by Michael Frye | Jan 12, 2020 | Light and Weather
Ice and reflections, Yosemite. The gold color comes from reflections of sunlit cliffs, while I used a polarizing filter to bring out the prism effects in the ice. 168mm, 3 seconds at f/16, ISO 320; focus-stacked and blended with Helicon Focus.
I love photographing ice. It’s highly photogenic stuff, with lots of interesting patterns, and crystal facets that catch and reflect the light in beautiful ways.
During our recent workshop in Yosemite Valley temperatures were cold enough to create some wonderful ice formations along the Merced River, next to Bridalveil Fall, and in some of the creeks, so of course we had to make time to photograph the ice. We were often looking for places and angles where ice in the shade would catch golden reflections from sunlit cliffs across the valley, adding a splash of color to the patterns. And in some spots, with the right kind of ice, in the right light, we could see prism effects in the ice through a polarizing filter.
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by Michael Frye | Jan 4, 2020 | Announcements
The votes are all in and counted, and here are my top photographs of 2019!
We had a great response this year: over 360 people looked through my initial selection of 44 images and voted for their favorites here on the blog, Facebook, Instagram, and through email. A big thank you to everyone who took the time to look through these photographs and voice your opinions! I also really appreciate all the kind words so many people included with their votes. I wish I could respond to every comment and email, but please know that I’ve read them all and am very grateful for all your support. And also, many thanks to my wonderful assistant Claudia who tallied all those votes!
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by Michael Frye | Dec 31, 2019 | Announcements
Note: I’ve closed comments on this post because the voting deadline has passed. I’ll be posting the results soon!
Happy New Year!
It’s become a New Year’s tradition on this blog to pick my best images from the past year, and once again I’m inviting you to help me make these difficult choices. I’ve posted 44 of my best photographs from 2019 below, in chronological order. After you look through these, please post a comment listing your ten favorites.
You don’t have to list your ten favorites in any order, or even name them – just numbers will do. (The numbers are in the captions underneath the photographs. Also, you can click on the images to see them larger.) Once the votes are in I’ll post the top ten or twelve on this blog, and submit the final group to Jim Goldstein’s blog project, where he’ll be showcasing the best images of the year from over 300 photographers.
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by Michael Frye | Dec 29, 2019 | Light and Weather
Half Dome and El Capitan during a clearing storm, Yosemite
We’ve seen a pretty active weather pattern here in California since late November. There haven’t been any big storms, but rather a series of smaller systems. Each dose of precipitation brings a chance to photograph a clearing storm – if the timing is right. And the timing has been perfect a few times.
My last post featured a sunrise clearing storm on Christmas Eve. The photographs in this post were actually made about a week before that, when another small weather system cleared just before sunrise.
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by Michael Frye | Dec 22, 2019 | Light and Weather
Oak and frost-tipped ponderosa pine, Yosemite. We walked to a spot along the Merced River, then decided to check out a nearby meadow, where we found some mist, and even better, beautifully-frosted trees. This juxtaposition of a frost-tipped pine and oak caught my eye. 163mm, 1/3 sec. at f/16, ISO 100.
It’s easy to view landscapes as permanent and unchanging, since the major components, like mountains rivers, lakes, etc., change slowly, at a pace measured in thousands of years – too slowly for us short-lived animals to perceive directly. The geologic evidence tells us that the land has changed – dramatically – and will continue to change, but I think for most people that’s an intellectual understanding, and doesn’t really affect the way we perceive and experience the world around us.
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