by Michael Frye | Apr 18, 2022 | Travels and Stories
Dappled light, Grand Canyon NP, Arizona
“We are three-quarters of a mile in the depths of the earth, and the great river shrinks to insignificance, as it dashes its angry waves against the walls and cliffs, that rise to the world above; they are but puny ripples, and we but pigmies, running up and down the sands, or lost among the boulders. We have an unknown distance yet to run, an unknown river to explore. What falls there are, we know not; what rocks beset the channel, we know not; what walls rise over the river, we know not.” — John Wesley Powell
Powell wrote those words to describe the challenge facing he and his eight companions as they began their epic journey through the Grand Canyon in 1869. They had already been traveling for two-and-a-half months down the Green and Colorado rivers, through territory that was almost completely unknown to Europeans at the time. They were low on food, their clothes had been worn to rags, and their boats were battered an in constant need of repair. Somehow, Powell and five of the men made it through the Grand Canyon, becoming the first to ever do so – as far as we know. (The three others decided to hike out of the canyon, and were never seen again.)
Of course the Colorado River through the Grand Canyon is well known now. Every mile has been thoroughly explored and mapped. But rafting down the river is still a great adventure.
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by Michael Frye | Apr 7, 2022 | Announcements, Digital Darkroom
My online Lightroom courses concentrate on processing your images in the Develop Module. They’re designed to help you get the most out of your photographs, and enhance your original vision without making the images look unnatural.
But of course there are other aspects of Lightroom. The most important of these – and the part that often causes the most trouble and confusion for people – is the organizational part: importing, setting up folder structures, sorting images, finding images, and so on.
I often get asked whether I can recommend a book or course about that organizational aspect of Lightroom, and I’m happy to say that I finally can. Our friend Chrissy Donadi just launched her Lightroom course called Let’s Get Organized! It’s a thorough, comprehensive look at how to efficiently setup, organize, and maintain your photo library in Lightroom Classic. Chrissy does a great job of explaining everything clearly, with all the information you need – but not more than you need.
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by Michael Frye | Mar 22, 2022 | Travels and Stories
Last light on sand dunes, Mojave Desert, California
If you’ve been reading this blog, you know that I love sand dunes. Dunes make great photographic subjects, but it’s more than that. I love just being in the dunes. When walking out to the Mesquite Flat Dunes in Death Valley, there’s this moment when you move off of the surrounding salt crust and onto the sand, and suddenly it seems as if you’re in a different world – a special realm that’s magical, beautiful, and a little surreal.
Children also love sand dunes of course. What kid wouldn’t love playing in a giant sandbox? When our son Kevin was little we took him to sand dunes whenever possible – not just in Death Valley, but to the Oceano Dunes along the California Coast, to the Kelso Dunes, and to the Imperial Dunes near the border with Mexico. He loved playing the sand, and when he was old enough we took him up the highest dune in the Mesquite Flat Dunes, which was a great adventure, and big accomplishment for him.
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by Michael Frye | Mar 16, 2022 | Light and Weather
Dunes in a sandstorm, Death Valley, California. Made before our workshop from a spot overlooking the dunes. I used my longest lens here (400mm), and even then had to crop this slightly. A brief lull in the wind allowed me to use a slowish shutter speed (1/10th sec.) at 100 ISO and get a sharp photo. As you can see, some photographers did make it out to the dunes that morning. One of them is kneeling down to take a picture, which I wouldn’t recommend, as there’s a hundred times more sand blowing around at ground level than at eye level in conditions like this. 400mm, 1/10 sec. at f/11, ISO 100.
Claudia and I just got back from spending another two weeks in Death Valley. This time I was teaching a workshop for Visionary Wild with my co-instructor Jerry Dodrill.
Jerry, Claudia and I scouted together before the workshop, and hung out and explored a bit afterward. Jerry is a super nice guy, and a great photographer and teacher (you can find his website here, and Instagram feed here). We really enjoyed spending time together and teaching together, and our workshop group was wonderful, which made it all even more fun.
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by Michael Frye | Feb 17, 2022 | Advanced Techniques, Vision and Creativity
Creek and sea stack, sunrise, Oregon Coast. I used a slow shutter speed (30 seconds) to smooth the waves, which simplified the scene by eliminating texture in the water, and helped create a more ethereal quality to the image.
In one of my posts about Yellowstone last fall I talked about my attraction to dynamic landscapes. And Yellowstone is certainly dynamic, with its ever-changing array of spouting geysers and steaming vents.
But seascapes might be even more dynamic. In addition to the usual variables of landscape photography – light and weather – there’s the ocean itself. Tides, wave height, wave direction, and wind all have big effects on the way a scene looks. And no two waves are the same, so one moment will often look quite different from the next.
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