In the Moment:
Michael Frye's Landscape Photography Blog

From Lens to Print Webinar, and Out of Big Sur Registration


 

Tomorrow I’ll be joining the Out of Chicago team and ten other Out of Big Sur instructors to present a free webinar called From Lens to Print. We’ll all be sharing insights and practical advice on the photographic process, from before pressing the shutter to the finished print.

The Out of Big Sur photo conference next March will include a special emphasis on that whole process, including printing, because of the rich photographic history of that region. Many legendary photographers made that area their home, including Edward Weston, Ansel Adams, Wynn Bullock, Morley Baer, and Henry Gilpin, and their “west coast” school of photography placed a great emphasis on printmaking.

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Eastside Flowers

Fields of arrowleaf balsamroot below Sierra peaks, Inyo NF, CA, USA

Fields of arrowleaf balsamroot below Sierra peaks, Inyo NF, California. It was a bit of a grunt to climb up this hill through the sagebrush, but I thought this higher vantage point would allow me to see a succession of layers from foreground to middle ground to background, which could add more depth to the image. The dappled light and clouds were perfect complements to the scene. This is a stitched panorama (three shots), made quickly to capture fleeting light. 50mm, 1/125 sec. at f/16, ISO 100.

Tioga Pass through Yosemite finally opened yesterday, July 22nd. That’s the latest opening date ever – by far. The previous record was July 8th, way back in 1933, before the road was even paved. In 1938, the year after it was paved, Tioga Road opened on July 5th. But since 1938 it’s always opened by the end of June, except for 1998, when it opened July 1st. Even in the prodigious snow year of 1983 it opened on June 30th.

An exceptional set of circumstances conspired to make this year’s opening so late. First, there was a lot of snow. There’s some debate about whether this was a record year for snowfall in the Sierra; it’s actually a hard thing to measure, as there are a lot of variables. But it was certainly one of the snowiest years on record.

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Wind Clouds

Lenticular clouds at sunset, eastern Sierra Nevada, CA, USA

Lenticular clouds at sunset, eastern Sierra Nevada, California

I don’t know many landscape photographers who like wind. Wind gyrates flowers and trees, making it hard to get sharp photos. It ruffles lakes, killing reflections. Wind can even shake a tripod-mounted camera, blurring images (especially with telephoto lenses). And it’s generally unpleasant to be out in the wind – especially when it’s cold.

But sometimes wind creates interesting opportunities. On the leeward side of a mountain range (usually the eastern side), or on isolated mountain peaks, wind often creates lenticular clouds, which can be incredibly beautiful and photogenic.

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Character and Mood on the Northern California Coast

Redwoods, ferns, and rhododendrons, northern California coast. I’ve photographed sun breaking through fog in redwood forests many times, but it’s always a special treat. At this particular moment the sun highlighted the redwood trunk on the left, providing a visual focal point, with the ferns, rhododendrons, other trunks, and patches of sunlight all arranging themselves in a harmonious way. I consciously planted the tripod at a spot where I could see decent spacing and separation between the trunks.

Claudia and I have been traveling a lot this year, with trips to Mono Lake, Zion, Valley of Fire, Anza-Borrego and the Central Coast ranges for flowers, the Olympic Peninsula, and multiple visits to Death Valley – along with day trips to Yosemite, of course.

And recently we made another trip, this time to the northern California redwoods for our annual workshop there. But even though that was a long drive, it seemed like we were coming home, rather than leaving home. I always feel that way when we return to the redwoods, because I love that area so much.

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Photographing the Olympic Peninsula

Sun setting in a temperate rainforest, Olympic NP, WA, USA

Sun setting in a temperate rainforest, Olympic NP, Washington

After our Death Valley workshop, wildflower odysseys, and quick trip to Tucson for the NANPA Summit, Claudia and I flew up to Seattle and drove to the Olympic Peninsula for the Out of Olympic photography conference.

That was such a fun event, with a great group of participants, and wonderful instructors. It was great to meet or reconnect with so many good people. And, as usual, the conference was really well organized by Chris Smith and his Out of Chicago team.

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