Charles Cramer is a master digital printer, and has probably forgotten more about Photoshop than most of us will ever know. He just made an excerpt from his Photoshop booklet—the handout he uses for his highly regarded workshops—available as a PDF download. If you’re serious about making great digital prints you should read this! And while you’re at it you can check out his beautiful photographs.
Last night I joined the throngs in Cook’s Meadow to photograph the lunar rainbow on Upper Yosemite Fall. There were at least 100 photographers around the meadow, and probably many more at the bridge below Lower Yosemite Fall. Like Horsetail Fall in February, lunar rainbows have become a photographic phenomenon. Until recently the most popular place was at Lower Yosemite Fall, but since Don Olson published specific times for seeing the “moonbow” from the Sentinel Bridge in Cook’s Meadow this spot has attracted lots of photographers. The big advantage is that it’s dry! At the bridge below Lower Yosemite Fall it’s impossible to keep mist off the front of the lens.
You can’t really see a lunar rainbow with the naked eye. Our eyes don’t render color very well in the dark, so at best you can see a bright arc and maybe a hint of color. But the color is there, and film or digital sensors capture it well. One of the reasons that more people haven’t photographed lunar rainbows from Cook’s Meadow in the past is that you can’t really see it from there. With film you’d just have to guess about the position and wait to find out whether you were right. With digital sensors it’s easy to just take a photo and see the position of the rainbow.
Last night the moon was bright enough that I could see the rainbow fairly well. Along with everyone else I watched it move down the fall as the moon rose. When the rainbow fell too low, most people packed up (it was 11:30 p.m. after all), but I followed the moon westward and saw an even more vivid rainbow from near the Yosemite Chapel. This photograph was made from that spot. Rainbows form a circle around a spot opposite the light source—sun or moon. Lunar rainbows can be seen on any waterfall that gets moonlight if you position yourself properly. In fact I photographed a lunar rainbow on Castle Geyser in Yellowstone many years ago. Maybe I’ll put that image in another post.
Long exposures with digital cameras can create lots of noise, but newer models handle this pretty well. You’re usually better off making a long exposure at a low ISO than a shorter exposure with a higher ISO. But with lunar rainbows you don’t want to make the exposure too long or the bands of color will blend together. I used a six-minute exposure at f/4 and 100 ISO for the image above. Trying to lighten a dark image will exaggerate noise, so it’s best to make the photograph as light as possible without overexposing it. Don’t rely on just how it looks on your LCD screen. Since it’s dark, the screen will look bright even if the image is underexposed. Use your histogram.
Having said that, a nighttime photograph shouldn’t be too bright. You don’t want it to look like it was taken under midday sunlight. I actually darkened this image—especially the sky—in software to give it more of a nighttime feeling.
Everyone has heard of Photoshop. It’s permeated our culture deeply enough to become both a noun and a verb, as in, “She Photoshopped a telephone pole out of the picture.” So when photographers first dive into the digital world they naturally think of Photoshop or it’s baby sister, Photoshop Elements, for their image-editing software.
The spring equinox is only a few days away, and the light is changing rapidly in Yosemite Valley. In winter the rising and setting sun strikes formations on the north side of the valley like El Capitan, Three Brothers, and Yosemite Falls. In summer the best light shifts to the rocks and falls on the south side of the valley – Glacier Point, Sentinel Rock, Cathedral Rocks, and Bridalveil Fall.
I’ve made several additions to my web site, including a Tips and Tutorials section, with two tips: one on reading histograms, and another about how to re-create the effect of a graduated neutral-density filter in Photoshop. The foreground of the Mono Lake photo above was lightened using my “digital graduated filter” method. I’ve also added a Books & Posters area, plus an Articles section.
On Thursday evening I photographed Horestail Fall from near “Rowell’s View,” one of the small clearings east of the El Capitan picnic area. Two friends and I arrived about 4:30 and got the last two marginal parking spaces. There were easily 100 photographers in the vicinity, most set up right in the plowed parking area – not the best view in my opinion, as it’s too directly underneath the fall. But once we left the picnic area we were virtually alone.
I’ve been using Lightroom since Adobe released the beta version in 2006. Over the years I’ve learned many shortcuts, and in this video I share some of my favorite tips – things I use all the time to streamline my workflow:
