by Michael Frye | Jan 3, 2021 | Light and Weather, Travels and Stories
Oak and grasslands at sunset, Sierra Nevada foothills, California. 31mm, five frames blended with Lightroom’s HDR Merge, each frame at f/11, ISO 100.
While looking through my photographs from last year, I realized there were many images that I hadn’t had a chance to post before.
One of those was this photograph of a lone oak at sunset in the Sierra foothills. I made this on April 6th, during the first lockdown. Yosemite was closed, and we couldn’t travel outside our county, but Claudia and I felt lucky to live in the Sierra foothills, where we could easily drive to some beautiful spots without encountering any other people. We explored and photographed places we hadn’t been to before, and it was fun discovering these new locations in our backyard.
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by Michael Frye | Dec 31, 2020 | Announcements
Happy New Year!
It’s become a New Year’s tradition on this blog to pick my best images from the past year, and once again I’m inviting you to help me make these difficult choices. I’ve posted 45 of my best photographs from 2020 below, in chronological order. After you look through these, please use the form at the bottom of this post to list your ten favorites.
That right – we’re doing things differently this year. Please don’t post your votes in the comments, or send them by email, because they won’t be counted! Use the form at the bottom of this post instead.
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by Michael Frye | Aug 30, 2020 | Light and Weather, Night Photography
The Big Dipper and Comet NEOWISE over an alpine lake, Yosemite. 9 frames blended with Starry Landscape Stacker to reduce noise, each at 15 seconds, f/1.8, ISO 6400. I also made a lighter exposure for the landscape at 2 minutes and f/1.8, ISO 6400, and blended that with the other frames in Photoshop. All that was done just to reduce noise. The camera was locked on a tripod throughout that process, and nothing was stretched, distorted, or added. In other words, the comet and stars really were there, in that exact position over the lake and peak, at 11:06 p.m. on July 18th.
Before my journey to Death Valley, Claudia and I made a couple of trips to the Yosemite high country to try to photograph Comet NEOWISE.
On our first attempt we hiked to a high, alpine lake where I thought we could get a good view of the comet. It was one of those summer days in the Sierra with lots of clouds building up and forming scattered thunderstorms. I knew the clouds might interfere with comet viewing, but with that weather pattern the clouds usually dissipate quickly after sunset, so it seemed worth a try. And maybe the clouds would give us an interesting sunset.
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by Michael Frye | Jul 26, 2020 | Light and Weather
Peak and clouds, Yosemite. 32mm, 1/15th sec. at f/11, ISO 100.
Summer is the dry season in California. Typically, in most of the state, one sunny day follows another, for months on end.
But there are a couple of exceptions. Along the coast, summer is the foggiest time of year. Fog can be so persistent that some spots may barely see the sun for days, or even weeks.
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by Michael Frye | May 26, 2020 | Composition, Light and Weather
Dogwood and giant sequoia in the fog, Sierra Nevada, California. Fog is a wonderful complement to forest scenes; here, some ephemeral fog lasted just long enough for me to capture this image. 70mm, polarizer, 0.7 seconds at f/16, ISO 100.
People seem to love trees and forests. I know I do.
But forests can be difficult to photograph. Natural forests are usually a study in chaos, with haphazard arrangements of branches, trunks, logs, and leaves. There’s an organic order to all that, with trees and understory plants growing to take advantage of small patches of sunlight, and a cycle of birth, growth, death, and decay.
But visual order can be hard to find amid all that clutter. The chief challenge in photographing forests is usually finding a way to simplify things, and make order out of chaos.
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