In the Moment:
Michael Frye's Landscape Photography Blog
by Michael Frye | Feb 6, 2014 | Vision and Creativity

Great egret landing, San Joaquin Valley, CA, USA
This image was a lucky accident. I was standing next to my car along a tour route at one the wildlife refuges in the Central Valley, looking at a large flock of sandhill cranes and Ross’s geese, when I saw this egret flying by. I quickly turned, pressed the autofocus button on the back of the camera, followed the bird, and held the shutter button down as the egret landed.
The photograph languished in my archives for awhile before I processed it. Maybe I didn’t realize its potential right away because it was such a grab shot. But I did finally process it recently, and found several things to like about it.
First, there’s the contrast. Most of the frame is dark, but the two key elements – the bird and the road – are lighter, so they stand out. Any time you can place a light subject against a dark background, and have that subject stand out cleanly and distinctly against its surroundings, you have the potential for a strong image. There’s no sunlight in this photo, so the contrast isn’t created by sun and shade, but by the juxtaposition of a white bird against dark vegetation. But it doesn’t matter how the contrast is created, as long as it’s there. (The same idea also works for dark subjects against light backgrounds. I talk more about both kinds of contrast in this post.)
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by Michael Frye | Feb 4, 2014 | Yosemite Photo Conditions

El Capitan and the Merced River during a clearing storm, Friday morning, Yosemite
A clearing storm in Yosemite Valley can be a memorable event, but not all clearing storms are equally photogenic. Some clear gradually, while others finish abruptly and spectacularly. Some storms clear at night, some in the middle of the day, but for photography you’d like the storm to clear just before sunrise or sunset.
Last Thursday, Yosemite Valley got two inches of rain, the first real precipitation in almost two months. Higher elevations got snow, and the temperature dropped enough to give the Valley a slight dusting at the tail end of the storm. The main part of the storm cleared around midday on Thursday – not the best time for photography, though still beautiful. But then showers resumed Thursday night, with the last of them moving through just before sunrise. Perfect timing.
My two brothers were visiting from Washington State, and the three of us rose early, drove up to Yosemite Valley, and headed for one of my favorite spots along the Merced River. The sun broke through the clouds and illuminated El Capitan briefly before the fog thickened and all the cliffs disappeared. But after about ten minutes El Cap re-emerged, the sun broke through, and we were treated to a classic Yosemite clearing storm. The first photograph here is probably my favorite from the morning, but I’ve posted a couple more images below, including a later image from Tunnel View – still a photogenic spot at 10:00 a.m.
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by Michael Frye | Jan 28, 2014 | Yosemite Photo Conditions

Sunbeams and mist along the Merced River, Yosemite
For many places in California, 2013 was the driest year on record. And so far this winter (our usual rainy season) has brought almost no precipitation. January has brought a procession of sunny days, with temperatures in the 60s or even low 70s at my house at 2700 feet in the Sierra foothills. It’s pleasant weather, but weird, and a little scary, as it seems like it will never rain again.
But finally the forecast is calling for rain and higher-elevation snow this week. It’s not supposed to be a big storm, but we’ll take what we can get. The main pulse of this system is due to arrive Thursday, but showers might linger into Friday or even Saturday. Snow levels are expected to stay at around 7,000 feet on Thursday, but may drop to 4,000 feet on Saturday, so it’s possible, though not likely, that Yosemite Valley could get a dusting of snow.
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by Michael Frye | Jan 26, 2014 | Light and Weather, Travels and Stories

Sunbeams and fog in a Sacramento Valley orchard, California
The last few winters I’ve spent some time in California’s San Joaquin Valley photographing migrating birds – mostly snow geese, Ross’s geese, and sandhill cranes. Last week Claudia and I ventured further north, into the Sacramento Valley (the northern half of California’s Great Central Valley), exploring some of the backroads and wildlife refuges there.
One morning, while driving an obscure little road in the Sacramento Valley, Claudia and I stumbled upon an orchard filled with fog. As far as we could tell there was no other fog within 50 miles, because there’s very little moisture anywhere, but for some reason this one spot had fog – possibly because the trees had been watered recently, creating moisture that condensed in the cool morning air.
Seeing the sunbeams cutting through the mist underneath the trees, I grabbed my camera and tripod, and quickly framed a few compositions, one of which is shown above. Within five minutes the fog had burned off, leaving us with yet another clear, warm, dry January day.
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by Michael Frye | Jan 19, 2014 | Yosemite Photo Conditions

Moonrise from Tunnel View, Yosemite NP, CA, USA
During my Landscapes in the Digital Darkroom workshop last week for The Ansel Adams Gallery we photographed two moonrises, including this one on Tuesday from Tunnel View. The moon appeared right over Cloud’s Rest, between Half Dome and El Capitan, just before sunset – a spectacular sight. I’ve included two versions here: a black-and-white image just as the moon climbed into view (below), and a color version when the moon rose a little higher (above).
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