by Michael Frye | Jul 20, 2025 | Light and Weather
Mule deer doe and backlit wildflowers, Yosemite NP, California. 262mm, 1/500 sec. at f/16, ISO 1600.
It’s midsummer, which motivates Claudia and me to seek cooler and less-crowded spots in the Yosemite high country. And there are usually many flowers at those higher elevations this time of year, which gives us another incentive to go up there.
We spent a couple of afternoons recently in some colorful meadows. I loved the way the sunlight filtered through the trees next to these meadows, creating bands of light and dark through patches of flowers.
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by Michael Frye | Mar 18, 2025 | Travels and Stories, Wildlife Photography
Mountains, glaciers, and chinstrap penguins, Antarctica
At the end of our trip to Antarctica for Visionary Wild, I told Claudia that the thing I was going to miss most was seeing penguins every day. It seemed strange to be heading back to a world without penguins, since they had been a daily part of our lives for two weeks.
And penguins are so much fun to watch. While supremely graceful in water, they’re awkward on land. Yet every day many penguins climb and descend from their nests on slopes so steep they would intimidate most humans. They fall all the time, but always seem to bounce back up and keep going. They’re determined and dedicated parents; they have to be to thrive and reproduce in this harsh environment. And they’re feisty. They won’t tolerate other penguins getting too close to their nest, or intruding on their space.
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by Michael Frye | Dec 31, 2024 | Announcements
Happy New Year! Once again I’m inviting you, my faithful blog readers, to help me choose my best photographs from the past year. I’ve posted 45 of my favorite images from 2024 below, in chronological order. After you look through these, please use the form at the bottom of this post to list your ten favorites.
The voting deadline is midnight Pacific Time this Saturday, January 4th. Voting has closed.
You don’t have to list your ten favorites in any order; just pick up to ten images. Once the votes are in I’ll post the top ten or twelve on this blog. (The number for each photo is in the caption underneath the photograph. Also, you can click on the images to see them larger.)
As always, I reserve the right to override the votes if one of my favorites gets panned. But I’ve rarely had to exercise this power because my readers have excellent taste. 🙂
Thanks for your input — I appreciate your help!
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by Michael Frye | Dec 22, 2024 | Light and Weather
Fog and sunbeams, Sierra Nevada foothills, California. I made this image Wednesday morning, after the sun rose high enough to rake across these layers of fog and trees. In color it was all one note, with everything a pale gold color. Since it was monochromatic anyway, I tried it in black and white, and liked that much better. I think the color distracted from the main story of the photograph, which is about the layers, patterns of light and dark, and tree shadows. 321mm, 1/200 sec. at f/11, ISO 100.
California’s Central Valley is often filled with fog in winter. Usually a shallow layer of fog forms during the night, then burns off the next morning as the sun warms the air. There’s a temporary, low-level inversion during the night and early morning, where the air near the ground is cooler than the air higher up, but when the sun penetrates the fog and warms the ground the inversion ends.
Sometimes, however, the fog in the Central Valley is so thick it doesn’t burn off. The weak sunlight on short winter days never penetrates the fog layer completely, so the fog lasts all day, and into the next night. If the fog persists for a couple of days the inversion will grow deeper (it can get up to two- or three-thousand feet deep), and the fog will gradually lift off the ground into a low overcast, or stratus deck. And then that higher-altitude fog layer will push up into the Sierra foothills. A stratus deck like this can last for several days, or even a week, until a disturbance in the atmosphere (like a storm, or even a weak, dry front) mixes the air and ends the inversion.
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by Michael Frye | Dec 15, 2024 | Advanced Techniques, Composition
Ice fingers, Yosemite NP, California. 400mm, 1 second at f/16, ISO 100; 18 focus-stacked frames blended with Helicon Focus Pro. I needed to photograph this detail at an angle to get the orange reflections, requiring focus-stacking to get everything sharp. (It’s a reflection of a cliff lit by the setting sun.)
Last Thursday, Friday, and Saturday two smaller storms moved through the Sierra, bringing rain and higher-elevation snow. But for a couple of weeks before that it had been dry and warm – reaching the upper 60s at our house in Mariposa.
Early last week, as we were starting our workshop in Yosemite Valley, temperatures cooled off a bit, allowing ice to form along the banks of the Merced River. It’s always fun to photograph ice like this, with its beautiful patterns, designs, and colors. But it can be challenging, both technically and creatively.
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