Digital Darkroom
by Michael Frye | Apr 23, 2018 | Digital Darkroom
Earlier this month Adobe released an update to Lightroom Classic CC (v. 7.3). If you haven’t already installed this update I would wait, as many people are experiencing problems. It’s not unusual for a software update to have some issues, but this release has more problems than usual.
Most of the issues relate to presets, so if you never use presets you’ll probably be fine. If you use presets I would definitely wait until the next update. If you’ve already updated and are experiencing problems, it’s actually pretty easy to revert to the previous version (7.2) of Lightroom Classic.
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by Michael Frye | Oct 26, 2017 | Digital Darkroom
I used the new Range Mask tool in Lightroom Classic CC to improve the green colors in this photo from Rabbit Ears Pass in Colorado
Adobe announced two new, different versions of Lightroom last week. And, unfortunately, the names have created a lot of confusion. Here are the essential things you need to know:
No More Perpetual License
Adobe will no longer make new standalone versions of Lightroom with a perpetual license. That means new versions of Lightroom will be available by subscription only. Lightroom 6 is the last non-subscription version that you can purchase outright. Lightroom 6 is still available for now, but won’t be updated to support new cameras. (You can still use Adobe’s free DNG converter to convert Raw images from new cameras into the DNG format, then import those DNG files into Lightroom 6.)
New Lightroom Classic CC
The new version of the program we’re familiar with is called Lightroom Classic CC. This is the traditional, folder-based version of Lightroom. It is essentially the same as Lightroom CC 2015, but with performance improvements and a new Range Mask tool that allows you to make more precise selections with the Adjustment Brush, Graduated Filter, and Radial Filter.
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by Michael Frye | Oct 2, 2016 | Digital Darkroom, Yosemite Photo Conditions
Sunset clouds over North Lake, autumn, Inyo NF, CA, USA
Claudia and I are back home, but we had fun photographing on the east side last week. Every day we saw more color in Bishop Creek Canyon, and the high-elevation aspens were looking great when we left yesterday.
I made this photograph Friday evening. We had been photographing intimate scenes along the south fork of Bishop Creek for a couple of hours, but there were some clouds hugging the crest of the mountains, so I headed to North Lake where I could get a wider view if the clouds turned color at sunset.
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by Michael Frye | May 11, 2016 | Advanced Techniques, Digital Darkroom, Yosemite Photo Conditions
Spring sunrise, Gates of the Valley, Yosemite, Sunday morning
First, to my subscribers, thanks for your understanding about the email glitches yesterday. I really appreciate all the supportive emails so many people sent. Your kind words turned a frustrating day into a great one.
I haven’t posted anything new on the blog for awhile because I was teaching a workshop, and then working on our new website. The new site is still a bit of a work in progress, so if you find any broken links or other issues please let me know. But the new site better integrates the blog with the other content, makes it easier to add and update portfolios, and will work much better with phones and tablets, so I hope it will be a better experience for everyone.
Meanwhile we had a great workshop, with flowing waterfalls, fresh spring greenery, dogwoods, and some interesting weather and clouds. And the cool, showery spring weather has continued, which I love. I’m not ready for the summer heat, and always happy to have clouds and mist to photograph.
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by Michael Frye | Feb 21, 2016 | Digital Darkroom, Vision and Creativity
Beam of light striking Bridalveil Fall, Yosemite NP, CA, USA
“The term visualization refers to the entire emotional-mental process of creating a photograph, and as such, it is one of the most important concepts in photography.”
— Ansel Adams
I’ve become increasingly aware of the power of visualization over the years. Looking back through my own work, it’s clear that my best photographs were created when I had a strong response to a subject or scene, knew the feeling I wanted to convey, and was able to visualize in advance how I wanted the finished image to look.
But what does visualization mean, and how does it apply to digital photography today? Although Adams mostly talked about visualization in relation to technique, he also made it clear that visualization was part of the creative process. He wrote: “Visualization is a conscious process of projecting the final photographic image in the mind before taking the first steps in actually photographing the subject. Not only do we relate to the subject itself, but we become aware of the its potential as an expressive image.”
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by Michael Frye | Nov 13, 2015 | Announcements, Digital Darkroom
A quick reminder that the price for my Landscapes in Lightroom ebook and video package will go up on Sunday (at midnight Pacific time) from $14.95 to $27.00. This is your last chance to get the new edition at the old price! The new version has been updated for Lightroom 6 and Lightroom CC, and includes eight step-by-step examples, plus ten video tutorials. Click the Add to Cart button below, or visit this page for more information.
Landscapes in Lightroom: The Essential Step-by-Step Guide
PDF ebook plus video tutorials
103 double-page spreads
14.95 until Sunday, November 15th, after which the price goes up to 27.00
FAQ
Purchase from the Eduction Center
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