, winter-like storm reached California, dropping over two-and-a-half inches of rain in Yosemite Valley, and from one to two feet of snow at higher elevations. The winter wet season is off to a good start.
I’m not celebrating too much yet, however, because I remember this happening before. During the last four water-starved winters several large, early-season storms have created initial optimism, only to be followed by months of sunny skies. Let’s hope that this is just the first of many big storms to arrive this winter.
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by Michael Frye | Nov 3, 2015 | Digital Darkroom
Autumn sunrise over the Sneffels Range from the Dallas Divide, CO, USA
As I wrote in my last post, it can be challenging to process high-contrast scenes with important, colorful subjects in the shade – like aspens. You need to lighten the shadows even more than normal to bring out the color, and it’s hard to do that in a natural-looking way, while keeping contrast and depth.
This photograph is a good example. It’s from the Dallas Divide, one of Colorado’s iconic fall locations. Fresh snow on the peaks added interest, but also created more contrast. The morning sun lit the peaks and clouds, but I knew it would be awhile before that light reached the aspens in the foreground, and by that time the color in the sky would be gone. I bracketed three exposures, each one stop apart, in case I needed to blend them together later. But I didn’t need to blend; the final image was processed in Lightroom with just one frame.
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by Michael Frye | Nov 1, 2015 | Digital Darkroom, Light and Weather
Sunbeams, San Juan Mountains, Colorado. Driving over Lizard Head Pass we came around a bend and spotted these sunbeams coming through the clouds. Claudia found a place to pull over, and I scrambled to set up my camera as quickly as possible. Wind was blowing rain right toward the camera, so it was a challenge to keep water drops off the lens. I stayed for at least 20 minutes capturing images of the sunbeams as they moved and changed, but this was the very first frame. A challenging photo to process!
With their straight, white trunks and colorful leaves, aspens are great subjects for intimate landscapes. But in both Colorado and the eastern Sierra this fall we had lots of interesting weather, with great clouds, which created many opportunities to capture images of aspens as part of a larger landscape, with mountains in the background. I’ve posted a couple of these photographs already (here and here), but I’ve included a few more in this post.
These images were sometimes challenging to process. Often the aspens were in the shade, with sunlit, sometimes snow-covered peaks above, creating a lot of contrast. Yet all of these images were processed in Lightroom, with just one Raw file – no exposure blending or HDR. I used Lightroom’s wonderful Highlights and Shadows tools, plus some dodging and burning with the Adjustment Brush.
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by Michael Frye | Oct 29, 2015 | Yosemite Photo Conditions
Sunset light, Tunnel View, yesterday evening
Some interesting weather passed through the Sierra Nevada yesterday. It so happened that I had an errand to run in Yosemite Valley, which gave me an excuse (as if I needed one) to go up there and check on the weather. After taking care of the errand, Claudia and I ended up at Tunnel View, where we waited out a thunderstorm. I tried to take a nap in the car, but was rudely awakened several times by loud claps of thunder. After the rain stopped I went out to the viewpoint and waited for the sun to break through, joined by a number of other photographers, including some friends and acquaintances. Tunnel View is, by virtue of its popularity, the social gathering place for photographers in Yosemite.
Finally, just before sunset, the sun did break through and light El Capitan (see the photograph above). It’s funny how all those photographers can suddenly become quiet as they concentrate on composition and camera settings.
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by Michael Frye | Oct 25, 2015 | Yosemite Photo Conditions
El Capitan and the Merced River, autumn, Yosemite Valley. This photograph from 2006 shows big-leaf maple leaves covering the foreground shoreline.
On my way home Thursday I drove the loop around Yosemite Valley to check on the fall color progression. The first thing that struck me was the cottonwoods, which have all dropped their leaves without turning yellow. Is this a sign of the drought? Maybe, but I saw the same thing happen in 2011, after one of the wettest winters and springs on record for Yosemite Valley. There are a lot of factors that affect fall color, so it’s hard to pinpoint one cause.
Some of the black oak leaves also seem to be turning brown. I’d say half of the oaks look fine (though still mostly green), and half appear to be wilting.
On the other hand, the big-leaf maples and dogwoods look pretty normal, though they’re turning late. Many maples sport a few brown leaves, but that’s actually pretty typical. The rest of the leaves are either healthy green or starting to turn yellow, and once they all turn yellow you won’t notice the brown leaves. Most of the dogwoods look quite normal overall, though they’re turning late.
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