In the Moment:
Michael Frye's Landscape Photography Blog
by Michael Frye | Jul 3, 2015 | Night Photography, Travels and Stories
Lightning over the Sierra Nevada foothills, Mariposa County, CA, USA
We had some pre-Fourth-of-July fireworks here Wednesday night. At about 11:00 p.m. I let our dog Rider out before going to bed, and noticed flashes in the sky to the south. Sleep could wait! Claudia and I headed to a nearby viewpoint on Triangle Road, and saw lightning in three separate storm cells to the southeast, south, and southwest.
When watching thunderstorms you often only see cloud-to-cloud lightning, but on this night we could see some distinct bolts hitting the ground. I watched closely to try to determine where the most lightning activity was taking place. My first try didn’t work, but then another spot further to the right seemed to become more active, so I pointed my camera there, locked the tripod, and captured a series of 30-second exposures (each at f/9.5, 800 ISO). This photograph is a blend of five separate frames capturing seven or eight lightning bolts.
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by Michael Frye | Jan 26, 2015 | Vision and Creativity
Sunrise above a fog layer, Sierra Nevada foothills, Thursday morning; focal length was 75mm
As I mentioned in my last post, the fog display on Thursday morning might have been even better than Wednesday morning. It didn’t look very promising at first. There was no fog at our house, and none in Mariposa either, so I knew I had to go lower. Claudia was with me this time, and we decided to take a back road that headed west into the lower foothills. At one point we crested a ridge, and there, below us, was the sea of fog.
Again I was fortunate to find a good viewpoint looking toward the southeast. This time there was a layer of high clouds above the fog, already starting to turn color with the sunrise. Best of all, a double-peaked hill was poking up out of the fog in that direction. The image at the top of this post is an early one from that morning, with a brilliant sunrise above the fog and hills.
After the sun rose, the fog lifted into some nearby ridges, getting high enough to almost – but not quite – obscure that double-peaked hill. Soft backlight filtered through the high clouds, bringing out beautiful textures in the fog (see the two images below).
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by Michael Frye | Jan 25, 2015 | Light and Weather, Vision and Creativity
Fog and southern Sierra peaks from Mt. Bullion at sunrise, Mariposa County, Wednesday morning
After the episode of dense fog in the Central Valley that I mentioned in my last post, the fog lifted into what meteorologists call a stratus deck last week – essentially a layer of fog that’s slightly above ground level. From the Central Valley the stratus deck would look like a low overcast. If you were to drive out of the valley into the Sierra, you’d climb into the clouds, and into a layer of fog, and then eventually get above the fog and into sunshine. And if you could find a hill or ridge that rose above the stratus deck, you’d be able to look out over a sea of fog.
That sight should be familiar to people who live in the San Francisco Bay Area, or anywhere along the California Coast. When I lived in the Bay Area in the early ’80s, I remember driving along Skyline Drive on the Peninsula and looking out to the west over a sea of fog covering the ocean. At that time my interest in photography was in its infancy, but it was a beautiful sight. I’ve had that mental image in my mind ever since, and have long wanted to make photographs from above a sea of fog.
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by Michael Frye | Jan 22, 2015 | Vision and Creativity
Oak, sun, and fog, Sierra Nevada foothills
As regular readers know, I love fog. It’s a little like snow in the way it can transform an ordinary landscape into something dreamlike.
We’ve had a lot of interesting fog around here lately. Last week the fog was very dense in the Central Valley, sometimes persisting all day rather than burning off in the afternoon. One morning we made an early trip into the lower foothills of Mariposa County, an area with rolling, grassy hills and scattered oaks (I’ve posted images from there before). I was hoping that the fog would be thick enough to push up from the Central Valley into these foothills, and it was – just barely. We were right on the edge of the fog, which was actually perfect – foggy enough to create a misty, ethereal mood, but not so foggy that it completely obscured the landscape.
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by Michael Frye | Jan 8, 2015 | Vision and Creativity
Sunrise in a San Joaquin Valley marsh, California, December 18th
I’m grateful to live near Yosemite Valley, one of the world’s most spectacular landscapes. But in photography, light is more important than subject. My most popular image of 2014 featured an orchard in the Sacramento Valley – with exceptional light. I’d rather photograph an “ordinary” scene in great light than an extraordinary scene in dull light.
Last month Claudia and made an early-morning drive to one of the wildlife refuges in the flat-as-a-table-top expanse of the San Joaquin Valley. I was hoping for fog, which is common on winter mornings in the Central Valley. Instead, I found the beautiful clouds and reflections shown in the photograph above. In this case, the flat landscape helped, making it possible to catch the orange ball of the sun just as it crested the horizon. The light, clouds, colors, and reflections helped to convey a nice early-day mood.
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