In the Moment:
Michael Frye's Landscape Photography Blog
by Michael Frye | Nov 29, 2013 | Announcements
Yes, we’re having a Black Friday sale too! Here at our world headquarters in downtown Mariposa, California, we’ve cooked up two sweet deals:
35% Off Landscapes in Lightroom 5: The Essential Step-by-Step Guide
Normally $14.95, this ebook and video package is now only $9.95! You don’t have to enter a discount code – that’s just the price until midnight Pacific Time on Monday, December 2nd.
In this ebook I take you step-by-step through processing six images in Lightroom. You can download the Raw files so you can follow along yourself, plus you get exclusive access to eight videos demonstrating different aspects of Lightroom’s Develop Module.
This is a great gift for the photographer on your Christmas list! Just click “Add to Cart” underneath the words “Gift Coupon.”
40% Off The Photographer’s Guide to Yosemite iPhone/iPad App
This app is a must-have for any photographer visiting Yosemite. Normally it sells for $6.99, but until midnight Pacific Time on December 2nd it’s only $3.99! Click here to go to the iTunes store, and once again there are no discount codes you need to enter.
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by Michael Frye | Nov 26, 2013 | Composition, Photography Tips, Vision and Creativity
Moon rising between El Capitan and Cathedral Rocks from Valley View. What’s the least interesting part of this image?
The best compositions are simple; they present only the essentials, and leave out extraneous clutter. The most common mistake in photography – by far – is including too much in the frame. Anything that’s not adding to the photograph’s message is detracting from it.
To help simplify your compositions, ask yourself, before you press the shutter, “What’s the least interesting part of this photograph?” Try to identify the weakest area of your composition, and find a way to get rid of it. Then, once you’ve done that, ask the same question again: “Now, what’s the least interesting part of this image?” And get rid of that. And keep doing that until there’s nothing left that you could possibly cut out without losing something vital.
To give you some practice, look at the photograph above. What’s the least interesting part of that image? And if you got rid of that, what would be next – what’s the next least interesting part of the photograph?
I’ll give you a minute to think about it. When you’re ready, take a look at this next photograph, and answer the same question: what’s the least interesting part of this image?
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by Michael Frye | Nov 19, 2013 | Composition, Photography Tips, Vision and Creativity
Half Dome and the Merced River, 4:28 p.m.
Is it better to be active or static? To change your location and composition to suit the light, or hope that the light changes to suit your composition?
There’s this persistent myth that Ansel Adams would camp for days at one spot, waiting for the right light. Ironically, this myth is often repeated in relation to Clearing Winter Storm, which was made at Tunnel View, only a few miles from his warm home and comfortable bed in Yosemite Valley. In fact Ansel wrote, “I have always been mindful of Edward Weston’s remark, ‘If I wait for something here I may lose something better over there.’ I have found that keeping on the move is generally more rewarding.”
I have also found that keeping on the move is more rewarding. I’ve sometimes regretted moving, but more often regretted staying when I ignored the inner voice that told me the light would be better elsewhere. And when I do find myself in the right place at the right time, I’ve found that it pays to stay active with my camera and my compositions, and not get lazy about changing lenses or camera positions. If I decide in advance what my composition should be, and stick with that no matter what, I’ll probably miss some great opportunities.
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by Michael Frye | Nov 13, 2013 | Photography Tips
Half Dome and the Merced River, late afternoon, autumn, Yosemite NP, CA, USA
Ansel Adams used to say that “chance favors the prepared mind.” His point was that photographs like Moonrise Hernandez and Clearing Winter Storm weren’t lucky accidents; he was able to capture those moments because he had honed his eye and his photographic technique, and was able to apply those skills when a special opportunity presented itself.
Last night a private workshop student and I had an opportunity to test our mental preparation. We got lucky, as the sun broke through a layer of clouds late in the afternoon. For 45 minutes we watched and photographed a spectacular light show, with beams of sunlight first illuminating the cottonwood trees along the Merced River, then moving upward to reach the Royal Arches, North Dome, and Half Dome itself.
Every landscape photographer hopes to get lucky and capture a beautiful light display like that. But when it happens, will you be prepared? Will you be able to do justice to the gift that’s presented to you?
The first part of that preparation comes with being in the right place at the right time. Luck plays a role here, of course, but so does the ability to anticipate and predict the weather.
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by Michael Frye | Nov 6, 2013 | Yosemite Photo Conditions
California black oaks in El Capitan Meadow, autumn, Yosemite NP, CA, USA
I’m flying to Dallas today to teach a Lightroom workshop for the Sun to Moon Gallery, but I wanted to give you a quick update on the fall color in Yosemite Valley. And there’s still plenty of color. The yellow big-leaf maples are mostly gone, and the dogwoods are also past peak, but the black oaks were close to peak when I left the valley on Saturday, and the cottonwoods were still at least 30% green. Leaves tend to linger on the oaks, so I expect both the oaks and cottonwoods will look good for at least another week.
I made the photograph above last Wednesday, and if you look closely you can see that there’s still a touch of green in some of the leaves. The image of cottonwoods below was captured on Thursday, and again you can still see some green leaves. It’s not uncommon for these trees to peak in early- or even mid-November in Yosemite Valley. Fall isn’t over yet!
— Michael Frye
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