by Michael Frye | Nov 22, 2015 | Light and Weather
Fog and clouds over Mono Lake with the White Mountains in the distance. On this October morning we had planned to go the June Lake Loop, but some interesting clouds prompted me to photograph sunrise along the lakeshore. As the sunrise color faded, I noticed a layer of fog forming over the lake. We drove up toward Conway Summit to get above the fog, and stopped along the road, where I stayed for about 30 minutes photographing the shifting fog and clouds. This is a blend of three exposures using Lightroom’s new HDR Merge.
Mono Lake is a special place. First, of course, there are those amazing tufa formations. But it’s also unusual to see such large body of water surrounded by desert sagebrush. And then there are the mountains in the background, including the dramatic escarpment of the Sierra Nevada to the west, and the White Mountains to the southeast. Oh, and I almost forgot the wonderful bird life!
That unique setting is often adorned by interesting clouds, and occasional fog. We spent a lot of time in Lee Vining this summer and fall photographing the night sky and fall color, but we also had opportunities to photograph this beautiful lake under a variety of conditions, so I thought I’d show a few of those images here. I’ve included extended captions to give a little information about each photograph.
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by Michael Frye | Nov 17, 2015 | Night Photography
Lunar eclipse sequence with light-painted Joshua trees, September 27th, 2015, Joshua Tree NP, CA, USA
Here, finally, is my photograph of the lunar eclipse on September 27th. We went to Colorado right after this, and then to the eastern Sierra, and in the middle of all that I had to deal with a computer problem, so it’s taken me awhile to put together this sequence.
You might recall that I had planned to go to Death Valley or the Alabama Hills for the eclipse, but a stream of high clouds threatened to block the view, so at the last minute we decided to head further south, away from the clouds, to Joshua Tree National Park.
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by Michael Frye | Nov 6, 2015 | Announcements
Oaks in an autumn snowstorm, Yosemite; from the 2013 Yosemite Renaissance exhibit
This is a quick post to let you know that the deadline for entering the 31st annual Yosemite Renaissance competition and exhibit is approaching on November 15th. You can find out all the details and enter online here.
This is a great organization and competition, and the opening reception (next February 26th) is always a really fun event. The competition is “intended to encourage diverse artistic interpretations of Yosemite.” I’ve been honored to have my photographs accepted into the Yosemite Renaissance exhibit a number of times, and always felt I was in good company with many wonderful artists in each show. The photograph above was in the 2013 exhibit.
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by Michael Frye | Nov 5, 2015 | Yosemite Photo Conditions
Clouds and mist from Tunnel View, Tuesday morning
It’s nice to see the Yosemite high country covered in snow on the Sentinel Dome webcam – an uncommon sight in recent years. On Monday a large, winter-like storm reached California, dropping over two-and-a-half inches of rain in Yosemite Valley, and from one to two feet of snow at higher elevations. The winter wet season is off to a good start.
I’m not celebrating too much yet, however, because I remember this happening before. During the last four water-starved winters several large, early-season storms have created initial optimism, only to be followed by months of sunny skies. Let’s hope that this is just the first of many big storms to arrive this winter.
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by Michael Frye | Nov 1, 2015 | Digital Darkroom, Light and Weather
Sunbeams, San Juan Mountains, Colorado. Driving over Lizard Head Pass we came around a bend and spotted these sunbeams coming through the clouds. Claudia found a place to pull over, and I scrambled to set up my camera as quickly as possible. Wind was blowing rain right toward the camera, so it was a challenge to keep water drops off the lens. I stayed for at least 20 minutes capturing images of the sunbeams as they moved and changed, but this was the very first frame. A challenging photo to process!
With their straight, white trunks and colorful leaves, aspens are great subjects for intimate landscapes. But in both Colorado and the eastern Sierra this fall we had lots of interesting weather, with great clouds, which created many opportunities to capture images of aspens as part of a larger landscape, with mountains in the background. I’ve posted a couple of these photographs already (here and here), but I’ve included a few more in this post.
These images were sometimes challenging to process. Often the aspens were in the shade, with sunlit, sometimes snow-covered peaks above, creating a lot of contrast. Yet all of these images were processed in Lightroom, with just one Raw file – no exposure blending or HDR. I used Lightroom’s wonderful Highlights and Shadows tools, plus some dodging and burning with the Adjustment Brush.
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