Clearing snowstorm from Tunnel View, Yosemite NP, CA, USA

Clearing snowstorm from Tunnel View, Yosemite, 8:53 a.m. Sunday

The first snow of the season fell in Yosemite Valley Saturday night, so of course Claudia and I had to go up and see the snow. Getting to the valley Sunday morning was a challenge; Highway 140 between the entrance station and the valley hadn’t been plowed, and it was a mess. Near the old dam (the junction of highways 140 and 120) there were about eight inches of snow on the ground, and a single track to follow through the snow. We had to wait about 15 minutes while an SUV put on chains in the middle of the road. But we made it through, and once we reached the valley the roads were plowed, and the driving easier.

We headed up to Tunnel View, where we found about a foot of new snow. Just as we arrived some blue sky appeared, so it looked like the storm was about to clear. It took awhile, but eventually the clouds parted and the sun broke through and hit El Capitan. I ended up staying near the Tunnel for a couple of hours photographing the ever-changing scene. Eventually I tore myself away, headed down to the valley, and visited a couple of spots along the Merced River.

The images I made that morning were all taken from well-known viewpoints. But in Yosemite it’s more about the moment than the location. When a storm is clearing the clouds, mist, and light are constantly shifting, and it’s fun to try to capture those moments, even from places I’ve photographed many times before. I always try to keep my ideas fluid, and adapt my composition to the conditions. In the photograph above, for example, I noticed the zigzag line of mist along the valley floor, with a diagonal band of clouds to complete the reverse-Z shape. At other times I focused on just El Cap and Half Dome (on the rare occasions when Half Dome was visible), or on Cathedral Rocks, as you can see in a couple of the photographs below. Tunnel View works particularly well during clearing storms because there are so many possible compositions. You can go wide and encompass the whole scene, or zoom in focus on a particular piece of the landscape.

It was so nice to see snow again, and feel it underfoot. Let’s hope we get a lot more this winter!

— Michael Frye

El Capitan and Half Dome from Tunnel View, Yosemite NP, CA, USA

El Capitan and Half Dome from Tunnel View, Yosemite, 8:50 a.m. Sunday

Lower and Middle Cathedral Rocks from Tunnel View, Yosemite NP, CA, USA

Lower and Middle Cathedral Rocks from Tunnel View, Yosemite, 9:27 a.m. Sunday

Clearing storm, El Capitan and the Merced River, Yosemite NP, CA, USA

Clearing storm, El Capitan and the Merced River, Yosemite, 10:05 a.m. Sunday

Related Posts: The Art of Being Flexible; Staying Flexible on a Snowy, Misty Morning

Michael Frye is a professional photographer specializing in landscapes and nature. He is the author or principal photographer of The Photographer’s Guide to Yosemite, Yosemite Meditations, Yosemite Meditations for Women, Yosemite Meditations for Adventurers, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters. He has also written three eBooks: Light & Land: Landscapes in the Digital Darkroom, Exposure for Outdoor Photography, and Landscapes in Lightroom: The Essential Step-by-Step Guide. Michael has written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.