In the Moment:
Michael Frye's Landscape Photography Blog

New Feature: A Weekly Photo Critique

I’m starting a new feature in this blog: a weekly photo critique. Every Tuesday or Wednesday I’ll pick a photograph submitted by one of my readers, write a detailed critique, and invite other readers to post their comments as well.

I’ve always felt that portfolio reviews are one of the most valuable parts of my workshops—perhaps the single best teaching tool. Everyone gains insights into their photography, regardless of who’s work is being reviewed. This new blog feature give you the chance to have one of your photos critiqued for free. But more importantly, I hope every reader will learn something.

I’ll post the first critique on January 26th or 27th. If you want your images considered for a critique, post it to the Flickr group I’ve created for this purpose. (You’ll have to join Flickr, but it’s free and easy). Photographs will be chosen for their instructive value, not necessarily their quality. Please, no more than five images per person per week!

 

25 Years in Yosemite: A Photographer’s Journal

Rising Moon, Gates of the Valley
Rising Moon, Gates of the Valley

 

I’ve just launched another blog called 25 Years in Yosemite: A Photographer’s Journal. While this blog is written for landscape photographers, the new blog is for anyone interested in Yosemite. Each week I’ll post a short essay telling the story behind a photo, talking about the park’s natural history, or relating a personal experience from living in or near Yosemite for over 25 years. I’ll take readers through an entire year in the park, following the seasonal changes as they happen. Learn the story behind this photograph in the latest post.

 

This Blog Has Moved!

I’ve moved the blog to my own domain and given it a new name—In the Moment: A Landscape Photography Blog. Here’s the address:

https://www.michaelfrye.com/

To subscribe, go to the new location and click on the subscribe button:

I have a lot of exciting plans for the new blog, so I hope you’ll join me there!

A New Year, A New Location

Welcome to the new location for my blog. This new domain will allow me to include more photographs, show them larger, and improve the overall experience for you, the reader. Click on the subscribe below or to the right (the one that looks like this: ) to have it all come to your inbox.

I’ll have more exciting announcements soon!

 

My New Book Available in January

My new book, Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters, will be available in January. In this volume I look at the techniques of some past masters of landscape photography—particularly Eliot Porter, Edward Weston, and Ansel Adams—and explore how those techniques could be adapted to digital photography today. The book includes some examples of Porter, Weston, and Adams’ work, as well as at least 100 of my own images. This excerpt from the Introduction explains the theme:

I am sure the next step will be the electronic image, and I hope I shall live to see it. I trust that the creative eye will continue to function, whatever technological innovations may develop.

When Ansel Adams wrote this, digital photography was in its infancy. Today most photographs are captured on digital sensors, and film consumption has dwindled. In this digital age, do the landscape masters of the past like Adams, Edward Weston, and Eliot Porter still have anything to teach us? Can the lessons they learned through trial and error with film, paper, and chemicals still apply to photographers checking the histogram on their camera’s LCD or making a Curves adjustment on their monitor?

The answer is yes. When Ansel Adams developed the Zone System with Fred Archer in 1940, he gave photographers a tool great for controlling their images—but only with black-and-white film, and only with view cameras, where sheets of film could be processed individually. Today any photographer with a digital camera can have even more control—even in color.

Such unprecedented power creates wonderful opportunities, but can also lead to confusion. How do you apply these controls? How far should you go? Do you have to start from the beginning? No, because while the tools may be different, the basic principles that Weston, Porter, and Adams developed still apply.

The first chapter covers the technical foundation like image quality, sharpness, depth of field, and exposure, including how to apply the Zone System to digital cameras, and how to expose for optimum results with HDR. Chapter 2 is devoted to light and composition: directing the eye, using contrast, basic and subtle aspects of light, compositional rules and when to break them, patterns, repetition, and capturing a mood. The third chapter delves into the digital darkroom, including editing, developing a workflow, converting color images to black and white, adjusting black points, white points, and contrast, dodging and burning, and expanding the contrast range with HDR or manual blending in Photoshop.

In the end, the book is a comprehensive look at digital photography techniques from capture to print, with Adams, Weston, and Porter’s insights guiding the way. It’s available for pre-order from Amazon.