In the Moment:
Michael Frye's Landscape Photography Blog

Photographing Sunbursts

Photographing Sunbursts: Aspens and morning sunlight along Rush Creek, Inyo NF, CA, USA

Aspens and morning sunlight, Inyo NF, CA, USA

I’ve always felt that the best photographs capture a mood or feeling. It’s easier to convey a mood when the weather gets stormy, but how do you capture a mood on a clear, sunny day? The answer, I think, is to go with it—to emphasize the sun, the blue sky, and the brightness of the day. Find the visual elements that say “beautiful, sunny day,” and highlight them.

One way of doing this is to include the sun in the frame. Nothing says “sunny and bright” like the sun itself. But putting the sun in your photograph brings challenges. First, you’re likely to get lens flare. This is not the end of the world—in fact, many photographs use lens flare to great effect—but sometimes the flare can be distracting. The other challenge is getting the exposure right.

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Eastern Sierra Sunrise

Sunrise on a peak in the eastern Sierra, Inyo NF, CA, USA

Sunrise on a peak in the eastern Sierra, Inyo NF, CA, USA

I made this photograph yesterday morning during my first Eastern Sierra Fall Color workshop. It’s just so beautiful over here! We had a great time, and I’m looking forward to the second one.

With sidelight like this, a polarizing filter can actually lighten a reflection if it’s adjusted correctly. By lightening the refection and darkening the sky the polarizer helped to balance the contrast of this scene, and from there it was relatively easy to process this image in Lightroom using Highlights, Shadows, and the Graduated Filter tool.

— Michael Frye

Related Posts: A Landscape Transformed; Autumn Snow

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Michael Frye is a professional photographer specializing in landscapes and nature. He is the author or principal photographer of The Photographer’s Guide to YosemiteYosemite Meditations, Yosemite Meditations for Women, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters. He has also written three eBooks: Light & Land: Landscapes in the Digital Darkroom, Exposure for Outdoor Photography, and Landscapes in Lightroom 5: The Essential Step-by-Step Guide. Michael written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.

Signs of Autumn

September reflections in North Lake after a dusting of snow, Inyo NF, CA, USA

Reflections in North Lake on Sunday morning after a dusting of snow, Inyo NF, CA, USA

Last weekend my wife Claudia and I made our annual pilgrimage to the Millpond Music Festival in Bishop, over on the eastern side of the Sierra Nevada. We had a wonderful time, as usual; this is either the 14th or 15th consecutive year we’ve attended this event, so clearly we love it.

On the drive over we could see some color changes starting to appear in the highest aspen groves, like where Warren Canyon meets Lee Vining Canyon along Highway 120 east of Tioga Pass, and on the higher reaches of the Parker Bench, above the northern end of the June Lake Loop just southeast of Parker Lake.

Saturday evening it sprinkled in Bishop, and further north several inches of snow fell on Tioga Pass and Sonora Pass, temporarily closing both routes. I knew that the nearby upper reaches of Bishop Creek Canyon would likely have a dusting of snow in the morning, and I’d heard that the colors were already changing up there, so I rose early Sunday and drove up to North Lake before sunrise.

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