Travels and Stories

Late Summer

White-lined sphinx moth and larkspur, Yosemite NP, CA, USA

White-lined sphinx moth and larkspur, Yosemite NP, California. 200mm, 1/4000 sec. at f/16, ISO 1250.



Summer arrived late this year in the Sierra high country, as the prodigious amounts of snow left over from last winter took awhile to melt. Snowmelt, mosquitos, and wildflower blooms all started and ended at least a month later than normal.

But that meant that summer lingered longer as well; we were still finding lots of flowers in late August.

And something about the timing of everything, or the great abundance of flowers, seemed to suit the white-lined sphinx moths. Claudia and I started seeing lots of these moths, along with their caterpillars, during July in the Eastern Sierra, and kept finding them anywhere we saw flowers for a good two months afterward.

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Death Valley

Mud tiles in late-afternoon light, Death Valley NP, CA, USA

Mud tiles in late-afternoon light, Death Valley NP, California

I’m thinking about Death Valley, and other desert areas in California currently affected by the rain from Tropical Storm Hilary. These are places that receive very little precipitation, where the ground is mostly rock and dirt, and even a half-inch of rain can fill normally-dry washes and create flooding and debris flows. There are few bridges along the roads in the desert; they just run right through the washes, because it’s so rare for those washes to have any water in them. That means even minor flooding or debris flows can cause lots of damage.

This storm could bring several inches of rain to many desert areas today and tomorrow. Some places could get a year’s worth of precipitation, or several year’s worth, in just a couple of days, or even a few hours. It’s a scenario that could cause major rock and mudslides, wipe out roadways, and create catastrophic flash floods. I hope everyone in those areas has found a safe place to ride out the storm.

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Mono Lake

Tufa formations and osprey at sunrise, Mono Lake, CA, USA

Tufa formations and osprey at sunrise, Mono Lake, California

I love the diversity of our area. We live in the foothills on the western side of the Sierra Nevada, a region that includes rolling grasslands, oak savannah, chaparral, oak woodlands, and steep-sided river canyons. Just to the west of that is California’s Central Valley, an agricultural hub that also contains marshes and wetlands, hosting vast flocks of waterfowl in winter.

To our east lies the higher terrain of the Sierra, including the wondrous Yosemite Valley, plus magnificent conifer forests, meadows, canyons, rivers, lakes, and peaks. And when Tioga Pass is open we can reach the eastern side of the mountains in about two-and-a-half hours, where the trees give way to high desert, with sagebrush, junipers, pinyon pines, pronghorn antelope, wild horses, stunning views of the Sierra – and the uniquely beautiful shores of Mono Lake.

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Eastside Flowers

Fields of arrowleaf balsamroot below Sierra peaks, Inyo NF, CA, USA

Fields of arrowleaf balsamroot below Sierra peaks, Inyo NF, California. It was a bit of a grunt to climb up this hill through the sagebrush, but I thought this higher vantage point would allow me to see a succession of layers from foreground to middle ground to background, which could add more depth to the image. The dappled light and clouds were perfect complements to the scene. This is a stitched panorama (three shots), made quickly to capture fleeting light. 50mm, 1/125 sec. at f/16, ISO 100.

Tioga Pass through Yosemite finally opened yesterday, July 22nd. That’s the latest opening date ever – by far. The previous record was July 8th, way back in 1933, before the road was even paved. In 1938, the year after it was paved, Tioga Road opened on July 5th. But since 1938 it’s always opened by the end of June, except for 1998, when it opened July 1st. Even in the prodigious snow year of 1983 it opened on June 30th.

An exceptional set of circumstances conspired to make this year’s opening so late. First, there was a lot of snow. There’s some debate about whether this was a record year for snowfall in the Sierra; it’s actually a hard thing to measure, as there are a lot of variables. But it was certainly one of the snowiest years on record.

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Wildflower Odysseys

Desert candles above a flower-filled arroyo, Central Coast ranges, California, USA

Desert candles above a flower-filled arroyo, Coast Ranges, California

The last couple of months have been a whirlwind. We did a night-photography workshop in Death Valley in mid-April, which was really fun, with some great conditions. In early May I spoke at the NANPA Summit in Tucson, then immediately after that Claudia and I flew up to Washington for the Out of Olympic photography conference. Both those events were also lots of fun. We got to meet many wonderful people, connect with old friends, and photograph the beautiful rainforests and beaches of the Olympic Peninsula.

But meanwhile, all the winter rains in California had spawned an exceptional spring wildflower bloom, which we definitely wanted to see. So from early March to late April, sandwiched around our Death Valley workshop, and juggled with other events and projects, Claudia and I traveled to Antelope Valley, Anza-Borrego Desert State Park, and various locations in California’s Central Coast ranges.

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Rock Candy

Pool in a slot canyon, Valley of Fire SP, NV, USA

Pool in a slot canyon, Valley of Fire SP, Nevada. Recent rains had filled this colorful little slot canyon with water.

After our wintry visit to Zion, Claudia and I opted to head for the warmer lands of Valley of Fire State Park in Nevada. Valley of Fire has sandstone and red rocks, but the rocks are different from anything I’ve seen in Utah. Some are rusty red, full of holes and small arches. Other areas have amazing, multi-colored layers of pastel hues – yellow, purple, orange, and pink.

I didn’t expect to create moody, dramatic images in a place like Valley of Fire. If an opportunity for something like that presented itself, then sure, I’d take advantage of it, but that wasn’t why I went there. It was more about exercising my eye for color and design in a rocky playground, which for me is tons of fun. And isn’t that why we do photography – because it’s fun? It doesn’t have to be super serious all the time.

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