by Michael Frye | May 11, 2016 | Advanced Techniques, Digital Darkroom, Yosemite Photo Conditions
Spring sunrise, Gates of the Valley, Yosemite, Sunday morning
First, to my subscribers, thanks for your understanding about the email glitches yesterday. I really appreciate all the supportive emails so many people sent. Your kind words turned a frustrating day into a great one.
I haven’t posted anything new on the blog for awhile because I was teaching a workshop, and then working on our new website. The new site is still a bit of a work in progress, so if you find any broken links or other issues please let me know. But the new site better integrates the blog with the other content, makes it easier to add and update portfolios, and will work much better with phones and tablets, so I hope it will be a better experience for everyone.
Meanwhile we had a great workshop, with flowing waterfalls, fresh spring greenery, dogwoods, and some interesting weather and clouds. And the cool, showery spring weather has continued, which I love. I’m not ready for the summer heat, and always happy to have clouds and mist to photograph.
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by Michael Frye | Apr 24, 2016 | Yosemite Photo Conditions
Morning reflections, dogwood and the Merced River, Yosemite NP, CA, USA
We had a nice spring storm on Friday. Here in Mariposa we heard some loud thunder, and experienced a torrential downpour for about ten minutes. We got about half and inch of rain altogether, but Yosemite Valley got an inch and a third, which is a big total for April. Snow fell on the rim of the valley, and the Glacier Point Road, which had opened on Tuesday, was closed again temporarily.
The storm cleared after sunset on Friday, and Claudia and I drove up to Yosemite Valley early on Saturday morning, hoping for mist. There wasn’t much mist, but we found some dogwoods in a small patch of fog near the base of Middle Cathedral Rock, which kept me busy for awhile. Later, as the sun started to reach down into the valley, I photographed more dogwoods against the background of the Merced River, with golden reflections in the water.
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by Michael Frye | Apr 23, 2016
All the photographs on this site are available as signed, limited-edition fine prints in the following sizes:
16×20, unmatted: $400
20×24, unmatted: $600
24×30, unmatted: $900
30×40, unmatted: $1250
Note that the size designates the paper size; most images don’t fit these proportions exactly, so the actual image size will be slightly smaller. Most editions are limited to 150 (including all sizes), but some nighttime images are limited to 75.
To order, select the size from the dropdown menu below, click Add to Cart, and proceed to checkout. Then send us an email with the image number of the print you’re ordering. Orders are usually shipped within two weeks, but may take longer if I’m teaching workshops or traveling.
Thanks so much!
Select Size and Add to Cart:
My prints are made on large-format digital printers using archival pigment inks. Although exact specifications vary depending on the specific printer used, all these printers feature clean, vibrant colors and exceptional display life – at least 150 years under glass.
This is, of course, a digital process, but there is no digital manipulation involved in making these prints. Recent images were captured with a digital camera, while older photographs were recorded on transparency film, then scanned on a high quality drum scanner. Either way the images are brought into Lightroom or Photoshop, where I adjust color, density, and contrast, do some dodging and burning if necessary, and generally make the image look as good as I can without exaggerating the color and without adding or removing objects. I make smaller proof prints until I get the image right, then I make larger prints. I may produce a dozen or more of those small proofs, and will go back and work on an image periodically until I’m satisfied, even if this takes months. I’ve spent years learning the art of digital printing, and have taught many workshops on the process.
by Michael Frye | Apr 17, 2016 | Night Photography, Travels and Stories, Yosemite Photo Conditions
Vernal Fall and Liberty Cap at night with a lunar rainbow, Yosemite. 20 seconds at f/4, ISO 6400
Claudia and I made a nighttime trip up the Mist Trail recently. The ostensible purpose of this hike was to look for lunar rainbows, and we did find some, as you can see from the photos. But that was just a bonus. The real reward was being up there on a beautiful, moonlit night, with the roar of the falling water filling our ears, and having this normally-crowded trail completely to ourselves. It was so much fun.
The moon will be full on Thursday night, and with the good water flow this spring I expect that many photographers will be making their way to Yosemite to photograph lunar rainbows on Yosemite Falls. Don Olson has posted lunar rainbow predictions for Lower Yosemite Fall, but the spray will be soaking the bridge below the lower fall, making it hard to keep lenses dry during long exposures. Unfortunately Don hasn’t posted any predictions yet for Upper Yosemite Fall, and my trigonometry skills aren’t good enough to make those predictions myself. I think lunar rainbows will be visible on the upper fall from Cook’s Meadow at some point on Thursday evening, and the following couple of nights, but I can’t be positive!
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by Michael Frye | Apr 14, 2016 | Yosemite Photo Conditions
Dogwood blossoms, Yosemite Valley, from April 21st, 2007
Last year the dogwoods in Yosemite Valley bloomed two or three weeks sooner than normal. This year they seem to be on a more typical timetable, but may still arrive a bit early.
Claudia and I were in Yosemite Valley on Tuesday afternoon, and saw the first signs of the dogwoods blooming. When dogwood blossoms first appear they’re small and green. Over the course of about a week or so they gradually become larger and brighter until they turn completely white. (Except for the centers, which become yellow-green. Those centers are the real flowers; the white “petals” are actually bracts.) On Tuesday there were lots of green blossoms, and only a few white ones. We didn’t see a single tree with all-white blossoms, only a few that were partially white. But that should change pretty quickly. There should be a few trees with all-white blossoms by this weekend, and I’d guess that the majority will be in full bloom by the end of next week.
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