In the Moment:
Michael Frye's Landscape Photography Blog

One Space Available in My January Workshop

Spotlight on Bridalveil Fall

Spotlight on Bridalveil Fall


Just a quick note to let you know that, due to a cancellation, there’s one space available in my Landscapes in the Digital Darkroom: Mastering Lightroom workshop, January 16-20, 2012. And since it’s in January, it should be no problem to get a hotel room this late—and at off-season rates! Click here to register and grab that last space.

Meanwhile, my Spring Digital Camera workshop is full, and the Eastern Sierra Fall Color workshop filled within a few days. But there’s still space left in the Hidden Yosemite (July), Full Moon Night Photography (July-August), and Digital Landscape (October) workshops.

—Michael Frye

Related Posts: 2012 Workshops AnnouncedTwo New Workshops for 2012

Michael Frye is a professional photographer specializing in landscapes and nature. He is the author and photographer of The Photographer’s Guide to YosemiteYosemite Meditations, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters, plus the eBook Light & Land: Landscapes in the Digital Darkroom. He has written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.

Black Friday Photography Deals

I’ve seen some great deals today! B&H has Lightroom 3 for half price (it’s normally $299), as well as discounts on Canon cameras and lenses. Friend of this blog G Dan Mitchell has all the details. Also, Craft & Vision is offering 50% off their whole photography eBook collection, including my eBook Light & Land: Landscapes in the Digital Darkroom. Or you can get a $40 gift certificate for $20. All these discounts are today only.

I’m sure there are some other good deals out there too, so if you see anything, please let us know by posting a comment.

New eBook by David duChemin: The Inspired Eye III


David duChemin has just released another eBook, The Inspired Eye III. If you read my review of his previous eBook, A Deeper Frame, you know that I’m a fan of David’s writing. He looks at photography in a deeper way than most, and is able to articulate sometimes-complex ideas clearly.

This latest eBook, the third part of his Inspired Eye series, is no exception. It contains lots of interesting thoughts and insights into the creative process of photography. I was particularly struck by this passage:

“You can learn about photography by reading books, watching videos, and listening to other photographers. You can study hundreds of photographs. But you will not learn your own process of making photographs until you have a camera in your hands and you make photograph after photograph.”

As I mentioned in my last post, I went to the Millpond Music Festival last weekend, and in his workshop on Sunday Joe Craven said something similar—that we learn by imitating, and by doing, not by studying theory. I think he’s right on the mark about that, and so is David in saying that you have to make lots of photographs to “learn your own process.”

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Does Cropping Have to Fit a Certain Aspect Ratio?

My preferred crop for this image of Bridalveil Fall doesn't fit any of the common aspect ratios.

My preferred crop for this image of Bridalveil Fall doesn't fit any of the common print sizes.


In the comments for my last critique, Michael Glover asked a question about cropping and aspect ratios. I get this question a lot, as many people feel that they must crop their images to a certain size—4×6, 8×10—for printing. So I thought I would expand on my answer to Michael and address this issue in more depth here.

The problem with cropping to fit a particular aspect ratio for printing is that you can compromise the photograph’s esthetics. The accompanying images of Bridalveil Fall show what I mean. Below you’ll find the uncropped version, with its original 2:3 (or 4×6 or 8×12) aspect ratio, and a version cropped to a 4:5 (or 8×10) ratio.

To me, the uncropped version leaves too much empty space on the right and left sides, while the 4:5 ratio is too square, and a bit static. I prefer the crop at the top of this post, which lies somewhere in between.

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2012 Workshops Announced!

Workshop participant at Tenaya Lake

Workshop participant at Tenaya Lake


The Ansel Adams Gallery has released their (nearly) complete workshop schedule for 2012. I’ll be teaching four workshops for them, including Landscapes in the Digital Darkroom: Mastering Lightroom (January); Spring Yosemite Digital Camera Workshop (April); Full Moon Night Photography (July); and The Digital Landscape: Autumn in Yosemite (October).

Lightroom has rapidly become the software tool of choice for many photographers because it’s simple, yet powerful—easy to use, but sophisticated enough to get great results with almost any image. For the first time I’ll be teaching a workshop specifically focused on this tool—Landscapes in the Digital Darkroom: Mastering Lightroom.

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