by Michael Frye | May 18, 2011 | Announcements
One of my workshop students in Courthouse Wash
First, a note about the blog. In transferring my domain to a new host, I encountered some problems. It may take a few days to get everything straightened out, and in the mean time I have a generic layout, and old posts will not be visible. I apologize for the inconvenience, and hope to get everything back up and running soon. If you have a subscription you should still get all the new posts.
But I wanted to write about the Moab Photography Symposium before too much time passed. This was my first time attending this event, and it was tremendous fun, with a relaxed, creative, and enjoyable atmosphere.
John Sexton gave a wonderful keynote presentation last Thursday night, and his talk about Ansel Adams on Saturday was amazing—really moving. I gave my presentation, Lessons From the Masters, on Friday morning, then got to see beautiful images from Joan Myers, and hear a fascinating discussion of photography design from Nat Coalson. On Saturday and Sunday we were treated to more great stuff from Jeff Vanuga, Tom Till, Steve Traudt, and Rory Tyler.
Friday and Saturday afternoons we broke into smaller groups for field workshops. I took my groups to Arches National Park (including Courthouse Wash and Balanced Rock) on Friday, and to beautiful Mill Creek on Saturday. Mill Creek is close to town, but this portion of it is not easy to find, and I would never have made it there without guidance from Bruce Hucko, the symposium director. A perennial creek flows through a classic red rock canyon, complete with petroglyphs and late-day reflections in the water.
I hope I get to come back. If you get a chance to attend this event next spring, don’t hesitate. You’ll have a great time.
by Michael Frye | May 11, 2011 | Advanced Techniques, Yosemite Photo Conditions
Lunar rainbow on Upper Yosemite Fall from Cook’s Meadow, May 2009
A full moon is coming up—Tuesday, May 17th, at 4:08 a.m. There should be plenty of spray in Yosemite Falls, so once again it should be possible to photograph a lunar rainbow, and I expect that many photographers will be in Yosemite trying to do just that. If you’re one of those people, last year I wrote some lunar rainbow photography tips that you might find helpful.
To learn the best times for photographing the moonbow, visit Don Olson’s web site. Good luck!
by Michael Frye | May 9, 2011 | Yosemite Photo Conditions
Emerging dogwood along the Merced River (from 2005)
I drove up to Yosemite Valley on Saturday for my reception at The Ansel Adams Gallery, and saw many dogwoods in full bloom—finally! I’d say about half of the blossoms in the valley had turned white, while half were still in that greenish-yellow stage. They’re changing quickly, and I expect that most of them are in full bloom today.
Meanwhile, the attendance at the reception was great—thanks to all of you who came! It was fun to actually shake hands with people who I’d previously only met in the comments of this blog, or on Facebook or Twitter. And it was nice to connect with old friends and acquaintances.
Now I’m on my way to Utah for the Moab Photography Symposium later this week. I’m reminded of that line at the end of the Coen brother’s movie Raising Arizona, something about finding a place “where all the children are happy, and all the parents are strong, and wise. Maybe Utah.” Of course—Utah. Here I come.
by Michael Frye | Apr 28, 2011 | Critiques
"Bonsai Waves" by Mat Malone
Composition
This week’s photograph was made by Mat Malone along the eastern shore of Lake Tahoe, Nevada. What first caught my eye about this image was the composition, with the layered, repeating shapes of the foreground rocks leading the eyes toward the more distant rock with the “bonsai” trees.
In some other critiques I’ve taken issue with foregrounds that didn’t seem to work, that really didn’t add to the photograph. This, on the other hand, is a strong foreground, something that contributes greatly to the overall effect of the image.
Mat told me, “When I was composing this I was really trying find an interesting set of lines that I could incorporate into the foreground. Along the shore I found a few large boulders next to each other that also lined up with the bonsai rock. Then it was just a matter of finding a perch for my tripod with a height that gave the rocks the separation I liked, and waiting for the light.”
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by Michael Frye | Apr 26, 2011 | Yosemite Photo Conditions
Rainbow on Bridalveil Fall
We had a great time last week during my Spring Yosemite Digital Camera Workshop. The weather was constantly changing, which made things challenging, but interesting. I made this photograph of Bridalveil Fall on Thursday as clouds alternately hid and revealed the sun, creating wonderful chiaroscuro light.
Cooler weather has slowed the snowmelt a bit, but the waterfalls are still going strong. The lower temperatures will actually help preserve the snowpack, and ensure that the water will continue to flow well into summer. Someone asked me recently about photographing the lunar rainbow during the July 14th full moon, and I think that might actually be possible this year. There will certainly be plenty of spray for rainbows during the May and June full moons.
A few cottonwood trees have started to leaf out, and I saw the beginnings of some dogwood blossoms. Although skies are supposed to be mostly clear this week, temperatures are expected to remain cool, which might slow the emergence of the dogwoods. At this point the dogwood peak looks to be at least two weeks away, although we could see some individuals in full bloom within a week.
It’s still shaping up to be a spectacular spring—but a late one.
