In the Moment:
Michael Frye's Landscape Photography Blog

One Space Available in My January Workshop

Spotlight on Bridalveil Fall

Spotlight on Bridalveil Fall


Just a quick note to let you know that, due to a cancellation, there’s one space available in my Landscapes in the Digital Darkroom: Mastering Lightroom workshop, January 16-20, 2012. And since it’s in January, it should be no problem to get a hotel room this late—and at off-season rates! Click here to register and grab that last space.

Meanwhile, my Spring Digital Camera workshop is full, and the Eastern Sierra Fall Color workshop filled within a few days. But there’s still space left in the Hidden Yosemite (July), Full Moon Night Photography (July-August), and Digital Landscape (October) workshops.

—Michael Frye

Related Posts: 2012 Workshops AnnouncedTwo New Workshops for 2012

Michael Frye is a professional photographer specializing in landscapes and nature. He is the author and photographer of The Photographer’s Guide to YosemiteYosemite Meditations, and Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters, plus the eBook Light & Land: Landscapes in the Digital Darkroom. He has written numerous magazine articles on the art and technique of photography, and his images have been published in over thirty countries around the world. Michael has lived either in or near Yosemite National Park since 1983, currently residing just outside the park in Mariposa, California.

Eclipse

Oak Tree and Lunar Eclipse Sequence, December 10th, 2011

Oak tree and lunar eclipse sequence, December 10th, 2011


For me the hardest part about photographing last Saturday morning’s lunar eclipse was finding a good location. The fully-eclipsed moon would be close to the horizon in the west-northwest, so I needed a clear view in that direction, ideally with an interesting object in the foreground.

No place in Yosemite seemed to fit—too many mountains in the way. But I thought a remote region of western Mariposa County, with rolling hills and scattered oaks, might work. A week before the eclipse I scouted this area and found a photogenic oak tree on top of hill that seemed to line up with the projected path of the eclipse.

Friday night my student Erik and I got a couple hours of sleep, drove out to this spot, hiked up the hill, set up our cameras, and started our interval timers to capture a sequence of moon images ten minutes apart. We had a long wait, but it wasn’t too cold, and we enjoyed our peaceful, moonlit surroundings. A pair of great-horned owls serenaded us, and groups of coyotes howled at regular intervals. At one point Erik watched four coyotes climb a nearby moonlit hill, then saw one of them stop and howl.

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Lunar Eclipse This Saturday

Lunar Eclipse Sequence, 1:23 a.m. to 4:49 a.m., August 28, 2007

Lunar Eclipse Sequence, 1:23 a.m. to 4:49 a.m., August 28, 2007



Before getting to the topic at hand, I want to let you know that eight people have signed up for the Eastern Sierra Fall Color Workshop since I announced it last Thursday. The limit is twelve students, and I’m sure it will fill up soon, so if you’re thinking about signing up don’t procrastinate!

Okay, on to the eclipse. Before dawn this Saturday, December 10th, viewers in the Western U.S. and Canada will be able to see a total lunar eclipse. If you live in the eastern half of the U.S. unfortunately you’ll only be able to see a partial eclipse. People in most of Europe, Asia, and Australia will also be able to see a total eclipse, though in Europe it will be visible at moonrise on Saturday evening. This NASA page shows where the eclipse will be visible throughout the world, and this page shows more detail for western North America.

Moon Position

If the weather cooperates, and you want to try make your own eclipse photographs, here are some tips. (I’ve copied some of this from my post a year ago, but the information about the moon position is all new.)

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Two New Workshops for 2012!

Aspen circle, June Lake Loop

Aspen circle, June Lake Loop


Eastern Sierra Fall Color: Composition and Creativity Among the Aspens

October 18 (eve.) – 21, 2012

Is an eye for composition something you’re born with, or can it be taught—and learned?

The technical aspects of photography are pretty concrete. With a little instruction anyone can learn to read a histogram or control depth of field. But composition, creativity, and seeing are more nebulous. The infinitely varied world we photograph doesn’t lend itself easily to compositional rules and formulas. There’s a reason no one has yet developed an app that tells you when you’ve framed a good photograph!

I used to think an eye for composition was innate, but over the years I’ve changed my mind. I’ve seen my own compositional skills improve with time, but more importantly, I’ve watched many students—even some who thought they lacked that innate ability to “see”—grow and develop their sense of design, sometimes in great leaps. Composition can be taught, and learned by anyone. And no matter how long you’ve been making photographs you can always learn more.

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A Great Day for Photography

Reflections along the Merced River

Reflections along the Merced River


Last Thursday night a weak storm brought rain and snow to the Sierra. Before going to bed I checked the satellite and radar images online, and it looked like the storm might clear by sunrise, so I set my alarm for some ungodly hour. When the alarm went off I looked at the satellite photos on my iPhone without even getting out of bed. At moments like these, half asleep, warm under the covers, I almost hope those little animated images will show lots of clouds, so I can just roll over and go back to sleep. But alas, it looked like it was clearing. I got up and looked out the window: stars. The only thing worse than getting out of bed in the dark on a cold morning is missing a great sunrise. Time to get dressed.

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