Light and Weather
by Michael Frye | Apr 11, 2013 | Light and Weather, Travels and Stories

Rainbow over Yosemite Valley from near Old Inspiration Point, Yosemite
It was a harebrained idea, but sometimes harebrained ideas work.
On Easter Sunday the forecast called for showers and thunderstorms, with a 100% chance of rain. So I decided it would be a great day to hike 6 miles and climb over 2,000 feet up to Old Inspiration Point.
I could have just gone to Tunnel View. Tunnel View is a wonderfully photogenic spot, where I could have waited out any rain showers in the car, then walked 50 feet to the viewpoint if something interesting happened. And if the light didn’t cooperate, well, no big deal – it wouldn’t be the first time I’ve struck out at Tunnel View, and it wouldn’t take much effort to come back and try again.
On the other hand, I have lots of photographs from Tunnel View, and every other easily-accessible viewpoint in Yosemite Valley, but I’d never been to Old Inspiration Point. And I was in the mood for an adventure. I asked Claudia if she wanted to come with me (carefully explaining what she might be in for, I swear), and she said sure. She’s always up for a hike.
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by Michael Frye | Apr 4, 2013 | Light and Weather, Yosemite Photo Conditions

Poppies, lupine, and oaks, late yesterday afternoon
I made the photograph above yesterday, and I’m sure many of you will notice the similarity between this image and one I posted two weeks ago. These are the very same trees, and again I’ve used the radiating pattern of the shadows. When I went back to this spot yesterday there were more poppies mixed with the lupine, and the trees had new leaves. So I worked on the same idea, but with different conditions.
I’m not afraid to repeat myself if I think I might be able to improve on a previous photograph. Sometimes I just don’t execute the photograph perfectly on the first try. Other times the conditions are better the second or third time around. What are the odds that you’ll visit a place for the first time and find perfect conditions? Pretty slim, I’d say. And the more times you visit a location, the more you’ll see, and the better you’ll understand how the light changes and affects the area at different times of day.
Is this new version of the oaks, flowers, and shadows, better than the previous one? That’s hard to say. I’ll have to let them sit for awhile until I can look at them with fresh eyes. But I wouldn’t have that choice unless I tried again.
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by Michael Frye | Mar 28, 2013 | Light and Weather, Vision and Creativity, Yosemite Photo Conditions

Redbud along the Merced River, Merced River Canyon, near Briceberg, CA, USA
Last weekend I visited the Merced River Canyon, looking for flowers. As I wrote last week, there are more blooms than expected, given our dry winter, but it’s still a below-average year for poppies. The redbuds, however, were in great shape last weekend. Some were starting to leaf out, while others weren’t in full bloom yet, so I’d say it was just about peak for redbuds. More will start to leaf out every day, but there should still be many beautiful redbuds this weekend and beyond.
Sunday afternoon it was very windy in the canyon. I found the scene above, with a redbud against the flowing river, and waited for half an hour for the wind to die down before giving up and walking upriver. On my way back to the car it seemed that the wind had calmed a bit, so I set up my tripod again, only to realize that it was almost as windy as before. I waited another half hour, and finally it became perfectly, completely still for about a minute, and I was able to make this photograph.
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by Michael Frye | Mar 14, 2013 | Light and Weather, Vision and Creativity

Sunlight slanting across Crane Flat Meadow, Yosemite NP, CA, USA
A Trip to Crane Flat
Yosemite got some much-needed precipitation last week – over an inch total. I kept checking the radar and satellite images online, looking for an opportunity to photograph a clearing storm. Friday morning seemed promising, so I drove up to Yosemite Valley early, but found no snow. It looked like the snow level had been around 5,000 feet, higher than forecast. Worse, from a photographic perspective, the skies were clear and there was no mist.
Shortly after sunrise I noticed light striking a ridge near the tunnels on Highway 120, and on a whim decided to drive up to Crane Flat. I thought Crane Flat would at least have some fresh snow, since it’s at 6,000 feet.
Indeed there was fresh snow – over a foot of it. I parked at the Tuolumne Grove trailhead and walked along the plowed road. The sun had just reached parts of the main meadow, and I found some interesting small subjects to photograph, like tree-shadows on the snow.
Some shafts of sunlight slanting across the snow caught my attention, and then some mist began rising near the edge of the meadow, behind the shafts of light. I immediately recognized the potential to make an image that went beyond an abstract study of shadows – a photograph that had a mood.
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by Michael Frye | Jun 11, 2012 | Light and Weather

Sunbeams in the redwood forest
Last year I spent a magical day among foggy redwoods and rhododendrons along the northern California coast, and captured some of my favorite redwood photographs to date. You can see some of those photos here and here.
Claudia and I recently returned from another trip to the redwoods. On our first morning we went to the same area we visited last year, but the fog wasn’t as extensive, and not as many rhododendrons were blooming. We kept hiking, and finally reached some mist, and then something magical happened: the fog began to lift, and sunbeams started filtering through the trees. I captured the “Close Encounters” photograph below, then huffed up a steep trail to the top of a ridge and made the image at the top of this post, with classic godbeams radiating through the trees, then hurried back down, chasing the receding edge of the fog, where I found the scene in the second photograph below.
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by Michael Frye | Mar 29, 2012 | Light and Weather, Photography Tips

Mossy oak in the rain
Claudia and I are in Humboldt County this week visiting our son Kevin, who’s a junior at Humboldt State University. This is redwood country, along the far northern coast of California. It’s a temperate rain forest, and it sure seems like it this week. It’s been raining—a lot. Yesterday we had a break, and a mostly rain-free day, but another storm arrived today, and the area is expected to get six to ten inches of rain over the next two days.
Although we’re mainly here to visit our son, of course I hoped to do some photography in this beautiful area as well. The main challenge of photographing in the rain is keeping the camera dry. I’ve tried many different ways of doing this: umbrellas, towels, plastic bags, etc, but there’s no perfect solution. Various people make rain covers for cameras, which work pretty well, but only for telephoto lenses. In fact it’s a lot easier to photograph with long lenses in the rain, regardless of what kind of cover you put over the camera, because you can use a long lens hood to keep rain off the front glass. Hoods for wide-angle lenses have to be short, to avoid vignetting, which makes it difficult to keep water from splashing onto the front element. The best solution I’ve found for wide-angle lenses is to attach an umbrella to my tripod with a clamp. This works, but it’s awkward.
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