In the Moment:
Michael Frye's Landscape Photography Blog

Live Lightroom Processing Demo

Dogwood blossoms and sunset reflections, Yosemite NP, CA, USA

Dogwood blossoms and sunset reflections, Yosemite. I used the Color Range and two Brush components in Lightroom’s Masking Panel to select and lighten just the dogwood blossoms in this photograph.

On Saturday, January 8th (10:30 a.m. Pacific Time) I’ll be hosting a live webinar where I’ll pick two or three images from members of our Education Center and show how I would process them in Lightroom – with special emphasis on using the new Masking Panel.

This webinar will only be open to members of our Education Center. If you’re not a member yet, you can become a member by purchasing one of my Lightroom courses. My latest course, Lightroom’s Masking Panel: In Depth, is only $15 until midnight on Friday, when the price goes up to $20. And my other two courses (Landscapes in Lightroom: The Essential Step-by-Step Guide and Landscapes in Lightroom: Advanced Techniques) are also on sale for 15% off until Friday (click “Have a Coupon?” and enter the code MASKING15 to get the discount).

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New Lightroom Tutorials: The Masking Panel

(If you can’t view the video, click here.)

The new Masking Panel is one of the biggest changes to Lightroom since 2012. It’s incredibly powerful and flexible, with better tools for viewing and organizing all your local adjustments, two new AI-powered selection tools (Select Subject and Select Sky), and best of all, the ability to combine selections in almost unlimited ways to create exactly the selection you want.

I’m really excited about all these new capabilities, but there’s a lot to learn, and it takes some getting used to. So I’ve just finished a new three-part video tutorial all about Lightroom’s Masking Panel.

I’ve included Part 1 here for free to help get you up to speed with the Masking Panel. This video will help you navigate the new layout and learn how to use its great new tools for viewing, organizing, and renaming your masks.

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Major Lightroom Update: the New Masking Panel

Sunrise along the Oregon Coast, USA

Sunrise along the Oregon Coast. I used some of the powerful selection tools in Lightroom’s new Masking panel to re-process this image, balancing the bright highlights and dark shadows, and bringing out subtle colors and definition in the foreground.

Today Adobe officially released a major update to Lightroom, Lightroom Classic (v11.0), and Camera Raw (v14.0), featuring a completely revamped method of making local adjustments called Masking. This new implementation improves the layout and functionality of the local adjustments, adds some powerful new selection tools, and allows you to combine tools in almost unlimited ways to create exactly the selection you want.

With the new Masking panel, all of your local adjustments can be viewed together, rather than spread out between three panels (Graduated Filter, Radial Filter, and Adjustment Brush). You can also rename each mask, turn each mask off and on, and view the masks with different overlays.

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New Lightroom Course!


 

I’m excited to announce a new online course, called Landscapes in Lightroom: Advanced Techniques.

I know many of you have purchased and used my original Lightroom course, Landscapes in Lightroom: The Essential Step-by-Step Guide. (I used to refer to this as an ebook, but it’s evolved into much more than that.) This new, advanced course takes you further, showing you how to add sophisticated touches to your images that you might have thought were only possible in Photoshop. Things like…

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Lightroom’s New Color Grading Panel

(If you don’t see the video, click here to view it on YouTube.)

On October 20th Adobe released an update to Lightroom, Lightroom Classic, and Adobe Camera Raw that included a new tool – the Color Grading panel. It replaces the old Split Toning panel.

What is color grading? I guess I have a broader definition of that term than Adobe does. To me, color grading includes a wide range of color adjustments that go beyond the basics of setting a white balance and adjusting saturation. Mainly I think about adjusting individual hues to either bring the colors of an image into better harmony, or to separate and differentiate hues to create more color contrast.

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