by Michael Frye | Nov 4, 2018 | Travels and Stories, Yosemite Photo Conditions
Firs and dogwoods, autumn, Yosemite. Dogwoods have proliferated in this area burned by the Rim Fire in 2013. 116mm, 15 seconds at f/16, ISO 100.
One afternoon about ten days ago Claudia and I headed up Highway 120, west of Yosemite Valley, to check on the fall color. We found some colorful dogwoods between the Valley and Crane Flat, but west of Crane Flat most of the dogwoods were brown, scorched by the Ferguson Fire last summer. Or, to be more accurate, they had been scorched by firing operations (back burns) performed by firefighters along the road.
We decided to hike down to the Tuolumne Grove of giant sequoias. While the Ferguson Fire didn’t reach the Tuolumne Grove, the Rim Fire did in 2013. The media latched onto this story, with headlines about the fire threatening these ancient trees.
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by Michael Frye | Oct 31, 2018 | Advanced Techniques, Photography Tips
Swirling dogwood blossoms, Yosemite. I used a slow shutter speed (1/2 second) to deliberately blur the motion of these dogwood blossoms, but usually I’m trying to make my photos as sharp as possible.
It’s always disappointing to find out that one of your photos isn’t sharp – especially if it’s an image you like (and you weren’t trying to deliberately blur the image). Yet we all make mistakes. Even professionals like me sometimes take unintentionally blurry photos (as you’ll see below!). But after you’ve swallowed your disappointment, it’s important to figure out why the image is soft so that you don’t make the same mistake again.
There are basically five causes of blurry photos: camera movement, subject movement, missed focus, insufficient depth of field, and lens softness.
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by Michael Frye | Oct 28, 2018 | Uncategorized
Autumn Colors: Sunlit reflections of Aspens above Grant Lake, Inyo NF, CA, USA
I’m working on a longer post, but in the meantime here are some more autumn colors, this time from the eastern Sierra about ten days ago. This image was actually Claudia’s idea. It’s difficult to photograph directly toward sunlit reflections like this, but she liked the color palette of yellow, orange, green, red, and blue, so I decided to try it, and somehow it worked.
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by Michael Frye | Oct 23, 2018 | Light and Weather
Sunbeams and aspens, Dallas Divide, Colorado. Claudia and I were headed to a more distant aspen grove, hoping to find snow on the trees, but saw some great sunbeams breaking through the clouds and decided to stop at Dallas Divide. We ended up staying for half an hour, with sunbeams moving across the landscape the whole time. For this image I bracketed five shots, two stops apart, and blended them with Lightroom’s HDR Merge.
In my last post I mentioned how much I love the transition from autumn to winter, with splashes of yellow amidst beautiful white aspen trunks, snow etching the trees, and the feeling of the long, cold winter settling in. Here are a few more attempts to capture that mood from the mountains of Colorado.
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by Michael Frye | Oct 21, 2018 | Light and Weather
Hillside with aspens and conifers, Uncompahgre NF, CO, USA
We were in Colorado for two-and-a-half weeks, and during that time we watched the upper-elevation aspens lose most of their leaves. The lower-elevation aspens followed, going from green, to yellow and orange, and then, in some cases, bare. Rain and snow set in, and we saw the snow level drop from 11,000 feet down to 10,000 feet, then 9,000 feet, and even briefly down to 8,000 feet. It felt like winter was approaching rapidly.
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