In the Moment:
Michael Frye's Landscape Photography Blog
by Michael Frye | Nov 13, 2013 | Photography Tips

Half Dome and the Merced River, late afternoon, autumn, Yosemite NP, CA, USA
Ansel Adams used to say that “chance favors the prepared mind.” His point was that photographs like Moonrise Hernandez and Clearing Winter Storm weren’t lucky accidents; he was able to capture those moments because he had honed his eye and his photographic technique, and was able to apply those skills when a special opportunity presented itself.
Last night a private workshop student and I had an opportunity to test our mental preparation. We got lucky, as the sun broke through a layer of clouds late in the afternoon. For 45 minutes we watched and photographed a spectacular light show, with beams of sunlight first illuminating the cottonwood trees along the Merced River, then moving upward to reach the Royal Arches, North Dome, and Half Dome itself.
Every landscape photographer hopes to get lucky and capture a beautiful light display like that. But when it happens, will you be prepared? Will you be able to do justice to the gift that’s presented to you?
The first part of that preparation comes with being in the right place at the right time. Luck plays a role here, of course, but so does the ability to anticipate and predict the weather.
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by Michael Frye | Nov 6, 2013 | Yosemite Photo Conditions

California black oaks in El Capitan Meadow, autumn, Yosemite NP, CA, USA
I’m flying to Dallas today to teach a Lightroom workshop for the Sun to Moon Gallery, but I wanted to give you a quick update on the fall color in Yosemite Valley. And there’s still plenty of color. The yellow big-leaf maples are mostly gone, and the dogwoods are also past peak, but the black oaks were close to peak when I left the valley on Saturday, and the cottonwoods were still at least 30% green. Leaves tend to linger on the oaks, so I expect both the oaks and cottonwoods will look good for at least another week.
I made the photograph above last Wednesday, and if you look closely you can see that there’s still a touch of green in some of the leaves. The image of cottonwoods below was captured on Thursday, and again you can still see some green leaves. It’s not uncommon for these trees to peak in early- or even mid-November in Yosemite Valley. Fall isn’t over yet!
— Michael Frye
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by Michael Frye | Oct 27, 2013 | Advanced Techniques, Photography Tips

Aspens and morning sunlight, Inyo NF, CA, USA
I’ve always felt that the best photographs capture a mood or feeling. It’s easier to convey a mood when the weather gets stormy, but how do you capture a mood on a clear, sunny day? The answer, I think, is to go with it—to emphasize the sun, the blue sky, and the brightness of the day. Find the visual elements that say “beautiful, sunny day,” and highlight them.
One way of doing this is to include the sun in the frame. Nothing says “sunny and bright” like the sun itself. But putting the sun in your photograph brings challenges. First, you’re likely to get lens flare. This is not the end of the world—in fact, many photographs use lens flare to great effect—but sometimes the flare can be distracting. The other challenge is getting the exposure right.
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by Michael Frye | Oct 25, 2013 | Yosemite Photo Conditions

Autumn along a creek in the eastern Sierra Nevada, Inyo NF, CA, USA
I just returned home after spending nearly two weeks on the eastern side of the Sierra. It was fun spending so much time among all the yellow and orange leaves, and we had two wonderful groups for our workshops.
We had cooler-than-average weather in September and early October, which set things turning early this year. Despite that, there was still a lot of color around the June Lake Loop and lower Lundy Canyon when we left on Wednesday. This image, from Wednesday morning, shows the diversity of eastern-Sierra habitats, with a creek, aspens, willows, and sagebrush-covered hillside.
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by Michael Frye | Oct 20, 2013 | Digital Photography Basics

Sunrise on a peak in the eastern Sierra, Inyo NF, CA, USA
I made this photograph yesterday morning during my first Eastern Sierra Fall Color workshop. It’s just so beautiful over here! We had a great time, and I’m looking forward to the second one.
With sidelight like this, a polarizing filter can actually lighten a reflection if it’s adjusted correctly. By lightening the refection and darkening the sky the polarizer helped to balance the contrast of this scene, and from there it was relatively easy to process this image in Lightroom using Highlights, Shadows, and the Graduated Filter tool.
— Michael Frye
Related Posts: A Landscape Transformed; Autumn Snow
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Michael Frye is a professional photographer specializing in landscapes and nature. He is the author or principal photographer of The Photographer’s Guide to Yosemite, Yosemite Meditations, Yosemite Meditations for Women, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters. He has also written three eBooks: Light & Land: Landscapes in the Digital Darkroom, Exposure for Outdoor Photography, and Landscapes in Lightroom 5: The Essential Step-by-Step Guide. Michael written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.