by Michael Frye | Sep 26, 2021 | Light and Weather, Travels and Stories
Steaming earth, Yellowstone National Park
Last spring I did a presentation for Out of Chicago Live called The Dynamic Landscape. It’s a topic I’ve been thinking about for awhile, because I realized that I view the landscape not as something fixed and immutable, but as as a living, breathing, constantly changing organism.
And that view heavily influences my photography. I respond to the changes around me with my feet, my eyes, and my camera as I adapt to light, weather, and other conditions.
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by Michael Frye | Sep 11, 2021 | Travels and Stories
Late-afternoon light, Oregon badlands
Claudia and I are in the middle of a long camping trip. We started in Oregon, then moved to Idaho, and for the last ten nights we’ve been in Yellowstone.
One of our stops was in the badlands of eastern Oregon. These badlands encompass a small area, but they’re colorful, and full of beautiful patterns. I love patterns, as you probably know, so I was like a kid in a candy store, finding new compositions everywhere I looked. I used telephoto lenses almost exclusively, picking designs out of the sculpted earth.
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by Michael Frye | Aug 15, 2021 | Night Photography
Milky Way and meteor reflected in an alpine lake, Yosemite NP, California. The meteor’s reflection is squiggly because the water was slightly rippled. I blended 20 exposures (each 16mm, 30 seconds at f/4, ISO 6400) with Starry Landscape Stacker to reduce noise. That kind of blending wipes out short-lived light sources, like car headlights or jet trails, which is usually a great thing. But in this case it also wiped out the meteor and its reflection, so I took that one meteor frame into Photoshop, and blended it with the TIFF output from Starry Landscape Stacker to create the final image.
On Thursday evening Claudia and I decided to head up to Yosemite to watch the Perseid meteor shower. Although you can see more Perseid meteors during the early-morning hours, we knew from previous experience that those early-morning meteors rain down from directly overhead, so although numerous, their paths are short. But during the evening you’re much more likely to see an “earth-grazer” – a meteor that glances across the atmosphere at an angle, making a long, bright streak through the sky. So although evening meteors are less abundant, the ones you do see are often more spectacular.
We made our way to a high-country lake. I set up my camera, then we laid out our stadium chairs to watch the show. Only it wasn’t much of a show at first. For a long time we saw no meteors whatsoever, earth-grazers or otherwise. Finally we saw some small ones. And then, eventually, I saw a big, bright, beautiful earth-grazer streak across half the sky. But Claudia missed it. Eventually we saw a few more earth-grazers, though none as bright as that first one.
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by Michael Frye | Aug 5, 2021 | Announcements
Misty sunrise from Tunnel View, Yosemite
If you haven’t heard yet, there’s a new photography competition called the Natural Landscape Photography Awards. It is, in their words, a competition “celebrating the artistic achievements of landscape photographers who dedicate themselves to capturing the beauty of the landscape in a realistic manner.”
Now let me say up front that I don’t think art should have any limits, and people should be free to create anything they want, in any manner they want (as long as they’re not harming anyone or deliberately deceiving people about how an image was made).
But in my own work I try to celebrate the beauty and variety of nature. I think the natural world is wonderful and amazing, and I try to show that without enhancing my images in an unrealistic way. Plus, for me, part of the fun of landscape photography is trying to put myself in the right place at the right time to see some of the most beautiful places in the world at their most beautiful moments. It changes the game – and for me, decreases the enjoyment – if I can just add in a different sky later.
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by Michael Frye | Aug 1, 2021 | Light and Weather, Travels and Stories
Sun setting over Mono Lake, California. Anticipating that sunbeams might appear to the west, I moved to line up the sun with some tufa formations, and captured this scene as the sun broke through a bank of clouds. Five frames, two stops apart, each at 50mm, f/11, and ISO 100, blended with Lightroom’s HDR Merge.
If you’re used to lakes in other parts of the world, Mono Lake might seem like a strange place. The water is salty – two to three times saltier than the ocean. It’s surrounded by sagebrush desert, and instead of trees along the shore you find those otherworldly tufa formations.
You won’t see many people swimming in Mono Lake. You won’t find lifeguards and buoys, windsurfers, or kids splashing in the water playing Marco Polo. Although the very-salty water allows people to float easily, it also leaves a salty and somewhat-soapy alkaline residue on the skin, with no convenient beachside showers available to rinse off in.
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