by Michael Frye | Nov 6, 2016 | Composition, Vision and Creativity

Autumn forest with dogwoods and ferns, Yosemite, October 13th. I stood on a log to see over the foreground dogwoods and into the forest; the focal length was 35mm.
I’ve made many images of intimate landscapes over the years, and the vast majority of them were taken with a telephoto lens (usually my 70-200mm zoom). It makes sense to use a lens with a narrower angle of view when focusing on a small piece of the landscape and trying to eliminate clutter in complex forest scenes. Telephoto lenses are also great for compressing space and emphasizing patterns – typically key components of intimate landscapes.
But lately I’ve found myself using wide-angle lenses more and more for smaller scenes. Part of the impetus for this was just buying a new lens. This past July I purchased a new wide-angle zoom (the Sony Vario-Tessar FE 16-35mm f/4 ZA OSS), and it’s natural to want to use and test a new piece of equipment, so I started pulling this lens out in many situations just to see what it could do. But another part of the impetus was just the desire to do something different. I’ve had plenty of practice composing intimate landscapes with telephoto lenses, and I wanted to force myself to look at these scenes in a new way.
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by Michael Frye | Oct 30, 2016 | Night Photography

Mobius Arch at night, Alabama Hills, CA, USA
We just finished a nighttime workshop in the Trona Pinnacles and Alabama Hills. The forecast for our last evening wasn’t promising, calling for mostly cloudy skies and a 70 percent chance of showers. But I told the group that as long as it wasn’t raining there was still a lot we could do, and if we got just a few small breaks in the cloud cover the mix of stars and clouds could be really beautiful.
As sunset approached we headed out to the famous Mobius Arch in the Alabama Hills. We photographed some interesting cloud formations in late-afternoon light, then at dusk set up our cameras to frame the arch with the sky above. The skies were mostly cloudy, just as predicted. Radar images showed showed heavy rain falling west of the Sierra crest. But from our position in the Alabama Hills, in the rain shadow created by the mountain wall, a patch of sky to our west-soutwest stayed partially clear, and remained that way most of the evening. Something about the trajectory of the wind and rain created that rift in the clouds and kept it in place.
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by Michael Frye | Oct 23, 2016 | Yosemite Photo Conditions

Autumn hillside, Bishop Creek Canyon
We just finished our Eastern Sierra Fall Color workshop, and start another workshop tomorrow, so I just have time for a quick post. But we had a lot of fun last week with our group. Autumn arrived early on the east side, and then a storm came through just before the workshop, closing many Sierra passes and blowing leaves off the trees. But we still found some beautiful color; I’ve included a few photographs here made during and just before the workshop.
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by Michael Frye | Oct 9, 2016 | Vision and Creativity

Aspen-covered hillside, Bishop Creek Canyon
During our recent trip to the eastern Sierra I hiked up a trail I’d never been on before. I hoped the trail might lead to view overlooking a hillside full of aspens. It didn’t – at least not directly. I had to leave the trail and work my way out on some rock outcrops, where I did finally reach a spot with a view of that aspen-covered hillside, and made the photograph above.
I was pretty happy with that image; I liked the curving line of bare trunks, and the way the clumps of pines in the lower-right and upper-left corners played off each other. But my eyes kept getting pulled to some aspens next to the rock outcrop. The leaves on these trees displayed a wonderful kaleidoscope of hues – yellow, orange, red, green, even a bit of maroon. I realized that these aspens right in front of me had at least as much photographic potential as the ones on the distant hillside.
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by Michael Frye | Oct 6, 2016 | Composition, Light and Weather

Sunrise on Mt. Whitney from the Alabama Hills, CA, USA
On our trip to the eastern Sierra last week Claudia and I made a detour down to the Alabama Hills. This area is a bit further from home than our usual eastside haunts, so we don’t go there often, and I sometimes forget how amazing it is. The jumbled rocks of the Alabama Hills are interesting and photogenic in their own right, but combined with the abrupt escarpment of the mountains to the west… well it’s just spectacular.
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