by Michael Frye | Feb 23, 2020 | Light and Weather
Sunset in a San Joaquin Valley marsh. We’ve had some beautiful sunsets this winter in that other valley – the Central Valley of California – where the wide horizons can showcase the colorful skies. I made this exposure about 45 minutes after sunset. By then it was so dark that my eyes could barely see the color, but the camera could capture it easily.
Which is more important, the light or the subject?
I would say it’s the light – hands down. After all, we don’t really photograph objects; we photograph the light reflected off of objects. Light has everything to do with how a subject looks, and whether it will make an interesting photograph or not. A great subject with ordinary light will make an ordinary photograph. An ordinary subject with great light could make a great photograph.
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by Michael Frye | Feb 17, 2020 | Announcements
Moon rising next to Half Dome, Yosemite
The Out of Yosemite conference was so much fun. Exhausting, but well worth it.
It was an honor to teach alongside John Sexton, Alan Ross, Charlie Cramer, Bill Neill, Charlotte Gibb, Franka Gabler, Alex Noriega, Colleen Miniuk, Matt Payne, Jack Curran, Jennifer King, Harold Davis, Tim Cooper, and Michael Shainblum. All these people are talented photographers and educators, but what made this group extra special to me was the nice mix of older and younger generations, plus the connection with Ansel Adams and Yosemite’s photographic history.
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by Michael Frye | Feb 15, 2020 | Announcements
Stars, Orion, and zodiacal light over an eroded gully, Death Valley
I’ve had a full plate for the last month or so, with several workshops, followed by the Out of Yosemite conference. The conference was really fun, and I’ll have more to say about it soon. But first I wanted to let you know that Ian Plant just posted an interview with me on his YouTube channel. I thought Ian had some great questions. We discussed how I began my career as a wildlife photographer, my night photography, whether I have a personal style, and the balancing act between photographing the things you like while finding an audience for those images. And we talked about how I made some of my photographs, like the Death Valley image above. I hope you’ll enjoy the interview; here’s a link.
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by Michael Frye | Jan 19, 2020 | Light and Weather, Night Photography
Half Dome and the Merced River by moonlight, Yosemite
We had a long stretch of rather dry weather here in central California, with just a few light showers here and there. But last week we finally got a decent storm. A cold front created a brief – but intense – period of precipitation on Thursday afternoon. At our house in Mariposa we saw strong winds prior to the cold front’s arrival, then the sky started dumping ice pellets, which quickly changed to heavy snow. None of the forecasts predicted snow at our elevation, but we got about four inches. After an hour or two the front passed, and the snowfall eased off into scattered snow showers.
Of course I watched the weather closely to see when this brief storm might clear. All the forecasts and models predicted showers lingering through the evening, and skies clearing sometime after midnight – but well before sunrise. That meant it was unlikely there would still be any mist at sunrise, so my best bet to photograph a snowy clearing storm was to go up to Yosemite Valley during the night. A half-full moon was due to rise just after midnight, so that could provide some interesting light during those wee hours.
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by Michael Frye | Jan 12, 2020 | Light and Weather
Ice and reflections, Yosemite. The gold color comes from reflections of sunlit cliffs, while I used a polarizing filter to bring out the prism effects in the ice. 168mm, 3 seconds at f/16, ISO 320; focus-stacked and blended with Helicon Focus.
I love photographing ice. It’s highly photogenic stuff, with lots of interesting patterns, and crystal facets that catch and reflect the light in beautiful ways.
During our recent workshop in Yosemite Valley temperatures were cold enough to create some wonderful ice formations along the Merced River, next to Bridalveil Fall, and in some of the creeks, so of course we had to make time to photograph the ice. We were often looking for places and angles where ice in the shade would catch golden reflections from sunlit cliffs across the valley, adding a splash of color to the patterns. And in some spots, with the right kind of ice, in the right light, we could see prism effects in the ice through a polarizing filter.
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