In the Moment:
Michael Frye's Landscape Photography Blog

White Balance for Landscape Photographs – Part 2: Shade

White Balance for Landscape Photographs – Part 2: Shade from Michael Frye on Vimeo.

Here’s the second part of my video series on white balance. Today it’s all about shade—finding the perfect color temperature that brings out all the hues when there’s no sunlight in your photograph.

If you haven’t seen it already, here’s a link to Part 1. Still to come is Part 3, where I’ll present solutions to a common problem in landscape photographs—finding the right white balance when mixing low-angle sunlight with blue sky.

To see this video clearly, be sure that “HD” is on (the letters “HD” should be white instead of gray; if not, click on them), and click the “expand” icon just to the right of “HD.”

These videos are a great way to explain concepts like white balance, but if you want to put all the bits and pieces together and really master the digital darkroom, there’s still space available in my upcoming Photoshop and Digital Printing workshop, January 16-20.

Hope you find this video helpful, and I look forward to hearing your comments!

 

Monday Night’s Lunar Eclipse

Lunar Eclipse Sequence, 1:23 a.m. to 4:49 a.m., August 28, 2007

Lunar Eclipse Sequence, 1:23 a.m. to 4:49 a.m., August 28, 2007

Before getting to the topic at hand, I want to thank all of you for your support in launching my new eBook, Light & Land. The first day’s sales were amazing, off the charts, so thanks to all of you who bought a copy. And if you haven’t purchased it yet, there’s still time to get 20 percent off. See my last post for details.

So on to the eclipse… I was honored to have this lunar eclipse photo recently selected for the Natural World Exhibit at the Center for Fine Art Photography in Fort Collins Colorado. By coincidence, there will be another full lunar eclipse Monday Night—an opportunity to try making your own eclipse photograph.

Now here in California there are lots of dire weather forecasts for the next few days, with predictions of five to ten feet of snow above 7000 feet in the Sierra Nevada, and five to ten inches of rain in the foothills and Yosemite Valley. Minor flooding is possible. So there’s a good chance that we won’t see Monday night’s eclipse at all. But you never know—all it takes is a small break in the clouds. And those of you in other parts of the world may have perfect weather for this event. To see where and when the eclipse will be visible (weather permitting), visit the NASA web site. (more…)

Photo Critique Series: “Rabbitbrush and Storm” by David Thomas

"Storm and Rabbitbrush" by David Thomas“Rabbitbrush and Storm” by David Thomas

First, my new eBook, Light & Land: Landscapes in the Digital Darkroom, will actually be released tonight at 1:00 a.m. PST, not today as I said previously. I’ll have more details in my next post tomorrow morning.

On to the critique…

This week’s photograph was made by David Thomas near Bishop, California, on the eastern side of the Sierra Nevada.

Light

David said that he and his dad were driving north on Highway 395 when he noticed a storm gathering over the Sierra crest beyond this dense field of rabbitbrush, “perfectly arranged, waiting to be composed.” The clouds, falling rain, and patch of blue sky provide a dramatic background, and the yellow flowers add an eye-catching foreground. There’s actually not much sun in the scene, but that works well here, especially on the rabbitbrush, where sunlight would have created harsh shadows and visual confusion. The soft light brings out the yellow color of the bushes and helps simplify the scene. The combination of blue sky and yellow flowers creates a nice warm-cool color contrast.

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Photo Critique Series: “Wild Goose Overlook” by Travis Villa

"Wild Goose Overlook" by Travis Villa

“Wild Goose Overlook” by Travis Villa

Composition and Light

This week’s photograph was made by Travis Villa in Glacier National Park, Montana. Travis wrote on Flickr, “This is one of the most spectacular sunrises I have ever seen, complemented by an already beautiful location. I felt very grateful to have a good balance (not too many or too few) of clouds in the sky that morning.”

Indeed it is a spectacular scene. Wish I had been there! The color and light are dramatic; I especially like the clouds over the pointed peak on the right half of the frame. (I’m sure someone knows the name of the peak.)

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Another Snowy Weekend

Half Dome and El Capitan, sunrise

Half Dome and El Capitan, sunrise

I can’t remember seeing so much snow in November. Saturday brought another storm, and six inches of new snow to the valley floor. I went out in the blizzard Saturday afternoon to photograph snowy trees (my wife Claudia posted a photo of me in the Ahwahnee Meadow on my Facebook page). The storm cleared during the night, and Sunday was another one of those great Yosemite days—a beautiful sunrise, and fresh snow everywhere. The photo above was made from Tunnel View shortly after sunrise, and I’ve included a couple of other photos from the day below. As you can see in the last image, there is still, amazingly, some fall color in spots.

Curiously there were few other photographers in the valley. Only two other people captured the sunrise from Tunnel View—locals Evan Russell and Walter Flint. I spotted a few tripods later in the day, but was surprised there weren’t more, especially with such great conditions on a holiday weekend. Maybe no one could get reservations near the park. Or, perhaps perhaps people were actually spending time with their families instead of devoting every spare moment to photography. Imagine that! Well, with luck we’ll get many more photogenic storms this winter.

Golden reflections in the Merced River

Golden reflections in the Merced River

Snow falling from oaks, Ahwahnee Meadow