In the Moment:
Michael Frye's Landscape Photography Blog

Holiday Print Sale

Milky Way over sand dunes, Death Valley NP, CA, USA - holiday sale image

Milky Way over Sand Dunes, Death Valley

The print sale has ended, but you can still order prints at the regular price below.

I’m pleased to announce that we’re having a holiday sale on three prints never offered before, at 25% off the normal price. For this sale we’ve selected three popular images: Milky Way over Sand Dunes, Death Valley; Glacier Point Sunset, Yosemite; and Aspens and Ferns, Kebler Pass, Colorado.

The discounted pricing will last until Friday, November 16th. You can see the available sizes and sale prices underneath the descriptions of each image below.
 

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Five Causes of Blurry Photos

Swirling dogwood blossoms, Yosemite. A deliberately blurry photos.

Swirling dogwood blossoms, Yosemite. I used a slow shutter speed (1/2 second) to deliberately blur the motion of these dogwood blossoms, but usually I’m trying to make my photos as sharp as possible.

It’s always disappointing to find out that one of your photos isn’t sharp – especially if it’s an image you like (and you weren’t trying to deliberately blur the image). Yet we all make mistakes. Even professionals like me sometimes take unintentionally blurry photos (as you’ll see below!). But after you’ve swallowed your disappointment, it’s important to figure out why the image is soft so that you don’t make the same mistake again.

There are basically five causes of blurry photos: camera movement, subject movement, missed focus, insufficient depth of field, and lens softness.

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Aspen Colors

Autumn Colors: Aspens above Grant Lake, Inyo NF, CA, USA

Autumn Colors: Sunlit reflections of Aspens above Grant Lake, Inyo NF, CA, USA

I’m working on a longer post, but in the meantime here are some more autumn colors, this time from the eastern Sierra about ten days ago. This image was actually Claudia’s idea. It’s difficult to photograph directly toward sunlit reflections like this, but she liked the color palette of yellow, orange, green, red, and blue, so I decided to try it, and somehow it worked.

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Mountain Flowers

Paintbrush and peak, sunrise, Inyo NF, CA, USA

Paintbrush and peak, sunrise, Inyo NF, California. Since the closest flowers were only a foot from the camera, I used focus-stacking to get everything in focus, blending five frames with Helicon Focus. (Exposures were 1.5 seconds at f/16, ISO 100, focal length was 23mm.)



Last winter was a strange one in the Yosemite area, with most of the precipitation coming in March, followed by a big, warm rainstorm in early April that created flooding in Yosemite Valley. That rainstorm melted much of the snowpack below 9,000 feet, so spring came early in those low- and mid-elevation areas. We found some nice flower displays at those elevations, but nothing exceptional.

Above 9,000 feet, however, the snowpack remained intact, even after the early-April flood. And that lingering snow led to an exceptional bloom in the highest elevations. Back in July, before the fires, Claudia and I photographed the flowers as much as we could, and we also led our Range of Light workshop group to a couple of our favorite flower spots.

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Rebirth

Rebirth: Coneflowers in a burned forest, Yosemite NP, CA, USA

Coneflowers in a forest burned by the Rim Fire, near Crane Flat, Yosemite

The Ferguson Fire, which has been burning on the western edge of Yosemite since July 13th, is now 100% contained. The other major fires in California, like the Mendocino Complex and Carr fires, are still burning, but nearing containment. Skies around the state have become much less smoky over the last week or two.

Tragically, two firefighters died battling the Ferguson Fire, but no homes were lost. We were lucky around here compared to the people in Redding, where the Carr Fire destroyed over 1,000 homes, and eight people lost their lives.

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