by Michael Frye | Nov 26, 2023 | Vision and Creativity

Swirling leaves, Inyo NF, California. (See the text for a detailed description of this photo.)
In between our visits to the Pacific Northwest Claudia and I spent a little time in the Eastern Sierra, and close to home in Yosemite. Last year I was in New Zealand in October, and I missed our local autumn, so it was nice to catch a bit of autumn glow in some of our favorite places.
When photographing familiar locations it’s easy to get jaded and think, “I’ve done all this before.” But actually you haven’t. No place is ever exactly the same, because things are always changing. And you’ve changed too; you’re not the same person, or the same photographer, as the last time you were there.
When I go back to a familiar spot, I often ask myself what’s changed – what’s different about the conditions that might create new opportunities. What’s happening now that’s interesting or unusual? It could be the light, the weather, fall color, flowers, water levels, beavers flooding a grove of aspens, a riverbank eroding… nothing ever stays the same.
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by Michael Frye | Nov 16, 2023 | Advanced Techniques, Vision and Creativity

Misty sunset on the Oregon Coast. 73mm, 8 seconds at f/16, ISO 100, ND filter.
Claudia and I have been spending a lot of time in the Pacific Northwest this year, which is great, as I love this part of the world. We just finished a workshop along the Oregon Coast, and now we’re making our way to Bellingham, Washington, to visit our son and daughter-in-law, and stopping to see friends along the way.
The workshop was a lot of fun. A great group of people, and we saw some beautiful light, as well as big waves crashing against the shore.
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by Michael Frye | Nov 5, 2023 | Travels and Stories

Barred owl, Olympic NP, Washington
My previous two posts focused on autumn color on the Olympic Peninsula, but it’s a diverse and beautiful area, and I made many photographs that didn’t involve fall color. The forests are quite photogenic even without fall leaves, plus some of my favorite images from the trip were made along the coast. And one of the highlights of our trip was photographing a barred owl.
We found this owl while driving along a back road early one morning. The owl took off from a log next to the road and flew into a nearby tree. I didn’t have my camera out, so we backed up to where the owl couldn’t see us. Then I stepped out of the car, grabbed my camera and 100-400mm lens, climbed into the passenger seat (the owl was on the right), and got everything set.
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by Michael Frye | Nov 2, 2023 | Travels and Stories

Vine maple and alders, autumn, Olympic NP, Washington
My previous post featured mostly images that combined fall color with the moss- and lichen-draped branches that Olympic National Park is known for. I like those juxtapositions, as they’re so characteristic of that area. But we found lots of other interesting juxtapositions as well.
One thing I kept looking for was groves of alders. Alders often form great patterns, with leaning, criss-crossing, light-colored trunks spotted with patches of moss or lichen. But while alders are deciduous trees, their leaves don’t turn color in the fall. Alders just drop their leaves while they’re still green. Even without that color, however, their patterns and structure make them worth photographing, and sometimes (like in the photo above) I was able to juxtapose maples with alder trunks. (Why don’t alder leaves turn color? No one really knows, but here’s one possible explanation.)
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by Michael Frye | Oct 29, 2023 | Composition, Travels and Stories

Vine maples and big-leaf maples, autumn, Olympic NP, Washington
Earlier this month, Claudia and I spent about two weeks on the Olympic Peninsula in Washington. Part of that time I was co-leading a workshop for Visionary Wild with Jerry Dodrill, which was super fun. We had a great, lively group of people, and beautiful conditions, with lots of fall color, and a gorgeous sunset on the beach.
This was our second trip to the Olympic Peninsula this year, and we loved both visits. There’s something about temperate rain forests that seems to strike a chord with me, whether on the Olympic Peninsula, in the redwoods, or on the west coast of New Zealand.
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