I decided to try something new for this latest critique, and record my thoughts with video screen capture. I hope this will create a more interactive, immersive experience, as if you were watching me do a portfolio review in a workshop. Let me know how you like it!
To see the best detail, be sure to watch the video in HD and click the four arrows in the lower-right corner of the video to expand it. Once expanded, I prefer to turn scaling off (in the upper-right corner).
This week’s photo was made by David Dalziel in Finnich Gorge, just north of David’s home in Glasgow, Scotland. Recently I wrote about the third dimension in photography, and how lens choice can affect our perception of depth and space in a photograph. Then in my last critique I showed an example of how a telephoto lens can compress space, flatten perspective, and create patterns. This time we’ll look at the opposite: a wide-angle composition that creates a sense of depth, even though it’s not a grand, sweeping landscape.
Watch the video to hear more of my thoughts about this photograph—and then let me know what you think! Do you agree with my comments about the top and bottom of the frame? Do you see any other ways of improving the image? What do you think about the color saturation? And let me know what you think about the video format for these critiques.
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As part of being chosen for this critique Greg will receive a free 16×20 matted print courtesy of the folks at Aspen Creek Photo. If you’d like your images considered for future critiques, just upload them to the Flickr group I created for this purpose. If you’re not a Flickr member yet, joining is free and easy. You’ll have to read and accept the rules for the group before adding images, and please, no more than five photos per person per week. Thanks for participating!
Michael Frye is a professional photographer specializing in landscapes and nature. He is the author and photographer of The Photographer’s Guide to Yosemite, Yosemite Meditations, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters, plus the eBook Light & Land: Landscapes in the Digital Darkroom. He has written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.