In the Moment:
Michael Frye's Landscape Photography Blog
by Michael Frye | Jan 14, 2019 | Advanced Techniques, Night Photography
Lunar eclipse sequence over the Mesquite Flat Dunes, January 31st, 2018, Death Valley NP, CA, USA
In case you haven’t heard, there will be a total lunar eclipse on the night of January 20th and 21st, 2019. The totally eclipsed moon will be visible in all of North and South America, most of Europe, and western Africa. This page shows where the eclipse will be visible, as well as the timing of the event.
Here in the western U.S. the eclipse will take place on Sunday evening, January 20th. The peak eclipse occurs at 9:12 p.m. on the west coast, and the moon will be high overhead to the east-southeast. In Yosemite, for example, at peak eclipse the moon will be 47 degrees above the horizon with an azimuth of 102 degrees (just south of due east). In the eastern U.S. the peak eclipse occurs at 12:12 a.m. on the 21st, and the moon will be even higher in the sky – 69 degrees above the horizon in New York City, with an azimuth of 183 degrees (almost due south).
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by Michael Frye | Jan 3, 2019 | Announcements
The votes are all in and counted, and here are my top photographs of 2018!
We had a great response this year: over 300 people looked through my initial selection of 40 images and voted for their favorites here on the blog, Facebook, Google+, and through email. A big thank you to everyone who took the time to look through these photographs and voice your opinions! I also really appreciate all the kind words so many people included with their votes. I wish I could respond to every comment and email, but please know that I’ve read them all and am very grateful for all your support. And also, many thanks to my wonderful assistant Claudia who tallied all those votes!
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by Michael Frye | Dec 31, 2018 | Announcements
(I’ve closed comments on this post, since the voting deadline has passed. You can see the final selections here. Thanks to all of you who voted!)
Happy New Year!
It’s become a New Year’s tradition on this blog to pick my best images from the past year, and once again I’m inviting you to help me make these difficult choices. I’ve posted 40 of my best photographs from 2018 below, in chronological order. After you look through these, please post a comment listing your ten favorites.
You don’t have to list your ten favorites in any order, or even name them – just numbers will do. (The numbers are in the captions underneath the photographs. Also, you can click on the images to see them larger.) Once the votes are in I’ll post the top ten or twelve on this blog, and submit the final group to Jim Goldstein’s blog project, where he’ll be showcasing the best images of the year from over 300 photographers.
The voting deadline is this Wednesday, January 2nd, at midnight Pacific time.
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by Michael Frye | Dec 20, 2018 | Light and Weather
Oak tree above a fog layer, Mariposa County, California. 150mm, 20 seconds at f/16, ISO 50.
Fog in California’s Central Valley will occasionally lift into what meteorologists call a stratus deck, where fog rises above the valley floor and settles into a low layer of clouds. From the floor of the Central Valley it looks like a low overcast, but if you drive into the Sierra foothills you’ll climb into the fog, and then above it.
If you’ve been reading this blog for awhile you know that I love fog. It’s highly photogenic stuff. Fog here in the foothills is much less common than in the Central Valley, so it always piques my interest, giving me a rare opportunity to photograph some of the numerous, beautiful, foothill oaks in the fog, and even better, a chance to get above the fog. If conditions are right, I can sometimes climb a peak or ridge where I can look out over a sea of fog, with the peaks of the Sierra to the east, and nothing visible in any other direction except the cloud tops.
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by Michael Frye | Dec 16, 2018 | Light and Weather
Pines, oak, and mist, Yosemite, Thanksgiving weekend. 70mm, 1/45th of a second at f/16, ISO 100.
Over Thanksgiving weekend I photographed a beautiful, misty morning in Yosemite Valley (see this previous post). Looking through my photographs later I realized that almost every one was backlit. And that made sense, as mist looks wonderful with backlight. So do other translucent objects like clouds, leaves, grasses, flowers, raindrops, and so forth.
Translucent, backlit objects stand out best against a dark background. And that’s one of the great, overlooked features about photographing in Yosemite Valley: you can often use the cliffs as a dark backdrop. It’s like draping a giant black cloth behind your subject.
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